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Appreciation towards Alvisi Kirimoto for providing the following description:

在2025年米兰设计周期间，国际建筑事务所Alvisi Kirimoto将以装置作品《TAM TAM：Temple, Action, Movement》参加由《INTERNI》杂志策划的展览活动“Cre-Action”。自2025年4月7日至17日，该作品将激活米兰大学（Università degli Studi di Milano “La Statale”）历史悠久的庭院，邀请观众共同参与一场关于思考与集体行动的体验。

During Fuorisalone 2025, the international studio Alvisi Kirimoto will participate in the Exhibition-Event Cre-Action by Interni with the installation TAM TAM. Temple, Action, Movement. From April 7 to 17, 2025, the artwork will bring to life the historic courtyard of Università degli Studi di Milano ‘La Statale,’ inviting visitors to engage in reﬂection and collective action.

▼装置概览，overview of the installation ©Giuseppe Miotto / Marco Cappelletti Studio

▼装置概览，overview of the installation ©Giuseppe Miotto / Marco Cappelletti Studio

呼应本次展览融合“创造力”与“行动力”的主题，Alvisi Kirimoto重新诠释了传统意义上的神庙，将其从静态的纪念碑转化为一个持续演变的有机体。装置尺寸为6米×6米×5米，由六根直径各异的柱子构成，这些柱体作为动态元素，可由观众自由移动和重新排列，实时塑造和改变空间形态。

Inspired by the exhibition’s theme, which fuses Creativity and Action, Alvisi Kirimoto reimagines the classical temple not as a static monument, but as a living organism in continuous evolution. The installation, measuring 6 x 6 x 5 meters, features six columns of varying diameters—dynamic elements that visitors can move and rearrange, reshaping the space in real-time.

▼由六根直径各异的柱子构成，features six columns of varying diameters ©Giuseppe Miotto / Marco Cappelletti Studio

作品灵感源自古典建筑三原则——坚固（Firmitas）、实用（Utilitas）与美观（Venustas），并将其与“灵活性”和“参与性”的理念相结合。传统上象征稳定的柱子，在此转化为人际关系流动性与变动性的具象隐喻：

The artwork draws on the classical principles of ﬁrmitas, utilitas, venustas, combining them with the concepts of ﬂexibility and participation. Traditionally symbols of stability, the columns become a tangible metaphor for the changing nature of human relationships:

▼可由观众自由移动和重新排列，visitors can move and rearrange ©Giuseppe Miotto / Marco Cappelletti Studio

“通过《TAM TAM：Temple, Action, Movement》，我们以神庙为起点，将其转化为一个能够根据使用者需求不断适应与回应的动态有机体。对我们而言，建筑不仅关乎形式，更关乎关系与感官体验。我们的目标是创造一个处于持续变化中的空间，激发互动，使每位来访者都成为其演化过程不可或缺的一部分。建筑因此成为一种开放的对话，是人与所处环境之间不断交汇与交融的过程，其中场所与体验相互转化。” ——Alvisi Kirimoto事务所联合创始人桐本纯子如是阐述。

“With TAM TAM. Temple, Action, Movement, we started with the idea of the Temple, transforming it into a dynamic organism that adapts and responds to the needs of those who inhabit it. For us, architecture is not just about form, but about relationships and sensory experience. Our goal was to create a space in constant transformation, one that fosters interaction and allows each visitor to become an integral part of its evolutionary process. Architecture thus becomes an open dialogue, a continuous encounter between the individual and the environment that hosts them, where context and experience intertwine in mutual transformation.” – Junko Kirimoto, co-founder of the Alvisi Kirimoto studio, explains.

