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卡地亚当代艺术基金会是一个艺术对话与实验的空间，它将创作与展示之间的关系置于其机构项目的核心，并与艺术家紧密合作。自1984年由当时的卡地亚总裁阿兰·多米尼克·佩林创立以来，它展示了来自各行各业的艺术家，打破了艺术实践与思维领域之间的界限。通过一项具有开创性的国际项目，基金会的收藏反映了其多学科的特性，并直接与当代问题相连接，涉及了各种主题。

The Fondation Cartier pour l’art contemporain is a space for artistic dialogue and experimentation that places the relationship between creation and exhibition at the heart of its institutional project, working in close collaboration with artists. Since its creation in 1984 by Alain Dominique Perrin, then-President of Maison Cartier, it has exhibited artists from all walks of life, breaking down barriers between practices and fields of thought. Built over the years through a groundbreaking international programme, the Fondation’s collection reflects its multidisciplinary nature and the breadth of themes addressed in direct connection with contemporary issues.

▼基金会外观，exterior view of the Foundation © Martin Argyroglo

卡地亚当代艺术基金会在开展其活动与承诺时，抱有让更多人能够接触当代创作的雄心。通过展览项目、交流和辩论、表演以及讲座等项目，它架起了创作空间与观众之间的桥梁，营造了一个真实的多元文化对话空间。

The Fondation Cartier carries out its activities and commitments with the ambition of making contemporary creation accessible to as many people as possible. Through exhibition projects and a programme of encounters and debates, performances, and lectures, it creates bridges between places of creation and fosters a genuine space for multicultural dialogue.

▼室内概览，overview of the interior space © Martin Argyroglo

在巴黎，2025年10月，卡地亚当代艺术基金会将在2 Place du Palais-Royal的新址开幕，位于市中心，正对着卢浮宫。这座建筑坐落在一栋建于1855年的奥斯曼式建筑中，室内由建筑师让·努维尔（Jean Nouvel）重新设计。动态的建筑结构由五个平台组成，可调节至十一种不同的高度，允许多种体量、垂直性和光线的组合，极大地拓展了业态的可能性。该建筑的公共空间面积达到8,500平方米，其中6,500平方米为展览空间，建筑本身也作为一种场景设备，服务于视觉艺术、摄影、电影、手工艺、表演、现场演出和科学等广泛的艺术形式。它不仅是一个展示艺术的场所，这些空间还探索了其作为交流与分享空间的社会潜力。紧跟当代涉及景观、城市规划和生态学等问题的讨论，卡地亚当代艺术基金会将成为其所在社区与城市的参与者，其建筑本身也深刻融入巴黎的历史与语境。

▼1880年卢浮宫，The Grands Magasins du Louvre, 1880 © Bibliothèque nationale de France

In Paris, in October 2025, the Fondation Cartier is opening its new site at 2 Place du Palais-Royal, in the heart of the capital, right across from the Louvre. Housed in a Haussmannian building dating from 1855, the interior has been entirely reimagined by architect Jean Nouvel. The dynamic architecture consists of five platforms adjustable to eleven different heights, allowing for numerous combinations of volumes, verticalities, and modulations of light, multiplying the possibilities for programming. With 8,500 square meters of space accessible to the public, including 6,500 square meters of exhibition space, the architecture acts as a scenographic device serving a wide spectrum of visual arts, photography, film, craft, performance, live shows, and science. More than just scenographic propositions, these spaces explore their social potential as places for exchange and sharing. In keeping with contemporary issues related to landscape, urbanism, and ecology, the Fondation Cartier will be an actor in its neighborhood and city, with its very architecture imbued with the history and context of Paris.

