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直觉驱动的形式、材料与制作探索
An Intuitive Search for New Forms, Materials and Ways of Making
在2026年荷兰设计周期间，Teun Zwets以“NEW STUDIO SUPER SHOW”庆祝新工作室的启用，带来50把椅子，也开启了50个新系列。他同时在Piet Hein Eek园区内的FORM Designlab展出了新作。
During Dutch Design Week 2026, Teun Zwets celebrated the opening of his new atelier with NEW STUDIO SUPER SHOW, unveiling 50 CHAIRS, 50 NEW COLLECTIONS. He also presented new work at FORM Designlab at Piet Hein Eek.
▼Hallenweg新工作室外观，Exterior of the new studio at Hallenweg © Jeroen van der Wielen
在“NEW STUDIO SUPER SHOW”中，Teun Zwets呈现了50把完全不同的椅子。他凭借直觉从一个设计走向下一个设计，寻找只有在制作中才会出现的想法。自2026年初起，他便在埃因霍温的新工作室工作。荷兰设计周期间，他将50把新椅子放进木工与金工车间；这50种截然不同的设计，在他看来正是50个正在孕育的新系列。
For NEW STUDIO SUPER SHOW, Teun Zwets presented 50 completely different chairs. He follows his intuition from one design to the next, searching for ideas that can only emerge through making. Since early 2026, Teun Zwets has been working from his new studio in Eindhoven. For Dutch Design Week, he filled his wood and metal workshop with 50 new chairs; fifty completely different designs that he sees as 50 new collections in the making.
▼新工作室展览全景，Overview of the new studio exhibition © Jeroen van der Wielen
▼车间中的两条展台，Two plinths in the workshop © Jeroen van der Wielen
▼50把椅子的陈列，Display of 50 chairs © Jeroen van der Wielen
▼展台之间的通道，Aisle between the plinths © Jeroen van der Wielen
▼各具形态的座椅，Chairs in different forms © Jeroen van der Wielen
▼工作空间与展览，Workspace and exhibition © Jeroen van der Wielen
▼座椅与工作室墙面，Chairs and the studio wall © Jeroen van der Wielen
▼展览通道，Exhibition aisle © Jeroen van der Wielen
▼工作室一角与绿植与木质墙面，A corner of the studio; Plants and timber wall © Jeroen van der Wielen
▼座椅背面，Rear view of the chairs © Jeroen van der Wielen
▼工作室储物架，Studio shelving © Jeroen van der Wielen
▼储物与制作空间，Storage and making space © Jeroen van der Wielen
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同时开启50个系列
50 At Once
在过去两年主要完善既有系列之后，Teun想知道还能创造出什么。于是，他决定同时开启50个系列，而非只设计一个新系列。每把椅子都是一次尝试的机会：一种新材料、一种不寻常的构造、另一种形式，或一项从未使用过的技术。
After two years spent largely building his existing collection, Teun wanted to find out what else might emerge. So, instead of designing one new collection, he decided to start 50 at once. Each chair is an opportunity to try something different: a new material, an unusual construction, another form or a technique he has never used before.