▼不断适应与回应的动态有机体，a dynamic organism that adapts and responds to the needs ©Giuseppe Miotto / Marco Cappelletti Studio

《TAM TAM：Temple, Action, Movement》的复杂性体现在空间与人际关系之间的互动上。一方面，尽管空间本身具有可变性，但建筑仍通过柱体的布置、尺寸与虚实关系，引导观众的行走路径、停留节点与交流区域；另一方面，当观众移动柱体时，不仅改变了空间构成，同时也介入了由此产生的人际关系网络：原本由柱子界定的通道，可能扩展为类似广场的公共空间，亦或收缩为更私密的角落。最终，是人类不断变化的选择决定了空间的形态与意义。建筑提出“提案”，人们以“回应”与“重新诠释”作出回答；在这种空间与行动之间的动态张力中，装置的真正本质得以显现——一种不再施加命令，而是通过对话与互动促成变革的建筑。

The complexity of TAM TAM. Temple, Action, Movement unfolds in the interplay between space and human relationships. On one hand, architecture, despite its modiﬁable nature, guides the visitor: the arrangement of the columns, their dimensions, and the voids they create implicitly suggest pathways, pauses, and areas for interaction. But by moving the columns, those who walk through the installation not only change its conﬁguration but also intervene in the network of relationships it implies: a corridor deﬁned by the columns expands into a collective space, similar to a square, or narrows to deﬁne more intimate and secluded areas. Ultimately, human choices—continuous and ever-changing— deﬁne the shape and meaning of the space. Architecture “proposes,” people “respond” and “reinterpret,” and within this dynamic tension between space and action the installation’s true nature is revealed. An architecture that does not impose but engages in dialogue; that does not dictate, but invites transformation through human interaction.

▼人类不断变化的选择决定了空间的形态，human choices deﬁne the shape and meaning of the space ©Giuseppe Miotto / Marco Cappelletti Studio

整个结构采用纯白色处理，象征着无限的可能性，如同一张等待书写的空白页面。通过剥离色彩与多余装饰，Alvisi Kirimoto将注意力引导至装置的动态特性——柱体的移动、观众的动作、空间虚实的交替变化，从而突出空间的本质、形体的纯粹性，以及最核心的人类体验。

The white of the structure embodies the concept of possibility like itself, as if it were a blank page waiting to be written. By stripping away colors and unnecessary decorations, Alvisi Kirimoto shifts the focus to the installation’s dynamic elements — the movement of the columns, the gestures of the visitors, the voids that are created and ﬁlled — to highlight the essence of the space, the purity of the forms, and, above all, the core of the human experience.

▼整个结构采用纯白色处理，the entire structure is finished in pure white ©Giuseppe Miotto / Marco Cappelletti Studio

秉承对材料生命周期负责的设计理念，《TAM TAM：Temple, Action, Movement》采用再生塑料建造，项目由意大利国家塑料包装回收与再利用联盟COREPLA协助完成。作为市民、地方政府与企业间的重要桥梁，COREPLA致力于有效管理塑料包装材料的生命周期，并联合约2500家产业链企业，共同实现欧盟设定的回收与再利用目标。展览结束后，该作品可转化为巡回展示项目，其材料亦将被再利用制成新产品，从而赋予装置新的生命。

In line with a design approach focused on material life cycles, TAM TAM. Temple, Action, Movement is made from recycled plastic through a collaboration with COREPLA — National Consortium for the Collection, Recycling, and Recovery of Plastic Packaging, acting as a strategic hub between citizens, municipalities, and companies. The Consortium pursues a clear public interest: to manage the lifecycle of plastic packaging eﬀectively. By bringing together approximately 2,500 companies from the plastic packaging supply chain, COREPLA works to achieve the recycling and recovery targets set by the European Union. At the end of the event, the artwork can become an itinerant project, while its materials will be repurposed into new products, giving the installation a second life.

▼平面图，plan ©Alvisi Kirimoto

▼立面图，elevation ©Alvisi Kirimoto

▼草图，sketch ©Alvisi Kirimoto

Name: Tam Tam. Temple, Action, Movement
Event: Fuorisalone 2025 Mostra-Evento Interni Cre-Action
Address: Università Degli Studi Di Milano “La Statale” Cortile D’onore Del ‘600 Via Festa Del Perdono 7, Milan
Dates: April 7 – 17, 2025
Project: Alvisi Kirimoto
Realization: Corepla – Consorzio Nazionale Per La Raccolta, Il Riciclo E Il Recupero Degli Imballaggi In Plastica
Structures: Buromilan
Furnishing: Primo Tasco
Tube processing: Plastica Cesena
Tube painting: Ideal Verniciature
Design/Render: ©Alvisi Kirimoto
Photographs: ©Giuseppe Miotto / Marco Cappelletti Studio
Creative Studio & Media Communication: 6ix Floor

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