▼重新设计后的室内空间，the interior space after reimagined © Martin Argyroglo

▼体量、垂直性和光线的组合，numerous combinations of volumes, verticalities, and modulations of light © Martin Argyroglo

▼天窗引入自然光线，the skylights introducing natural lighting © Martin Argyroglo

▼天窗引入自然光线，the skylights introducing natural lighting © Martin Argyroglo

这一建筑项目体现了让·努维尔的情境主义设计方法，展示了他对展览空间以及它们在城市中的位置的思考。建筑底层的大型窗户与巴黎建立了直接的对话，而夏尔·佩尔西耶（Charles Percier）和皮埃尔·冯丹（Pierre Fontaine）为拿破仑一世设计的沿里沃利街的拱廊则将建筑与该地区的建筑和谐融为一体。与卡地亚当代艺术基金会自成立以来对展览设计的持续思考相契合，目标是创造创新的展示形式，回应文化机构在21世纪面临的挑战与使命。

This architectural project is a manifesto of Jean Nouvel’s contextualist approach, his reflection on exhibition spaces and their place in the city. The large bay windows on the ground-floor set an immediate dialogue with Paris, while the arcades, designed along the Rue de Rivoli by architects Charles Percier and Pierre Fontaine under Napoleon I, anchor the building in the district’s architectural harmony. In line with the Fondation Cartier’s ongoing reflection on exhibition design since its creation, the aim is also to create innovative formats that respond to the challenges and missions of a cultural institution rooted in the 21 century. New types of group exhibitions will take advantage of the building’s architectural possibilities to create visual connections and pathways that cannot be created elsewhere. Each artistic project will offer
a renewed experience of the building, placing it at the heart of the curatorial reflection.

▼底层的大型窗户与环境建立直接对话，The large bay windows on the ground-floor set an immediate dialogue with Paris © Martin Argyroglo

▼拱廊内的艺术空间，The art space under the arcade © Marc Domage

▼拱廊立面，the arcades facade © Martin Argyroglo

新型的群展将利用建筑的结构特性，创造出其他地方无法实现的视觉联系与路径。每个艺术项目将提供一种更新的建筑体验，将其置于策展思考的中心。因此，基金会的观众政策得到了加强，提供了一个雄心勃勃的空间布局安排，符合其业态理念。除了重新设计和充实的文化媒介项目外，基金会还创建了La Manufacture，一个300平方米的艺术教育空间，面向各年龄层和不同背景的观众。它将“手的智慧”置于其教育实践的核心，汲取通过手势传承的传统作为其工作坊、教育项目和创意项目系列的教学基础。

The audience policy has been reinforced as a result, with an ambitious offer that sits in line with the programming. In addition to a redesigned and enriched cultural mediation programme, the Fondation has created La Manufacture, a 300-square-meter space for education about art and through art, for all ages and profiles. It places the intelligence of the hand at the heart of its approach, drawing inspiration from traditions of transmission through gesture as a pedagogical basis for its workshops, educational projects and creative program series.

▼全新的空间体验，brand new space experience © Martin Argyroglo

▼馆内艺术空间，interior art space © Luc Boegly

▼馆内艺术空间，interior art space © Marc Domage

▼馆内艺术装置，art installation © Axel Dahl

▼馆内艺术装置，art installation © Marc Domage

▼馆内艺术装置，art installation © Thibaut Voisin

▼多样化的表达形式，variation of expression © Marc Domage

两个其他空间将丰富其开放的当代艺术项目，涵盖21世纪多样化表达形式：一个礼堂，提供表演、音乐会和演出，以及丰富的交流和辩论项目，让创作者与展览进行对话，形成延续或对立的观点；一个新的书店，除了提供多学科主题的书籍外，还将突出展示卡地亚当代艺术基金会自有的出版物及与艺术家紧密合作创作的作品。

Two other spaces enrich a contemporary artistic programme open to the polyphony of 21 century modes of expression: an auditorium where performances, concerts, and shows will be presented, alongside a rich program of encounters and debates, enabling creatives to engage in a dialogue as extension or counterpoint to the exhibitions; and a new bookstore which, alongside titles on multidisciplinary themes, will prominently feature the Fondation Cartier’s own publications and works produced in close collaboration with the artists.

