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Snøhetta与美国奥马哈当地建筑事务所Alley Poyner Macchietto Architecture（APMA）合作，为奥马哈的视觉艺术文化中心乔斯林艺术博物馆设计了一座占地42,000平方英尺（约合3,902平方米）的扩建展馆，以容纳博物馆不断扩充的馆藏，其中包括知名的Phillip G. Schrager当代艺术收藏系列。

Snøhetta, in partnership with local architects Alley Poyner Macchietto Architecture (APMA), designed a new expansion and site redesign for the Joslyn Art Museum. The 42,000-square-foot addition adds light-filled galleries designed to meet the demands and explore the possibilities of a growing permanent collection, including works from the nationally renowned Phillip G. Schrager Collection of Contemporary Art.

▼项目概览，overview of the project ©Nic Lehoux

除此之外，设计团队还对乔斯林纪念馆大楼内的办公空间进行了修复和现代化改造，并重新设计了占地超过3英亩（约合12,141平方米）的公共花园和户外空间。此次扩建围绕公众到达区及新社区空间而展开，重新定义了博物馆空间。

In addition to the new gallery spaces, the architectural team designed more than three acres of rejuvenated public gardens and outdoor spaces on the Museum site as well as restored and modernized existing office spaces in the Joslyn Memorial building. The expansion renews Joslyn’s status as Omaha’s premier cultural hub for the visual arts by reorienting the Museum grounds around a reimagined public arrival anchored by new community spaces that support the galleries.

▼公共花园及户外空间，public gardens and outdoor spaces ©Nic Lehoux

▼公共花园及户外空间，public gardens and outdoor spaces ©Nic Lehoux

原有的建筑厚重而沉稳，与之对比的新建筑则仿佛漂浮在两面花岗岩景墙之上。扩建部分的 “轻盈悬停”，旨在呼应美国大平原上令人震撼的云层，向草原建筑水平式的出檐深远表达致敬。

While the existing monolithic buildings are anchored more heavily to the ground, the new building floats atop two granite garden walls. The weightless effect of the hovering expansion recalls the striking cloud formations that blanket the Great Plains as well as the deep overhangs and horizontal expression of regional Prairie Style architecture.

▼扩建部分的 “轻盈悬停”，weightless effect of the hovering expansion ©Nic Lehoux

▼厚重与轻盈间的对比，contrast between heavy and light ©Nic Lehoux

通透的一楼笼罩着底下的中庭大厅、博物馆商店和多功能社区空间。方便通行的缓坡将这一层的功能空间逐渐过渡到与原有建筑相平齐的高度。

These ground floor spaces gradually rise to the level of the existing buildings via a gently sloping, accessible walkway, with a transparent first floor enclosing a new atrium lobby, Museum store, and a multi-function community space.

▼中庭大厅，new atrium lobby ©Nic Lehoux

▼方便通行的缓坡，a gently sloping accessible walkway ©Nic Lehoux

远望过去，纪念馆大楼的台阶从东侧一直向外延伸至扩建建筑。新建筑立面的水平纹理，灵感源自于纪念馆大楼的堆叠石阶。

The horizontal texture of the façade takes its cue from the stacked stone steps of the Memorial Building’s monumental Grand Staircase that emerge from the East side of the existing buildings in parallel with the expansion.

▼纪念馆大楼，the Memorial Building ©Nic Lehoux

▼新建筑立面的水平纹理，the horizontal texture of the façade ©Nic Lehoux

浅色预制面板上，点缀镶嵌着明快的粉色骨料，与纪念馆的玫瑰色大理石外墙相映成趣。两栋建筑，新旧交融，相互呼应。

The façade’s light-colored precast panels are embedded with vibrant pops of pink aggregate that reflect the rich, rose-colored marble of the existing buildings.

