Renewal of Bato Hiroshige Museum by Kengo Kama

An architectural translation of the distinctive depiction of “rain”

2026-08-21

项目标签

设计公司: :; KENGO KUMA AND ASSOCIATES
位置: :; Japan
类型: :; Architecture
材料: :; Wood Metal Aluminum Metal panel Aluminum sheet
标签: :; Bato Renovation
分类: :; Exhibition Architecture Culture Architecture Art Museum

感谢 隈研吾建筑都市设计事务所 予gooood分享以下内容。更多关于：Kengo Kuma and Associates on gooood
Appreciation towards Kengo Kuma and Associates for providing the following description:

以建筑语言转译歌川广重用线条描绘的独特“雨景”表现，是这些百叶最初的设计出发点。自建筑落成以来，它们便一直作为建筑的象征性元素而为人熟知。

The louvers, conceived as an architectural translation of the distinctive depiction of “rain” rendered in lines by Hiroshige, have been embraced as the symbolic feature of the building since its inception.

▼项目鸟瞰，aerial view of the project © Masaki Hamada (kkpo)

▼新百叶屋顶鸟瞰，aerial view of the new louvers roof © Masaki Hamada (kkpo)

▼建筑远景，distant view of the building © Masaki Hamada (kkpo)

▼新百叶屋顶鸟瞰，aerial view of the new louvers roof © Masaki Hamada (kkpo)

自2000年竣工至今已过去25年，原有木质百叶因老化而受损严重。在众筹所获得的各方支持下，百叶最终得以完成修缮。对于木材难以避免严重老化的屋顶部位，则改用印有木纹的铝材进行替换，并通过35种不同百叶样式的随机排列，再现木材自然、不均一的变化。

Twenty-five years after the building’s completion in 2000, the wooden louvers had deteriorated significantly with age. Thanks in part to the generous support received through crowdfunding, they were successfully restored.The roof, where deterioration is inevitably most severe when constructed of wood, was replaced with aluminum printed with a wood-grain finish. A random arrangement using 35 different louver patterns was adopted to recreate the natural variation of the original.

▼经过修缮的屋顶，the roof after renovation © Masaki Hamada (kkpo)

▼檐下空间，space under the eave © Masaki Hamada (kkpo)

▼室内空间，interior space © Masaki Hamada (kkpo)

▼木质百叶细部，wood louver detail © Masaki Hamada (kkpo)

▼严重老化区域则改用印有木纹的铝材进行替换，
deteriorated area was replaced with aluminum printed with a wood-grain finish © Masaki Hamada (kkpo)

▼屋顶鸟瞰，aerial view of the roof © Masaki Hamada (kkpo)

此外，设计团队还扫描了拆除木质百叶的横截面，并将其纹理应用于新铝制百叶的端面，使原有木材的“DNA”得以延续。

▼剖面图，section © 隈研吾建筑都市设计事务所

The cross-sections of the removed wooden louvers were scanned, allowing the “DNA” of the wood to be carried over into the exposed end grain of the new aluminum louvers.

▼傍晚鸟瞰，aerial view at dusk © Masaki Hamada (kkpo)