▼不同色彩与构造的座椅，Chairs in varied colours and constructions © Jeroen van der Wielen
▼雕塑般的座椅，Sculptural chairs © Jeroen van der Wielen
▼座椅局部，chair © Jeroen van der Wielen
▼座椅细部，chair detail © Jeroen van der Wielen
▼座椅沿展台排列，Chairs arranged along the plinths © Jeroen van der Wielen
▼座椅阵列背面，Rear view of the chair display © Jeroen van der Wielen
▼展台上的不同椅子与形态各异的座椅阵列，Different chairs on the plinth; A sequence of varied chair forms © Jeroen van der Wielen
▼车间里的座椅展览，Chair exhibition in the workshop © Jeroen van der Wielen
▼座椅陈列近景，Closer view of the chair display © Jeroen van der Wielen
▼低视角观看展台与红黄座椅组合，A low view of the plinth; Red and yellow chairs © Jeroen van der Wielen
▼彩色座椅与通道，Colourful chairs beside the aisle © Jeroen van der Wielen
▼座椅侧面与结构，Chair profiles and structures © Jeroen van der Wielen
▼并置的椅子与座椅设计的差异，Chairs placed side by side; Contrasting chair designs © Jeroen van der Wielen
▼座椅与桌面细节，Chair and tabletop details © Jeroen van der Wielen
他的工作快速而直觉化。一个想法不必在动手前被彻底想清楚；正是在制作中，Teun发现它是否值得继续探索。由此，众多潜在方向逐渐展开。有些椅子会是独一无二的单件，另一些则可能成为后续发展的起点。而在这50把椅子之中，也许就藏着他未来数年持续推进的系列。
The work happens fast and intuitively. An idea does not need to be fully figured out before he starts building it. It is through making that Teun discovers whether there is something worth pursuing. The result is a huge range of possible directions. Some chairs will remain one-offs; others may become the starting point for something he develops further. And somewhere among the 50 might be the collection he will work on for years to come.
▼深色木质座椅与浅绿色雕塑座椅，Dark wooden chair; Pale green sculptural chair © Jeroen van der Wielen
▼绿色座椅与彩色木块座椅，Green chair; Chair with colourful wooden blocks © Jeroen van der Wielen
▼白色方框座椅与半透明黄色座椅，White rectangular chair; Translucent yellow chair © Jeroen van der Wielen
▼灰色不规则座椅，Grey irregular chair © Jeroen van der Wielen
▼三种座椅设计，Three chair designs © Jeroen van der Wielen
▼座椅形态的叠合与座椅构造的叠合，Overlapping chair forms; Overlapping chair constructions © Jeroen van der Wielen
▼50把椅子的集合，The collection of 50 chairs © Jeroen van der Wielen
不同的世界
Different Worlds
位于楼上的展厅被转化为一连串不同的世界，将新作、既有系列、艺术与装置汇聚在一起。其中展示了Splitted系列的新作品，包括一张转角沙发和一张椭圆桌。
On the first floor, the showroom was transformed into a series of different worlds, bringing together new work, existing collections, art and installations. New pieces from the Splitted collection are presented, including a corner sofa and an oval table.
▼Merijn Kavelaars合作装置，Installation with Merijn Kavelaars © Jeroen van der Wielen
▼棕色转角沙发与展厅，Brown corner sofa in the showroom © Jeroen van der Wielen
▼转角沙发区域，Corner sofa setting © Jeroen van der Wielen
在其中一个世界里，Teun与艺术家Merijn Kavelaars展开合作。Merijn以充满鲜明线条、明亮色彩和有机形态的绘画与装置著称，他的作品常常走出画布，占据整个空间。荷兰设计周期间，Merijn将展厅的一部分当作自己的画布。Teun制作的Splitted画框包围着Merijn的画作，一把椅子和一张餐边柜则成为同一装置的组成部分。两人的作品因直觉化的创作方式而相遇，让材料、形式与偶然性共同决定结果。
For one of these worlds, Teun collaborates with artist Merijn Kavelaars, known for paintings and installations filled with bold lines, vibrant colours and organic shapes. His work often moves beyond the canvas to take over entire spaces.For DDW, Merijn uses part of the showroom as his canvas. A painting is framed in a Splitted frame made by Teun, while a chair and sideboard become part of the same installation. Their work connects through an intuitive approach, allowing material, form and chance to shape the outcome.
▼绘画与家具共同构成装置，Painting and furniture as one installation © Jeroen van der Wielen
▼艺术与家具相遇的展厅，Art and furniture in the showroom © Jeroen van der Wielen
展厅的另一处完全由纸板构筑，形成又一个世界。这里不再只是传统意义上的家具陈列，而成为让参观者从一个世界走入另一个世界的场所。
Elsewhere, another part of the showroom was built entirely from cardboard, creating yet another world. Rather than functioning as a traditional furniture display, the showroom becomes a place where visitors can step from one world into the next.
