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“Mono”家具系列由富有韵律的线条组成，它来源于设计师对日常琐事的兴趣与好奇心。试试将空间想象成一张绘图纸，“Mono”系列便是这纸上的一幅“三维画作”。

The ‘Mono’ series, which is composed of rhythmic lines and inspires imaginations, is the product of curiosity about mundane, everyday material. Let’s imagine drawing three-dimensionally on a space when you imagine it as a drawing paper.

由Jeong Greem设计的这一组家具，其线条像是动物的尾巴，似乎超出了一般家具的标准框架。这是因为，整个设计是基于对“线”的探索和挖掘而产生的，而非遵循某种对于家具形式的刻板认知。它们虽然被固定在一个地方，但感觉上却如动物般充满活力。

Jeong Greem’s furniture, consisting of winding curves like animal’s tail, is slightly outside of the frame of the standard furniture. This is because the furniture was made by digging into ‘lines’, one of the basic elements of modeling, and not complying with the fixed form of a furniture that comes into your head first. The objet stands still in one place, but it feels as dynamic as a living creature.

大胆的色彩和拉伸的线条为家具赋予了引人注目的形象。由单线条构成的体量使“Mono”系列在制作过程中脱颖而出。比起一把椅子，它更像是一个“坐着的东西”，这也会自然而然地引发人们的好奇心：这到底是一件家具，还是一件装置作品？

The use of bold colors and stretching lines are impressive. Mono steps outside of the existing process of making furniture and creates furniture made of a single line like drawing. Since it was more like a ‘sitting object’ rather than a general chair, question marks were naturally drawn into people’s mind. As intended, many viewers asked whether it was furniture or installation.

设计师Jeong Greem在设计这种以线贯穿的家具时，发现了硅胶管这种材料，它通常被用于保护电线和机械，并且拥有灵活和柔韧的有趣属性。硅胶管通常只是在建造房屋时被置于墙壁或地板内的“零件”，在日常生活中并不多见。而“Mono”系列却创新性地将它用作最主要的材料。

While planning a furniture of ‘line’ crossing the space, she discovered silicon tubes, which were the construction material used to protect wires and pipes or as part of a machine, and the features of the material were interesting as it was flexible and tender. Silicon tubes are just ‘components’ that are laid inside walls or floors when constructing buildings, and are difficult to encounter in daily life. Such industrial components were used as the main material of furniture.

家具以线条起始，以线条结尾，这为其赋予了无限的变化潜力。设计师通过对各种材料的尝试来扩展其工作领域。除了硅胶之外，她还使用毛皮、天鹅绒和钢等材料，同时进行从小型物件到大型雕塑等各种规模的创作。她希望设计出一个能够引发人们好奇心的物品，其最终的目的是建立物体与人的互动。当你好奇地向物体发问，物体会给你一个无声的回答。

Since the furniture begins and ends with lines, there is a great potential of endless variations. The designer is expanding her scope of work by experimenting with a variety of materials. She can also produce by changing materials, including fur, velvet and steel, besides silicon. In addition, it leaves room for various scales of work, from a small objet to a large sculpture. She wants to design an objet that arouses people’s curiosity. Her ultimate goal is to create an interaction between an object and a person, in which the object gives an answer without words when you question the object in curiosity.

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