非常感谢 承迹景观 予gooood分享以下内容。更多关于他们，请至：Change Studio on gooood。
Appreciations towards Change Studio for providing the following description:
城市的快速发展经常让我们一边高喊着保护文化和生态，一边又为不断破坏的环境重塑自然。重庆文旅城“峡谷森林”，是在城市中难得的原始自然河流区域内重新定义和塑造已被破坏的部分，并把人们的生活交织在这片崭新与原始的自然之中，从重塑的自然到真正的自然之间感受空间、时间、人文以及更高的精神思考，城市与自然、艺术和生活。
Rapid urbanization often faces the consequences of ecosystem damage and cultural destruction, but we only call for restoration of nature after damage is done. The Waterfront Park of Chongqing Cultural Tourism Town is a rare oasis that redefines the previously damaged natural flow of river, and sees residents’ lives intertwine with brand new yet pristine nature. It’s only now we experience space, time, and humanity across the restored and original nature, prompting us to consider city vs nature, and art vs life.
▼场地概貌，Overview of the site ©王宁
重塑的自然 | Nature Restored
峡谷森林里有3公倾的城市公共开放空间作为重庆文旅城滨河公园的初期建设，还有5公倾的居住区用地融入自然的山林峡谷之中。其中在公园河谷西侧，有一条为铺设城市管网而开挖的8米深的沟壑，像大地上一条深深的伤痕，撕裂了城市与天然河谷间的联系。
The initial phase of the Waterfront Park of Chongqing Cultural Tourism Town occupies three hectares of the Valley Forest. Another five hectares of land has been allocated for residential use, extending into the natural valleys. Prior to the project, on the west side of the Waterfront Park, an eight-meter deep gully was dug for city utilities duct. Like a deep wound on the earth surface, the gully is like a gulf between the city and nature.
▼项目区位，设计范围与文旅城滨河公园的关系，Project Location, Designing Scope, and positioning in the Park ©承迹景观
▼原场地照片，Original Site ©承迹景观
▼飞雪瀑布与峡谷森林鸟瞰，Flying snow falls and the Valley Forest ©王宁
人与自然的理想关系应该是相互作用、和谐共存的有机统一。鸟瞰整个场地，前期施工形成的这条沟壑是不得不接受的既定存在，在这巨大的自然伤痕面前，我们决定为自然发声。
The ideal relation between human and nature should be interdependence and coexistence. Looking down from above we accept the trench has become an unfortunate but unavoidable part of the site. In the face of the scar on nature, we decided to have nature’s sound heard.
▼现状8米深沟壑的利用，Utilisation of the 8-metre deep trench ©承迹景观
▼设计推演，Designing Development ©承迹景观
“巧于因借，精在体宜”，我们不再破坏场地现有的大基底，而是顺应开挖后的沟壑深度和走向，重塑了一条流淌于河谷之畔的自然峡谷。人的行为都被这片峡谷森林所覆盖。
As with the saying that borrowing makes clever and delicacy makes appropriate, we do not embark on further destruction of the base, but follow the direction and depth of the trench, remodeling a valley flowing by. Human activities are covered by this piece of forest.
▼一条流淌于河谷之畔的自然峡谷，A natural valley flowing by the river front ©王宁
追寻的情感 | Chasing after nature
峡谷尽头恰好与飞雪瀑布平行，不见其影，但闻其声。对自然山水的寻觅之心促使我们在这里对其进行回应，我们称之为“自然的再现”。海德格尔说，“所谓的再现，则是经由主体表现客体而把客体呈现出来，同时在这种再现中，主体自身把自己也呈现了出来。”艺术装置将水从自然中抽象出来，使水展现出比在自然状态下更唯美的状态，传达理想主义者对自然山水的追寻、观照。
End of the valley is parallel to the waterfall, where one can’t see the waterfall but hear all of it. Our expedition of finding nature leads us to respond to nature here, where we call Reappearing of Nature. Martin Heidegger had his theory on the relations between subject and object. Our artistic installation abstract water from nature, presenting its aestheticism that’s usually hard to see when submerged in nature. It conveys the pursuing and keen care of natural landscape of idealists.
