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学院坐落在一条连接Massy歌剧院与公园的道路上。环绕四周的高层公寓楼似乎主动后退，为学院让出空间。事实上，只有沿着加拿大人街走上一段，你才会几乎是惊讶地发现这座砖色调的立方体建筑。乍看之下，这个块状建筑的紧凑感并不暗示其内部空间的真实尺度与复杂性。
The conservatoire lies on a road linking Massy opera house to a park. The tall apartment buildings that surround it seem to step back to give the conservatoire space. Indeed, only once you have walked well along the street Rue des Canadiens do you discover, almost surprised, the brick-toned, cube-like edifice. At first glance, the compactness of this block-like building does not suggest the true extent and complexity of its spaces inside.
▼前广场与入口，Forecourt and entrance © Eugeni Pons
一棵紫藤树的存在促使我们扭曲了建筑的立面——立面朝内弯曲，为这棵枝叶繁茂的非凡树木留出空间。事实上，建筑的形态似乎因这棵树的存在而被改变，给人一种悖论式的印象：树战胜了建筑。
The presence of an ailanthus tree prompted us to distort the building’s facade, which curves inwards to leave space for this remarkable tree with its abundance of foliage. Indeed, the shape of the edifice seems altered by the very presence of the tree, which gives the paradoxical impression that the tree got the better of the architecture.
▼立面为树而弯曲，Facade curved for the tree © Eugeni Pons
▼立面为树而弯曲，Facade curved for the tree © Eugeni Pons
▼细部，Details © Eugeni Pons
树与建筑这两个特征在色彩上互为补充。它们共同描绘出一幅城市图景，在乳白色建筑的单调背景中脱颖而出。Massy学院是一座雕塑般的结构，打破了周围正交线条的秩序。它通过其诗意品质宣示着自身作为公共建筑的身份。
The two features – the tree and the building – complement each other in colour. Together, they paint an urban picture that stands out against a monochrome backdrop of milky-hued buildings. Massy conservatoire is a sculptural structure that breaks with the orthogonal lines of its surroundings. It signals its status as a public edifice through its poetic qualities.
▼建筑外观，Exterior view © Eugeni Pons
受保护树木周围的区域形成了一个宽敞的前广场，邀请父母和孩子们在此聚集。立面几乎完全不透明。它从入口处升起，揭示出接待大厅的繁忙，并创造出一个有遮蔽的空间。傍晚，橙色的立面如灯笼般发光，放大了建筑作为城镇灯塔与地标的角色。
The area around the protected tree creates a generously-sized forecourt that invites parents and their children to gather here. The facade is almost completely opaque. It rises up from the entrance, revealing the bustle of the reception hall and creating a sheltered space. In the evening, the orange elevations glow like a lantern, amplifying the edifice’s role as a beacon and landmark in the town.
▼傍晚如灯笼般发光，Glowing like a lantern in the evening © Eugeni Pons
学院的后立面点缀着窗户，让学生和老师都有一种在树梢高处工作的感觉。这就是为什么我们选择保留现有林地的所有树木。
The conservatoire’s rear elevation is punctuated with windows that give both the students and their teachers the impression they are working high up in the treetops. That is why we chose to keep all the trees of the existing woodland.
▼后立面与树林，Rear elevation and woodland © Eugeni Pons
▼细部，Details © Eugeni Pons
内部空间策略基于分流与开口的原则。项目的空间核心是一个偏心的中庭，它将各层连接起来，也是造成建筑平面扭曲的原因。在这里，虚空空间连接着不同楼层，仿佛它们的圆形空间被挤压而出。紧凑性与透明性相结合，弥合了不同艺术实践之间的隔阂，展示了活动的多样性。
The interior spatial strategy is based on the principles of diversion and openings. The project’s spatial heart is an off-centre atrium that links the levels together and is what causes the distortion of the building plan. Here, empty spaces connect the different floors as if their rounded spaces had been extruded. Compactness and transparency have been combined to bridge the gaps between the different artistic practices and showcase the range of activities.
