感谢 奥拉维尔·埃利亚松 将项目介绍和项目图片授权gooood发行。更多请至：Olafur Eliasson on gooood
Appreciation towards Olafur Eliasson for providing the following description:

01.
你的光谱与存在
Your light spectrum and presence

展览场地：洛杉矶坦尼娅·博纳克达尔画廊
展期：2022.2.5-4.2
Venue: Tanya Bonakdar Gallery, Los Angeles
Date: February 5 – April 2, 2022

“你的光谱与存在”展览包含奥拉维尔·埃利亚松在2012年至2021年间创作的12幅圆形画作，展现了艺术家在光、色彩以及我们如何感知并与周围环境产生互动方面的研究成果。这些圆形画作被统称为《色彩实验》系列，它们按照顺序编号，以一种预料之外的排布方式，鼓励观众的眼睛保持不断的运动。

Tanya Bonakdar Gallery is pleased to present Olafur Eliasson’s Your light spectrum and presence on view in Los Angeles from February 5 – April 2, 2022. In this exhibition, twelve circular paintings, created between 2012 and 2021, represent Eliasson’s long-standing investigation with light, color and the ways we perceive and interact with our surroundings. Known collectively as the ‘colour experiment’ series and numbered sequentially, these circular canvases strive to challenge our expectations and encourage our eyes to stay in constant motion.

▼展览现场，Installation view © Jeff White

展览中的几幅画作描绘了作为自然现象的彩虹所呈现出的明亮光谱，这也是埃利亚松的创作实践中反复出现的主题。埃利亚松自2009年开始了他的“色彩实验”并一直持续至今，其最初的想法是创造一个全新且全面的色彩理论，使其涵盖由棱镜反射的所有可见色彩。埃利亚松与一位色彩化学家进行了合作，试图为光谱（频率范围约为390-700纳米）中每一纳米单位的光调配出一个精确的颜色。

Several paintings in Your light spectrum and presence feature the bright spectrum of color seen in the natural phenomena of a rainbow, a recurring motif throughout Eliasson’s practice.

Eliasson began his ongoing ‘color experiment’ series in 2009, inspired by the idea of producing a new, comprehensive color theory that would comprise all the visible colors of the prism. He began by working with a color chemist in an attempt to mix an exact tone of paint for each nanometer of light in the spectrum, which ranges in frequency from approximately 390 to 700 nanometers.

▼《色彩实验》92号，2020和《色彩实验》94号，2020
Colour experiment no. 92, 2020, and Colour experiment no. 94, 2020 © Jeff White

▼《色彩实验》113号，2021和《色彩实验》105号，2020
Colour experiment no. 113, 2021, and Colour experiment no. 105, 2020 © Jeff White

▼《色彩实验》108号，2020和《色彩实验》87号，2019
Colour experiment no. 108, 2020 and Colour experiment no. 87, 2019 © Jeff White

▼《色彩实验》101号，2020，Colour experiment no. 101, 2020 © Jeff White

“从几何学的角度来说，彩虹实际上是一个圆。如果没有地球和地平线的阻挡，你将会看到一个完美的圆形彩虹，而你的眼睛恰好成为了它的中心。相隔仅数米的两个人，他们所感知到的彩虹也会有所不同，每个人都按照自己的视角在观察，我们永远无法看到对方眼中的彩虹。

几乎可以这么去理解：彩虹作为一个短暂的现象，它证实了我的存在。若有一道彩虹存在，那么必然也就有一个看见它的我存在。”

– Olafur Eliasson

‘Geometrically speaking, a rainbow is actually a circle. If the earth were not in the way, if there were no horizon blocking your view, you would see the whole round rainbow as a perfect circle wrapping around you, with your eye at its center. Two people standing even a few meters apart will perceive two different rainbows, each oriented to their own perspective. We can never see the other person’s rainbow.

You could almost say that a rainbow, as an ephemeral phenomenon, confirms my existence. If there is a rainbow, then there must be an I who is seeing it.’

– Olafur Eliasson

▼《色彩实验》87号，2019，Colour experiment no. 87, 2019 © Jeff White

▼《光测量：雷克雅未克》系列，Light measurements: Reykjavik, 20 March 2011, 13:00, 2012 and Light measurements: Reykjavik, 20 March 2011, 19:25 GMT, 2012 © Jeff White

02.
定位导航
Navegación situada

展览场地：马德里Elvira González画廊
展期：2022.1.20起
Venue: Galería Elvira González
Date: 2022.1.20

该展览是奥拉维尔·埃利亚松在马德里Elvira González画廊的第四次个展。

“定位导航”通过一系列作品探讨了我们应当如何行走于当今复杂的世界，它们深入研究了人们对于存在的感受，并邀请观者走进一个意料之外的开放领域。

Galería Elvira González is pleased to present Olafur Eliasson, Navegación situada, the Icelandic-Danish artist’s fourth solo exhibition with the gallery.