▼水景装置，Water scape ©王宁
峡谷消失在一片石滩，而追寻的自然之音又指向一座藏于林间的洞穴。作为公园承上启下的功能节点，它既是未来周边居住者的集会、艺展中心，也是静思之所、追忆之地。洞穴是对场地最为温和谦逊的介入方式，并隐匿在绿意之下，其内的气氛神秘、微妙，人们对未知的好奇心、想象力被无限放大。
The valley ends towards a rock patch, though the sound of nature that we look for points to a cavern hidden in the forest. The connection point serves as a gathering point and arts centre for surrounding residents, as well as a place to think and reminisce. A cavern is the most modest and mildest entry point, concealed in greenery. Its mystique and ambiguity amplifies curiosity and imagination.
▼藏于林间的洞穴，A cavern hidden in the forest ©王宁
▼覆土建筑纯净谦逊的模样又似一个艺术中心，未来它是周边社区的休闲之所，The modest grass-covered structure has an arts centre appeal.It will serve as recreational venue for surrounding residents ©王宁
▼静思之所，A place to think and reminisce ©王宁
▼空间细节，Detailed view ©王宁
洞穴的出口被我们巧妙的设置在瀑布的最佳观赏点。在经历瀑布之音、艺术之水、洞穴狭道之后，自然的瀑布赫然在前，带给人梦境般的游览体验。一条轻盈的栈道消隐于山崖，成为自然景观的一部分。
Exit of the cavern has been ingeniously situated at the best viewing point of the waterfall. After experiencing the sound of the waterfall, the art of water, the narrow walkway of the cavern, we are presented with the spectacular waterfall, as if a journey in dreamland. A light passage blends with the cliff, forming part of the landscape.
▼扑面而来的瀑布气流围绕着震耳欲聋的气势，这完全是一场梦境般的体验，Looming Impact from the waterfall come straight to the visitors, creating a surreal experience ©王宁
▼轻盈的栈道消隐于山崖，A light passage blends with the cliff ©王宁
回归的生活 | Life Returned
崖壁在转折处夹合成“一线天”的空间，正好成为社区连接公园的开口。沿着此处台阶而上，一片简约的现代建筑群掩映在小树林后边。建筑金属与玻璃的体块光影交错，并倒影在眼前的一湾湖水之中。这其实是崖壁的背面，百转千回，追本溯源。洞穴尽头，山河、瀑布赫然在目，也许这就是我们寻找到的回归自然的理想生活。
The valley converges into a vertical line at the turning, serving as the connection between the Park and the residential area. Climbing the stairs brings us to the cluster of simplistic modern architecture concealed behind the woods. Radiance of the metals and glasses on the buildings is reflected by the lake in front. This is actually the behind of the valley – after rounds and turns we trace to the origin. To witness mountain and waterfalls at the end of the cavern, is perhaps the idealistic life we are looking to return to.
▼“一线天”的空间正好成为社区连接公园的开口，Convergence of the valley serves as the connection between the Park and the residential area ©王宁
▼建筑的力量感被掩映在可爱的小树林后，Strength of architecture is set off by lovely woods behind ©王宁
▼独一无二的流线体验，A unique streamline experience ©王宁
人一直在寻找与自然的关系，我们也不断在设计中尝试面对自然时情感上的共鸣。峡谷森林的体验从重塑到追寻，从抽象到真实，在自然里创造当代人新的生活文化。这种崭新的文化不是让人停留在造物上，而是引导人去感知和追寻一个更好的真实的自然。
Mankind has been trying to define its relation with nature. We have explored our emotional resonance with nature during our journal of design. The experience of Valley Forest seeks to restore and find, from abstract to concrete, modern life within nature. The new culture no longer focuses on creation in material world, but guides us to sense and find betterment in real nature.
