非常感谢 Simone Bossi 将项目介绍和项目图片授权gooood发行。更多请至:Simone Bossi on gooood
Appreciation towards Simone Bossi for providing the following description:
Presence探索摄影如何成为一种 “身处空间之中” 的行为,而非对空间的描述。作品脱离再现,转而关注体验——一种亲历的、即时的、极为个人化的体验。空间不再被视为需要记录的对象,而是一种包围着我们并作用于我们的状态,塑造着我们的感知、呼吸与移动。
Presence explores photography as an act of being within space rather than describing it. The work moves away from representation and focuses instead on experience – something lived, immediate, and deeply personal. Space is not treated as a subject to be documented, but as a condition that surrounds us and acts upon us, shaping perception, breath, and movement.
▼展览现场,exhibition site © Simone Bossi
碎片、痕迹与细微的变化成为关注的焦点,它们能够吸引我们停留,让我们慢下来,并使感知发生位移。通过这些极简的表达,影像暗示出另一种观看的节奏——一种扎根于“在场”的观看方式,在这里,仅凭感知本身便足以校准我们对于距离的判断。摄影成为一道阈限,在这里,空间不再是从外部被捕捉的对象,而是从内部被体验的存在;观看者也被邀请通过自身的在场,重新定位并重新组合这些碎片。
Fragments, traces, and subtle shifts become points of attention, capable of holding us, slowing us down, and displacing awareness. Through these minimal gestures, the images suggest another rhythm of seeing – rooted in presence, where perception alone calibrates our sense of distance.Photography becomes a threshold where space is not captured from the outside, but experienced from within, and viewers are invited to relocate and recompose these fragments through their own presence.
▼展览现场,exhibition site © Simone Bossi
在这种不确定的重构之中,空间呈现为一种脆弱而模糊的存在,却也因此更接近一种更加私密的空间感受。在这里,“在场”不仅是作品的主题,也是它的方法与最终结果:它成为我们仍然能够创造出的最真诚的影像。
In this uncertain reconstruction, space emerges as something fragile and unclear, yet closer to a more intimate sense of space.Here, presence is not only the subject of the work, but also its method and its outcome: the most sincere image we can still make.
▼作品成为建筑本身一部分,
a context in which the work can become part of the architecture itself © Simone Bossi
该装置呈现于韩国时装品牌COOR位于首尔的旗舰店内,空间由Atelier KHJ设计。这家旗舰店不仅被构想为一个零售空间,同时也是承载艺术介入与展览的场所,为作品提供了一种能够使其成为建筑本身一部分的空间语境。
The installation is presented within the Seoul flagship store of Korean fashion brand COOR, designed by Atelier KHJ. Conceived not only as a retail space, but also as a place for artistic interventions and exhibitions, the flagship provides a context in which the work can become part of the architecture itself.
▼旗舰店成为承载艺术介入与展览的场所,
as a place for artistic interventions and exhibitions © Simone Bossi
这些照片并非只是被放置在空间之中,而是重新塑造了人们对空间的体验。九幅照片印制于轻质棉纸上,并由定制的红色调橡木条固定。橡木与混凝土温暖的色调相互呼应,同时呈现出一种微妙而脆弱的对比。
The photographs do not simply occupy the space, but reconfigure the experience of it. Nine prints on lightweight cotton paper are held by custom oak bars in a reddish hue, resonating with the warm tones of the concrete and revealing a fragile contrast.
▼展览细节,exhibition detail © Simone Bossi
部分影像被放置在与其拍摄来源的建筑片段紧密对应的位置,由此创造出一个“空间中的空间”:照片中所见之物与其周围真实存在的环境之间,形成了一种细微的对应关系。
Some images are placed in close relation to the fragments of the architecture from which they originated, creating a space within the space: a subtle correspondence between what is seen in the photograph and what surrounds it.
▼影像被放置在与其拍摄来源的建筑片段紧密对应的位置,
images are placed in close relation to the fragments of the architecture from which they originated © Simone Bossi
▼影像被放置在与其拍摄来源的建筑片段紧密对应的位置,
images are placed in close relation to the fragments of the architecture from which they originated © Simone Bossi
观看者被邀请放慢脚步、移动身体,并在影像与环境之间不断转换视线;与此同时,彩色与黑白影像的并置,为个人记忆与感知留下空间,使观看者能够以自身的经验补全这一体验。
The viewer is invited to slow down, move, and shift between image and environment, while the coexistence of colour and black-and-white leaves room for personal memory and perception to complete the experience.
▼摄影师作品展示,display of photographer’s works © Simone Bossi
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