Navegación situada explores how we navigate the complex world of today with a series of works that investigate our sense of presence and invite the viewer into an unexpected open terrain.

▼展览现场，Installation view © CENIZA

▼《缺席的领航者》，2021（第4和第7部分）
Situated absence navigator (Sector 4), 2021 © Jens Ziehe

在进入展览空间后，参观者将首先看到名为《熔岩残留物》（Lava residue）的作品。该作品创作于2021年，由一排重叠的玻璃板和木质架子构成，后者是用回收自冰岛海岸的浮木制成。这些从西伯利亚漂流而来的木材在漫长的旅途中被阳光和盐水漂白。玻璃板上开有椭圆形的切口，使隐藏在其背后的色彩和形状显露出来。

Entering the exhibition space, visitors encounter Lava residue, 2021, an array of superimposed glass sheets arranged on a shelf made of driftwood that was collected from the shores of Iceland. Originating from Siberia, the wood was carried to Iceland by sea currents and bleached by the sun and saltwater during its long transit. Elliptical cut-outs have been removed from the layers of glass to reveal hidden tones and shapes behind them.

▼《熔岩残留物》，2022，Lava residue, 2o22 © CENIZA

悬挂在天花板上的作品是《罗盘旅行者》（Compass travellers）系列，创作于2022年，十分显著地反映了埃利亚松长期以来对于导航仪器的迷恋。这些独特的罗盘，它们以箭头为指针，通过一种主观却又具有共识性的现象将我们与他人连接起来：罗盘指向北方的特殊视觉感受是我们共同理解和接纳的事实。

Suspended from the ceiling, the Compass travellers series, 2022, directly addresses Eliasson’s long-standing fascination with navigational instruments. These unique compasses, each incorporating an archery arrow as needle, link us to others through a subjective yet shared phenomenon: the particular visual sensation of the compass pointing north is something we all understand and share.

▼《罗盘旅行者》（南），2022，Compass travellers (south), 2022 © CENIZA

展览的最后一个作品是投影装置《缺失的左脑》（The missing left brain），创作于2022年。该作品由旋转的镜片和光学设备随机排列产生，在观众面前呈现出一场不断变化的“光影交响”。

The projection that completes the exhibition, The missing left brain, 2022, unfolds an ever-changing symphony of shadows and reflections in front of the viewer, produced through the chance alignments of rotating lenses and optical devices.

▼《缺失的左脑》，2022，The missing left brain, 2022 © CENIZA

03.
你的眼球浮雕
Your ocular relief

展览场地：纽约坦尼娅·博纳克达尔画廊
展期：2021.3.9 – 4.24
Venue: Tanya Bonakdar Gallery, New York
Date: March 9 – April 24, 2021

该展览是奥拉维尔·埃利亚松在坦尼娅·博纳克达尔画廊的第十一次个展。

Tanya Bonakdar Gallery is pleased to announce Your ocular relief, Olafur Eliasson’s eleventh solo exhibition with the gallery, on view from March 9 through April 24, 2021, in New York.

▼展览现场，Installation view © Tom Powel Imaging

展览同名作品《你的眼球浮雕》（Your ocular relief）被展示在主厅的黑暗空间当中，作为一个由形状、色彩和阴影构成的引人入胜的灯光秀展开于公众面前。不断变化的序列在巨大的弧形屏幕上扩展或消失，观众可以直接瞥见背后控制它的仪器。一个由透镜、棱镜、平面镜和色效滤镜组合而成的装置在五个聚光灯的光束下缓慢地旋转。聚光灯的光线被分解，并通过反射和折射转化为屏幕上的可见序列。每个装置的旋转速度并不相同，因此序列之间的关系也在不断变化，时看时新。这些透镜同时成为了展览的材料和灵感来源。展出的透镜大多数来自埃利亚松的个人收藏，或者回收自其在柏林工作室的艺术和实验作品。

In the darkened space of the main gallery, Your ocular relief, 2021, the show’s eponymous artwork, unfurls before the viewer as an evocative light show of shapes, colors, and shadows. The ever-changing sequence develops and vanishes upon a large curved screen, behind which the viewer can glimpse the apparatuses responsible for it. An orchestra of lenses, prisms, mirrors, and color-effect filters slowly rotate within the beams of five spotlights. The light from the spotlights is broken apart and transformed through reflection and refraction into the sequences visible on the screen. As each apparatus revolves at a different pace, the relationship between the various sequences is constantly changing, always new. These lenses form at once the material for the exhibition and its conceptual inspiration. Most of the lenses featured here are from Eliasson’s own collection or are recycled from previous artworks and experiments that have taken place in the artist’s Berlin studio.

▼《你的眼球浮雕》，2021，Your ocular relief, 2021 © Tom Powel Imaging

▼《尖锐但完美的亲缘球体》，2020，Edgy but perfect kinship sphere, 2020 © Tom Powel Imaging

▼展览现场，Installation view © Tom Powel Imaging

▼《小型色球装置》，Small chromosphere assembly, 2021 © Tom Powel Imaging

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