▼玻璃廊从地面划向天空，而另一头则向远处流淌，Glass corridor grows towards the sky and flows towards the horizon ©王宁
▼公共区域景观，Public area landscape ©王宁
▼小乌桕树林，a small forest ©王宁
▼林间阶梯，Steps in the greenery ©王宁
▼沉浸于自然，An immersive experience in the nature ©王宁
▼项目模型，Project model ©承迹景观
▼场地平面图，Site Plan ©承迹景观
项目位置：重庆市沙坪坝区
项目面积：3ha
设计时间：2018年
建成时间：2019年
业主：重庆融创
景观设计：承迹景观
景观施工：同棋园林
建筑设计：goa大象设计
结构设计：长厦安基
导视设计：诗远导视
雕塑设计：诗意梦想
软装设计：言瓷映画
摄影：王宁
公司网址：www.chan9e.cn
Location: Shapingba District, Chongqing, China
Area: 3 ha
Design Year：2018
Completion Year: 2019
Client: SUNAC Chongqing
Landscape Design: Change Studio
Landscape Execution: Toqi
Architecture Design: Goa
Structure Design: AAD
Sign Design: Shi Yuan
Sculpture Design: Poetic Dream
Decoration Design: Fancy China
Photography: Wang Ning
Change Studio website: www.chan9e.cn
More：承迹景观。更多关于他们，请至：Change Studio on gooood
怎么记得评论过，怎么又找不到？
DK
承迹你是真牛啊
不管是入口形态还是内部形态都好柔和人贴切，就是感觉会不会多加一些木制材质表达会更柔和融洽一些，内部植被再多一就好了，再加一些暖色顶射灯，感觉白色会导致有很重的人工痕迹，但是引导性会更好，好纠结
梦开始的地方，至今都没有超越自己
这“洞穴”的感觉太赞了 ，可参与的“艺术品”！
感觉建筑和景观结合的很好
等一下这个不是售楼中心吗 去过现场 体验感还是蛮不错的
666
太绝了
摄影师的水平一般。
去过现场，现场的感觉真的很好，远远的看过来，真的是隐藏在山丘之中，它的入口处也不像其它展示区过于张扬，隐蔽在林间，走进去的时候，两边片岩的肌理感有种在山谷中行走的感觉。
最震撼的还是那转角的瀑布，走进去的时候其实一直都能听到瀑布声，但不知道在哪儿，从那个洞穴走出一个转角，景色打开，瀑布和悬挑的感觉，和走在嵌在石头中台阶的感觉真的很棒。
这个项目是之前参观项目中最喜欢的一个。
牛逼妈妈给牛逼开门牛逼到家了
白色通透的洞穴令人眼前一亮，精致的水地雕构成了一抹亮点
我喜欢呢个雕塑水 整个环境很有禅意 气氛静谧 毫无违和感
这个厉害。
好精致的山洞，真想去实地感受一下
好厉害
点个赞
很厉害了
发现很多看客站着说话不腰疼，这个项目能协调这么多家设计单位，配合的成果能有这样精彩的呈现，真是洗眼了！希望国内能有越来越多这么有品质的项目和眼前一亮的设计！
喜欢这种用巧用设计手法融入自然的山水设计，个人感觉美中不足的是白色洞穴，有点像日本等外国设计师的灵感来源，后期很难维护。山谷里的银色水波设计我认为恰到好处，既体现了水又省掉了复杂真水施工过程。最细腻的应该是一线天那里，没有僵硬的把台阶连过去，有所取舍、人造-自然-人造这种韵律恰到好处。
景观给人感觉很细腻，似曾相识感也有，总体还是不错
确实有沙丘美术馆的几分身影，但是洞内的空间更加开敞通透，比起沙丘旁更有大山中的洞穴的感觉，小朋友在里面游玩的照片就像是原来看的一些动画场景，以森林和瀑布为主题的景观构建丰富有趣，就是不知道能不能多加一点和瀑布互动的装置呢，比如说从水平或垂直方向更近距离地观察瀑布，或许还会更有意思一些
沙丘美术馆？
哇能不能别搞这么多小鸟瞰 多放点人视角的照片 小鸟瞰可能场景感更强 但是感觉在场地中的真实体验可能就不是那么回事了
地面上金属材质的涟漪波纹感觉有些突兀。材质很违和。
太多这种情况了，用了对比手法，有人会觉得不够统一；用了统一的设计语言，有人会说没有变化……
就这个项目来说，这个不锈钢水景材质上有对比，但是形式上有统一，可说是最点睛的几处小创意之一了。
我到觉得用金属的质感代替水面真的还挺精妙。
严重同意！总体感觉还是不错的，尤其难得的是这么多的设计单位，居然配合得相当不错，这是很难的，赞一个！不锈钢的水面，的确是感觉用力过猛，有点就怕人家不知道这里是啥，强咯吱人笑的意思。
确实违和，设计师本意或许是为了突出水文
精致
有思考