Promenade in rural environment by BONA FIDE TALLER

非常感谢 BONA FIDE TALLER 予gooood分享以下内容。更多关于他们：BONA FIDE TALLER on gooood
Appreciation towards BONA FIDE TALLER for providing the following description:

项目坐落于西班牙卡斯特利翁省河谷畔的Les Coves de Vinromà小镇，是一条沿着小镇边缘的景观步道。为了推动小镇陶瓷业的发展，当地举办了以景观为主体的设计竞赛，其中，由BONA FIDE TALLER事务所的设计方案脱颖而出。步道宛如一条陶瓷铺制的长毯，沿着现有的石墙徐徐展开，灵活而柔美地绕过树木与道路，而后在几处景观节点巧妙地形成混凝土座椅，使原本乏味的场地变得灵动而有趣了起来。步道石板的表面十分光滑，就如同用砂纸打磨过一般。其他设计元素，如扶手栏杆、护墙等，进一步增强了景观的流动性。

The project developed by Bona fide taller in the urban edge of the small town of Les Coves de Vinromà, in Castellón (Spain), is the result of a competition promoted by the ceramic industry of the region. Located on the edge of a small town by the river valley, the promenade is a landscape intervention on the side of a road, a ceramic carpet that has been unrolled following the line of the existing stone wall that holds the terrain. It creases and folds as the trees and roads cross its way, thus dragging stones of concrete in those backwaters, where one can sit. The surfaces of these slabs polished as if they were exposed to the sanding of use. Other elements such as bollards lead the flow.

▼项目远景，
viewing the project from distance © Oleh Kardash Horlay

▼隐没于自然环境中的景观步道，
the Promenade in rural environment © Oleh Kardash Horlay

人行步道顺着法院外围的干石墙延伸，连接了老旧的车道与上方的城镇。步道阶梯式的斜坡是用河边石头为材料，再用灌木锤击工艺加工而成。同样的材质还出现在附近的街道上坡，以及阴蔽在松树下的路面中。

The dry-stone wall that holds the court follows a footpath that goes down to the old wheel, coming from the high levels of the town above. Its stepped slope is solved with river stones in between salvaged bush-hammered masonry -as found in the nearby streets uphill-, all under the shade of the pines.

▼项目与城镇的老建筑风格相得益彰，
The project complements the old architectural style of the town © Oleh Kardash Horlay

▼仰视上方的混凝土座椅，
Looking up at the concrete seats above © Oleh Kardash Horlay

▼石材堆砌的墙面与台阶，
Stone wall and steps © BONA FIDE TALLER

这条景观小径蜿蜒向下，最终汇集到一个小型广场。与步道不同，小广场空间具有明确的城市和家庭属性，人们可以在这里聚会谈天、休闲娱乐。广场的中心设有喷泉，露天的排水道将水自然排放至下方的山体中。锈迹斑斑的金属网与碎石组成步道边缘的护墙，穿过护墙的缝隙可以清晰地瞥见到附近的小河，河中的白色大理石以及山谷对岸废弃的谷仓。

It descends and drains into a small plaza. Unlike the pathway, this space is of urban, domestic attributes. An outdoor room for meeting and rest. A fountain holds the center, expelling its water through an open drain to the natural terrain below. From its ledge of rusted mesh and stone the river can be seen, with all its white marbles, and the abandoned barns at the other side of the valley.

▼景观小径蜿蜒向下，
the promenade descends nd drains into a small plaza © Oleh Kardash Horlay

▼路边的混凝土座椅，
Concrete seats by the side of the road © BONA FIDE TALLER

▼路面与混凝土座椅近景，
Close view of promenade and concrete seats © BONA FIDE TALLER

▼小广场与喷泉，
Small plaza and fountain © Oleh Kardash Horlay

选材是本项目设计中的重点，尤其是在这样一个微妙的环境中。路面采用了低成本的回收陶瓷碎片，设计师将它们重新切割、组合，最终形成了温暖的红色细条纹路面肌理。陶瓷、不同种类的石材、锈红色的耐候钢组合在一起，和谐地融入了周边的自然环境之中。

Materiality is key, particularly in such a delicate environment. Pavement is built using blocks of recycled low value ceramic stock, cut and reassembled, resulting in a warm red pinstripe. Along with stone work, stone paving of different sorts and rusted steel, the intervention blends into the palette of the landscape.

▼混凝土座椅与锈钢栏杆细部，
Concrete seats and rusty steel railings details © BONA FIDE TALLER

从早期的概念阶段到最终的细节设计，设计师没有使用任何电脑软件，完全采用手工绘制，最终得到了一套精致且独一无二的项目图纸，将整个项目过程娓娓道来。在设计的过程中，BONA FIDE TALLER工作室的制图桌铺满了长达5米的图纸，这些图纸随着设计的深化不断更新，最后堆积成一座小山，所有的素材、想法、试验、细节以及指导文件都浓缩在这些图纸中，展现出项目完整的时间维度。设计中的每一个元素都经过了精心定义，具有自己明确的特性，最终以二维视图与三维空间的表现手法跃然纸上。整套图纸就如同一场视角与细节的舞蹈，在自由表达与严谨推算中达到平衡。

Designed from the early stages to the final details by hand, no software of any kind has been employed, resulting a beautiful set of drawings that narrate the whole process. During the development, the drafting table at the studio was held hostage by a 1/50 floor plan of roughly 5 meters of tracing paper. Drawings piled up and superseded the former in an untidy chronological process. The result gathers trials and errors, thoughts, ideas, details and work instructions; the temporal dimension of the process condensed in these documents. On the tablecloths of paper each element acquires its own nature, demanding space or even tridimensional representation outside the unfolding rules of the dihedral view, according to its needs for definition. A dance of pieces, partial views and details are choreographed by and referenced to the outline of the plan.