▼让创作者与展览进行对话，Enable creators to have a dialogue with the exhibition © Luc Boegly

▼丰富的艺术展品，variations of art collections © Marc Domage

为了庆祝这一新场馆的开幕，卡地亚当代艺术基金会将呈现《Exposition Générale》，这一展览展出了从基金会的收藏中挑选的标志性作品和展览片段，今天这些作品构成了其收藏的主轴。通过引导其发展和逐年丰富的独特原则，展览回顾了40多年来的国际当代创作。由于没有预先存在的收藏，它基本上由基金会丰富项目中的作品组成，涵盖从著名艺术家到尚未被发现的新兴才俊。这一收藏一直以来都是创作的驱动力，卡地亚当代艺术基金会通过委托艺术家创作专门为其设计的项目——有时与他们偏好的创作实践相悖，或是在首次策划个人专辑时创作的——推动了这一进程。作为《Exposition Générale》的一部分，现场表演和口语艺术活动将在展览空间内与收藏作品一同进行，项目主题包括时装、舞蹈和音乐。

To mark the inauguration of this new venue, the Fondation Cartier is presenting Exposition Générale, a selection of iconic works and fragments of exhibitions that today constitute the main thrust of its Collection. Distinguishing itself through the unique principles guiding its development and enrichment year after year, it traces more than 40 years of international contemporary creation. With no preexisting collection, it is essentially composed of works created and presented as part of the Fondation’s rich programming, ranging from established artists to relatively unknown talents, yet to be discovered. This collection has always acted as a driving force for creation, with the Fondation Cartier enabling artists, through its commissions, to carry out projects specifically conceived for it—sometimes at odds with their preferred practices or on the occasion of first monographs. As part of Exposition Générale, live performances and spoken word events will take place alongside the Collection’s works in the exhibition spaces, with projects focusing on fashion, dance, and music.

▼丰富的艺术展品，variations of art collections © Marc Domage

这一新场馆为公众敞开大门，重点聚焦通过创新的教育项目和共享的美学体验来传递、质疑与交流的需要。卡地亚当代艺术基金会正在扩大其规模并不断自我重塑，以实验和分享与艺术家和观众共同探索艺术新方式。

Unleashing a world of possibilities, this new venue welcomes the public with open arms, focusing on the need to transmit, question and exchange through innovative educational programmes and shared aesthetic experiences. The Fondation Cartier is shifting in scale and reinventing itself in order to experiment and share with artists and audiences alike ever-new ways of conceiving art.

▼街道夜景，the night view of the street © Marc Domage

▼街道夜景，the night view of the street © Martin Argyroglo

▼施工过程，construction progress © Martin Argyroglo

Project Management: Jean Nouvel Design Architect
Dominique Alba CEO Mathieu Forest Studio Director Cyril Desroche Project Director
Architects: Luisa Alderighi, Nathalie Aouad, Lydie Bot, Anne- Sophie Bourdais, Aurélien Bru, Ilaria Cazzato, Fabrice Diakok, Karim Fattal, Gweltaz Keromnes, Louis Mounis, Julien Pasteau, Giulia Piana, Matthias Raasch, Jean-Marc Rio, Urszula Tyszkiewic, Clara Veci, Amaury Villien De Gabiole, Francesco Virgillito
Computer-Generated Images: Mitzu Kishi, Tanguy Nguyen, Ala Rassaa, Antoine Wendling JIGEN Interactive Studio
Furnishings and Fittings: Jean Nouvel Design
Structural and fluid engineering: SETEC Bâtiment
BET façades: TESS
Technical Inspection Services: BTP Consultants
Historical Consultant: Grahal(Groupe de recherche Art Histoire Architecture Littérature)
Architectural Programming: Chiara Alessio Architectural Programmer
Graphic Design and Signage: deValence

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