▼纸板构筑的房间，A room built from cardboard © Jeroen van der Wielen
▼绿色房间中的家具，Furniture in the green room © Jeroen van der Wielen
▼椭圆桌与房间陈设，Oval table and room setting © Jeroen van der Wielen
▼转角沙发细节与绿色展厅空间，Detail of the corner sofa; Green showroom space © Jeroen van der Wielen
▼纸板房间细节与延伸至空间中的艺术，Detail of the cardboard room; Art extending into the space © Jeroen van der Wielen
▼桌子与吊灯，Table and pendant light © Jeroen van der Wielen
▼吊灯细节与红色柜体与房间陈设，Pendant light detail; Red cabinet and room setting © Jeroen van der Wielen
▼镜子与桌子，Mirror and desk © Jeroen van der Wielen
▼淡紫色台灯，Lilac table lamp © Jeroen van der Wielen
▼绘画包围的房间与淡紫色扶手椅，A room surrounded by painting; Lilac armchair © Jeroen van der Wielen
▼椅子与绘画装置，Chair and painting installation © Jeroen van der Wielen
▼绿色形态的绘画与蓝绿色绘画细节，Painting with green forms; Detail of a blue and green painting © Jeroen van der Wielen
新工作室开幕之夜
The Opening of Teun Zwets’ New Studio
10月17日，星期六，Teun正式开启新工作室的大门，以一场带有鲜明个人色彩的晚间活动，让他的设计实践鲜活地呈现在宾客面前。庆祝活动的核心，是“50 NEW CHAIRS, 50 NEW COLLECTIONS”装置的转变：50把椅子分别代表一个新系列。宾客抵达后先享用迎宾饮品，再参观新工作室、展厅，以及将椅子陈列在两条长展台上的装置。
On Saturday, 17 October, Teun officially opened the doors to his new studio with an evening that brought his design practice to life in a uniquely personal way.At the heart of the celebration was the transformation of 50 NEW CHAIRS, 50 NEW COLLECTIONS, an installation presenting 50 chairs, each representing a new collection. Guests arrived to a welcome drink before exploring Teun’s new atelier, showroom and the installation, with the chairs displayed on two long plinths.
▼新工作室开幕现场，Opening of the new studio © Nick Bookelaar
▼开幕夜的参观者，Visitors on the opening night © Nick Bookelaar
随着夜晚展开，这件装置获得了新的用途。两条展台被拼成一张长餐桌，50位宾客坐在刚刚欣赏过的椅子上共进晚餐。超大桌布、摇曳的烛光，以及Oogenlust结合HKLiving x Teun Zwets系列作品布置的丰盛桌面花艺，共同构成一场围绕设计、食物与相聚的亲密庆典。Teun致欢迎辞后，大家举杯庆祝工作室开幕。晚餐供应了他儿时最喜爱的一道菜，为活动增添个人记忆；随后，甜点直接由冰激凌车送上。最后一道菜结束后，派对开始了，椅子被抬上餐桌，空间再次转变。这个结尾恰如其分地体现了Teun的创作精神：设计超越物件本身，创造让人们相聚的体验。
As the evening unfolded, the installation took on a new purpose. The two plinths were brought together to form one long dining table, seating 50 guests on the very chairs they had just admired. Dressed with an oversized tablecloth, flickering candles, generous centrepieces styled by Oogenlust with pieces of the HKLiving x Teun Zwets collection, the setting became an intimate celebration of design, food and togetherness.Following a welcome speech by Teun, glasses were raised to mark the opening. Dinner featured one of his favourite dishes from childhood, adding a personal touch to the occasion, before dessert was served straight from an ice cream truck.And as the final course gave way to the party, the chairs were lifted onto the table, transforming the space once again. It was a fitting finale to an evening that captured the spirit of Teun’s work: design that goes beyond the object, creating experiences that bring people together.