▼中庭空间，Atrium space © Eugeni Pons
▼圆形窗，The round opening © Eugeni Pons
首层走廊中一个玻璃正面的小型画廊悬挑于地下排练室之上，可以看到学生和Massy歌剧院管弦乐团的排练。在入口大厅的另一侧，一扇窗户可以看到下方红色房间里进行的打击乐课程。抬头望去，可以看到一层的一个圆窗，以及背景中屋顶的一个圆形窗口。这种垂直的视觉开口打破了块状建筑的严峻外观，将自然光带入建筑的核心。它创造出一种随你所处位置而变化的曲线图案。
▼彩色分析图，Diagrams Color © Dominique Coulon & Associés
A small glass-fronted gallery in the ground-floor hallway juts out over the basement rehearsal room, offering a view of the students and the Massy Opera orchestra at work. On the other side of the entrance hall, a window offers a view of percussion lessons taking place in the red room below. Looking up, you can see a bull’s-eye window on the first floor, and, in the background, a circular window in the roof. This vertical visual opening breaks with the austere appearance of the block-like edifice, bringing natural light into the heart of the building. It creates a pattern of curves that varies depending on where you are.
▼垂直视觉开口，Vertical visual opening © Eugeni Pons
▼地下排练室，Basement rehearsal room © Eugeni Pons
一层宽敞、温馨的区域是这种空间扰动的震中。它让人想起一个沙色的洞穴。在上方的二层，楼板上的月牙形开口引入大量自然光，并揭示出屋顶的圆形天窗——从首层就能看到。这两个形状相互嵌套，赋予中庭一种天文般的外观。这种线条交织的丰富性来自于每一层都有自己独特的曲线：这种几何自主性赋予虚空空间引人注目的诗意维度。
The spacious, welcoming area on the first floor is the epicentre of the disruption. It recalls a sandy cave. Up on the second floor, a crescent-shaped cut-out in the floor brings an abundance of natural light inside and reveals the round skylight in the roof, which you can see from the ground floor. Nested within each other, these two shapes give the atrium an astronomical appearance. The richness of this interplay of lines comes from each floor having its own curve: this geometric autonomy gives the empty space a striking poetic dimension.
▼月牙形开口与圆形天窗，Crescent-shaped cut-out and round skylight © Eugeni Pons
▼楼板上的月牙形开口引入大量自然光，The crescent-shaped cut-out in the floor © Eugeni Pons
▼月牙形开口，Crescent-shaped cut-out © Eugeni Pons
前两层用于音乐活动，以斜线为特征。这里的墙面刻意不平行，以防止声音混响。
Thefirst two floors are set aside for musical activities and are characterised by slanted lines. The walls are deliberately not parallel here, as this prevents any sound reverberation.
▼音乐教室，Music room © Eugeni Pons
三层专用于舞蹈，其练习室具有独特、沉浸式的色彩方案（粉色、白色和黑色调）。它们的共同点是都沐浴在柔和的自然光中——光线来自一扇观景窗或与上方光线互动的高处几何窗。
The third floor is dedicated to dance and its practice rooms feature distinct, immersive colour schemes (pink, white and black tones). What they all have in common is that they are bathed in soft natural light, which comes from a picture window or high geometric windows that play with the light from above.
▼舞蹈练习室，Dance practice room © Eugeni Pons
▼舞蹈练习室，Dance practice room © Eugeni Pons
▼乐器练功房，Instrument Practice Room © Eugeni Pons
▼更衣室，Changing room © Eugeni Pons
▼乐器练功房，Instrument Practice Room © Eugeni Pons
在建筑的核心，游客会遇到一个惊喜——一个你本以为会是昏暗的地方：一座壮观、无瑕、相互咬合的剪刀楼梯蜿蜒穿过学院的四个楼层。这个功能性、如礼拜堂般空间顶部被打上高处窗户，其自由的位置令人联想到某些音乐风格中的节奏切分，仿佛挣脱了任何乐谱的束缚。
▼轴测图，Axonometric © Dominique Coulon & Associés
A surprise awaits visitors at the heart of the building, where you would expect to find dim light: a spectacular, immaculate, interlocking scissor staircase winds its way up through the conservatoire’s four levels. The top of this functional chapel-like space is pierced with highly placed windows, whose free positioning evokes the rhythmic syncopation of certain musical styles, seeming to break free from any musical score.
