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Appreciation towards Robert Wun for providing the following description:

Robert Wun对人与自然的好奇在不自觉中成为他的创作主要灵感。在显微镜下，他发现了蝴蝶和飞蛾的“缺陷”：不是完全对称，左右两侧略有不同。这同人们的普遍认识有着出入。他不使用特别的技术进行创作，就是希望达到不完全控制的结果，形成无法预知的差别结果，就像是燃烧和熔化一样。深入去想，世界上没有任何东西是完美的。

主要材料是化纤的玻璃纱以及其它非常人工的材料，采用原始的手工方法去缝制和制作衣物的褶边，想以这种工作方式建立人工和自然的关系。选择两个极端色彩：黑色和白色。用数字印刷技术和手工侵染方法，使得这两种强烈的撞色达到和谐。鞋的灵感来自于显微镜下观察到的昆虫的结构。

这种自然与人工的羁绊产生出惊人的女装系列—-复杂，离奇，引人入胜。

” B u r n t ” by Robert Wun 2012

Curiosity towards the bonds between Nature and Man has always been a main inspiration to me. Discovering the symmetrical flaws in nature led me to a deeper attraction of microphotographs of butterflies and moths. Insects we perceive to be symmetrical and consequently, beautiful. Yet it was the flaws in nature that triggered my interest. Where nature design many things in symmetrical proportions but yet both left and right sides are slightly different.

To achieve this particular idea I had to use techniques whereby you cannot control the outcome, like burning and melting. Delve into the idea that nothing is perfect.

All those ruffles are created by waddings with burnt out gradient patterns, highly crafted in-between with glass organza. Also led to a very artificial fabric ranges, Neoprene, Organza, Lycra, Foam and waddings. Using artificial based resources to regenerate an idea of nature with organic working methods. Symbolizing the relations between man and nature.

While the ombre effects created by digital printings and hand dip-dyed works like a harmony between two extremes. Man and Nature, Black and White. Something I always fascinated and inspired from.

Accessories’ detail development looked towards the structure of insects under a microscope, examining the scales and limbs intricately and transporting these spiky visuals into platform heels with a horned toe.

The idea of nature versus artificial, generated as a vision of a striking, independent women’s wear collection, bizarre in a sophisticated, yet appealing way.

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