《Striated》展览，比利时 / Jae Ko

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率先体验Jae Ko在比利时的首次个展《Striated》。22MUSE画廊诚邀您亲临现场，在艺术家的陪伴下，共度一个融合艺术、交流与庆祝的夜晚。四十多年来，纸一直是Jae Ko艺术实践的基础。她的创作植根于材料本身——纸所固有的特质、多样的形态，以及其表达自然世界复杂性与美感的非凡能力。

Be among the first to experience Striated, Jae Ko’s debut solo exhibition in Belgium. Join us for an evening of art, conversation, and celebration in the presence of the artist.For more than forty years, paper has been the foundation of Jae Ko’s artistic practice. Her work is rooted in the material itself its inherent qualities, diverse forms, and remarkable capacity to express the complexity and beauty of the natural world.

▼展览现场，construction site © 22MUSE

Ko的创作受到地形学、地质学、建筑学和构成主义的共同影响。她探索岩芯、景观与建筑之间的内在联系，在这些关系中，形式与功能密不可分。20世纪初的构成主义对她产生了重要影响，尤其是其中对于通过体量并置和空间关系所创造之物体的研究。

Ko’s practice draws upon topographic, geological, architectural, and Constructivist influences. She explores the intrinsic relationships between rock cores, landscapes, and architecture, where form and function are inseparable. Early twentieth-century Constructivism has been a significant influence, particularly its investigation of objects created through the juxtaposition of volumes and spatial relationships.

▼艺术家Jae Ko，Artist Jae Ko © 22MUSE

Ko运用广泛而多样的技法，将纸转化为具有雕塑感的三维形态。在许多大型作品中，她先将紧密卷绕的加法机用纸从原有纸卷中展开，再以更为松弛的方式重新卷起，使材料逐渐变得更易于塑形。她对纸张进行扭转、堆叠、折叠、浸泡、切割、掩埋，并使其暴露于阳光之下，接纳这些过程所带来的各种变化。

Working through an extensive range of techniques, Ko transforms paper into sculptural, three dimensional forms. In many of her larger works, she unrolls tightly wound layers of adding machine paper from their original coils before re-rolling them more loosely, allowing the material to become increasingly responsive to manipulation. She twists, stacks, folds, soaks, cuts, buries, and exposes the paper to sunlight, embracing the transformations that emerge through these processes.

▼《黑色上的绿色》，114×114厘米，卷轴纸与颜料墨水,
Green on Black 114x114cm, Rolled paper and Pigmented Ink  © 22MUSE

她的作品通过对不同质地、厚度、宽度和颜色纸张的持续实验而不断发展。Ko 经常使用大量再生牛皮纸及其他工业纸卷进行创作。她的大型装置由紧密排列的牛皮纸束构成，这些纸束随着高度上升逐渐松散，形成褶皱、折叠与空隙，令人联想到起伏的丘陵、风吹过的地貌、海洋潮汐与北极冰川。

Her work evolves through continual experimentation with papers that vary in texture, thickness, width, and color. Ko frequently works with substantial quantities of recycled kraft paper and other industrial paper rolls. Her large-scale installations emerge from densely packed bundles of kraft paper that gradually loosen as they rise, creating folds, pleats, and voids that evoke rolling hills, wind-swept land scapes, ocean tides, and Arctic glaciers.

▼《绿色与黑色》，卷纸与颜料墨水2365  55x65x14厘米,
Green on Black, Rolled paper and Pigmented Ink 2365 55x65x14cm  © 22MUSE

▼《绿色与黑色》，卷纸与颜料墨水2304   25×27×5.5英寸,
Green on Black, 25x27x5.5”, Rolled paper and Pigmented Ink 2304  © 22MUSE

这些装置传达出强烈的运动感与变化感。边缘纤细锐利的纸质形态生成舒展而连续的曲线，激活周围空间；线条与体量、运动与坚实之间的相互作用，则映射出自然环境动态而复杂的特质。通过持续不断的建构与转化过程，Ko 的作品探讨了材料、景观与塑造我们所处世界的各种力量之间不断变化的关系。

These installations convey a powerful sense of movement and transformation. Fine-edged paper forms generate sweeping, curvilinear lines that activate the surrounding space, while the interplay of line and volume, movement and solidity, reflects the dynamic complexity of the natural environment. Through a continual process of construction and transformation, Ko’s work examines the ever-changing relationship between material, landscape, and the forces that shape the world we inhabit.

▼《红与黑》，20.5英寸×20.5英寸×10英寸，卷纸与颜料墨水 3193,
Red and Black, 20.5”x20.5”x10”, Rolled Paper and Pigmented Ink 3193  © 22MUSE

▼《红与黑》，20.5英寸×20.5英寸×10英寸，卷纸与颜料墨水 3192,
Red and Black, 20.5”x20.5”x10”, Rolled Paper and Pigmented Ink 3192  © 22MUSE

Opening: Thursday 22 October, 18:00 – 21:00 RSVP
Exhibition: 23 October – 28 November 2026
Hours: Monday – Saturday, 10:30 – 18:00
Gallery: 22MUSE, Oudaan 22, 2000 Antwerp

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