▼剪刀楼梯，Scissor staircase © Eugeni Pons
▼剪刀楼梯细部，Scissor staircase details © Eugeni Pons
充满自然光的这个令人眩晕的聚会场所让人联想到不可能的彭罗斯阶梯，并让习惯于沿着向上或向下路径行走、无法看到自己上下方的使用者失去方向感。毫无疑问，这个已成为建筑特征的过渡空间具有巨大的布景潜力。与建筑中具有受控、干燥声学的教室和走廊不同，它拥有如教堂般的混响声学。在这里，声音被放大和增强，充盈整个空间。
Filled with natural light, this dizzying meeting place evokes the impossible Penrose stairs and confuses the bearings of its users, who are accustomed to following an upward or downward path without being able to see below or above themselves. There is no doubt that this transitional space, which has become an architectural feature, has great potential for scenography. Unlike the classrooms and hallways in the building, which have controlled, dry acoustics, it has reverberating acoustics like those in churches. Here, the sound is amplified and enhanced. It swells to fill the space.
▼楼梯与天窗，Staircase and skylight © Eugeni Pons
▼楼梯与天窗，Staircase and skylight © Eugeni Pons
▼区位图，Location © Dominique Coulon & Associés
▼场地平面图，Site plan © Dominique Coulon & Associés
▼地下层平面图，Basement © Dominique Coulon & Associés
▼首层平面图，Ground Floor Plan © Dominique Coulon & Associés
▼一层平面图，First Floor Plan © Dominique Coulon & Associés
▼二层平面图，Second Floor Plan © Dominique Coulon & Associés
▼三层平面图，Third Floor Plan © Dominique Coulon & Associés
▼屋顶平面图，Roof Plan © Dominique Coulon & Associés
▼立面图，Elevations © Dominique Coulon & Associés
▼横剖面图，Cross Sections © Dominique Coulon & Associés
Dance, Music and Theatre Conservatoire in Massy
Contracting owner: Paris Sud Aménagement
Contracting owner assistant: Cinq Huitièmes
Project manager: Dominique Coulon & Associés
Architect: Dominique Coulon
Project supervision: David Romero, Steve Letho Duclos
Assistant architects: Lukas Unbekandt
Worksite supervision: Steve Letho Duclos
Engineering consulting firm for structure: Batiserf Ingénierie
Engineering consulting firm for electricity: BET Gilbert Jost
Engineering consulting firm for fluids: Solares Bauen
Economics: E3 économie
Acoustics: DB Silence
Scheduling, oversight and coordination: Scoping
Health and safety coordination: C2I
Inspection: Copreste
Programme: Conservatoire (music room, dance room, theatre hall, classroom, rehearsal room for the Massy Opera orchestra)
Location: 6 rue des Canadiens, 91300 Massy, France
Google Maps location
Floor area: 2,500m2
Cost: €6,200,000 excl. VAT
Schedule
Competition: October 2019
Studies: April 2020 to October 2021
Project execution: January 2023 to April 2025
Firms: SNRB (general earthworks, special foundations, structural works, metal framework, acoustic screeds, mineral floor finishes), ETB (watertightness), Reithler (external aluminium door and window frames, sun protection, concealment, locks), Roux Frères (indoor wooden door and window frames, wood strip flooring, furniture), SEMBAT (plastering, indoor and outdoor suspended ceilings), Les Peintures parisiennes (glued-down floors), ADLVO (indoor and external paintwork, end-of-project cleaning), MP Ascenseurs (lift), Nervet Brousseau (plumbing, sanitary installations, heating, ventilation), Leongrosse (electricity, strong and weak currents)
Photographs: Eugeni Pons
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