▼由展台转变而成的长餐桌，The plinths transformed into a dining table © Nick Bookelaar
FORM Designlab的Splitted Wall Works
Splitted Wall Works at FORM Designlab
除新工作室中的展示之外，Teun也在Piet Hein Eek园区内的FORM Designlab举办了另一场展览，他此前也曾在此展出。这次，Teun Zwets带来Splitted系列的新墙面作品，包括镜子、药品柜、搁架和其他壁挂物件，与既有家具及和摄影师Jeroen van der Wielen合作的新作一同展出。
In addition to the presentation at Teun’s new studio, another presentation took place at FORM Designlab, at Piet Hein Eek, where Teun has exhibited previously.Teun Zwets presented new wall works from the Splitted collection, including new mirrors, medicine cabinets, shelves and other wall objects, alongside existing pieces and new work created with photographer Jeroen van der Wielen.
▼Splitted Wall Works展览现场，Splitted Wall Works exhibition © Jeroen van der Wielen
Splitted系列始于用斧头劈开木梁。劈裂后的裂缝、木纹与肌理被保留下来，成为家具的出发点。椅子、桌子、柜子和其他物件由此形成，每件都拥有自己的形态与个性。整个系列以手工制作，并饰以高光漆。
Teun Zwets’ Splitted Collection starts with splitting wooden beams with an axe. The resulting cracks, grain and texture of the wood remain visible and become the starting point for the furniture. Chairs, tables, cabinets and other objects emerge from this process, each with its own form and character. The collection is handmade and finished with a high-gloss lacquer.
▼带搁架的镜子与壁挂收纳物件，Mirror with a shelf; Wall-mounted storage object Courtesy of Teun Zwets
▼展览海报，Exhibition poster
© Jeroen van der Wielen；平面设计 / Graphic design: Studio YK
展览：NEW STUDIO SUPER SHOW；Splitted: Wall Works
设计师：Teun Zwets
地点：荷兰，埃因霍温
新工作室：Hallenweg 11a, Eindhoven
Splitted: Wall Works：FORM Designlab，Piet Hein Eek园区，Halvemaanstraat 22, Eindhoven
展期：2026年10月17日至25日，11:00–18:00
艺术合作：Merijn Kavelaars
棕色转角沙发：与Nel合作；地毯：Tarkett
主展合作伙伴：Dutch Design Week、HKLiving x Teun Zwets、Jeroen van der Wielen、Merijn Kavelaars、Oogenlust、Studio YK、Wisse Trooster、Gielissen
支持：Stichting Cultuur Eindhoven
Wall Works合作伙伴：Dutch Design Week、FORM Designlab、Jeroen van der Wielen、Piet Hein Eek、Wisse Trooster
摄影：Jeroen van der Wielen；开幕活动摄影：Nick Bookelaar
邀请函平面设计：Yorit Kluitman / Studio YK
媒体资料：Teun Zwets / Statius PR
Exhibitions: NEW STUDIO SUPER SHOW; Splitted: Wall Works
Designer: Teun Zwets
Location: Eindhoven, the Netherlands
New studio: Hallenweg 11a, Eindhoven
Splitted: Wall Works: FORM Designlab at Piet Hein Eek, Halvemaanstraat 22, Eindhoven
Dates: 17–25 October 2026, 11:00–18:00
Art collaboration: Merijn Kavelaars
Brown corner sofa: made with Nel; carpet: Tarkett
Main exhibition partners: Dutch Design Week, HKLiving x Teun Zwets, Jeroen van der Wielen, Merijn Kavelaars, Oogenlust, Studio YK and Wisse Trooster, Gielissen
Supported by: Stichting Cultuur Eindhoven
Wall Works exhibition partners: Dutch Design Week, FORM Designlab, Jeroen van der Wielen, Piet Hein Eek and Wisse Trooster
Photography: Jeroen van der Wielen; opening photography: Nick Bookelaar
Invitation graphic design: Yorit Kluitman / Studio YK
Press materials: Teun Zwets / Statius PR
网站 / Website: www.teunzwets.nl
邮箱 / Email: studio@teunzwets.nl
More：Teun Zwets。更多关于他们，请至：Teun Zwets on gooood
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