▼玫瑰色大理石外墙，rose-colored marble wall ©Nic Lehoux

▼浅色预制面板，light-colored precast panels ©Nic Lehoux

再次来到乔斯林艺术博物馆的访客将会感受到空间的明显变化。扩建部分增强了新旧空间之间的连通性，明确了访客的抵达空间。博物馆的主要入口移至北部，靠近达文波特街。重新设计的驾驶通道与新的雕塑花园、博物馆入口位于同一轴线上，勾勒出博物馆体验的起点。

With the new expansion, returning visitors to Joslyn Art Museum will immediately notice important changes to the grounds that clarify their arrival and increase the connectivity between existing spaces. The primary access to Joslyn has been relocated to the northern edge of the site, off Davenport Street, leading to a redesigned entry drive that sits on axis with a new, raised sculpture garden and Museum entrance, creating a clear sense of front and a new beginning for the Museum experience.

▼访客会感受到空间的明显变化，visitors will immediately notice important changes ©Nic Lehoux

建筑物周围的数个雕塑花园仿佛是一个个室外房间，以艺术家Jesús Moroles的雕塑装置《奥马哈河景》为轴心，将建筑与室外空间编织在一起，形成一个景观场域，包裹着整个博物馆场地。

New sculpture gardens have been reimagined as a sweeping collection of landscape spaces and outdoor “rooms” that wrap the site, weaving the buildings and outdoor spaces together around a spine formed by the existing installation The Omaha Riverscape by sculptor Jesús Moroles.

▼雕塑花园，sculpture gardens ©Nic Lehoux

一直以来，乔斯林艺术博物馆都是当地的标志性文化历史中心。此次的扩建，在尊重与保留乔斯林博物馆原有身份特征的同时，为其创造出一个更为开放、更具包容性的前序空间。这栋新扩建的展馆以霍克斯基金会的朗达·霍克斯和霍华德·霍克斯命名，感谢他们对高等教育、社会服务以及人文艺术的支持。

Honoring Joslyn’s identity while opening a more porous, inviting front, the expansion marks a new chapter in the Museum’s vision for public access to the arts through a comprehensive redesign. The expansion builds upon Joslyn’s rich history as an iconic landmark and cultural hub as it creates a dynamic, inclusive design that is open to all. The pavilion is named after Rhonda and Howard Hawks of The Hawks Foundation. The Hawks Foundation provides grants for higher education, social services, and the arts.

▼更为开放包容的前序空间，a dynamic, inclusive design that is open to all ©Nic Lehoux

▼更为开放包容的展览空间，a dynamic, inclusive design that is open to all ©Nic Lehoux

▼更为开放包容的展览空间，a dynamic, inclusive design that is open to all ©Nic Lehoux

Snøhetta与Martin Brattrud、Brad Ascalon合作，为乔斯林艺术博物馆扩建项目量身设计了奥马哈系列长椅。长椅不但体现了现代设计与舒适度的平衡，也呈现出静谧的永恒之感，适用于多样化的博物馆环境和展览空间。

Omaha bench is a collaboration with Martin Brattrud, Brad Ascalon and Snøhetta. Designed for the Joslyn Art Museum expansion project, this piece embodies the balance of contemporary design and comfort. Omaha bench is a quiet, timeless form and scale, well-suited for the Joslyn Art Museum’s diverse range of environments and gallery spaces.

▼奥马哈系列长椅，Omaha bench ©Nic Lehoux

▼夜景，night view ©Nic Lehoux

地点：美国内布拉斯加州奥马哈
年份：2018-2024
业主：乔斯林艺术博物馆
类型：博物馆&艺术馆，改造&扩建
设计内容：景观、建筑、室内、产品
摄影：Nic Lehoux
Location: Omaha, Nebraska, USA
Year: 2018-2024
Client: Joslyn Art Museum
Typologies: Museum & Gallery, Renovation & Expansion
Scope: Landscape, Architecture, Interior, Product
Photos: Nic Lehoux

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