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继“碎片重组”系列大获成功之后，关于挖掘当代人内心的孤寂，利用碎片展现女性般柔美的新系列也已完成。该系列名为“新世界”，艺术家希望借此来探寻人与自然之间的关系，并从微观及宏观两个角度阐释人类社会对生态环境的影响。艺术家Micaela Lattanzio的作品一向以清奇的画面组成方式而受到关注，而此次的新作品却一反常态，它们以图形解构的方式呈现出另一番风采。
After the success of Fragmenta, a series dedicated to the solitude of contemporary times, characterized by the image fragmentation and highlighting women issues in our century, the artist proposes a new series titled “New Worlds”, this time looking directly at the relationship between man and nature, and the impact that our society has on the environment in a close relationship between microcosm and macrocosm. Micaela Lattanzio’s work is characterized by its peculiar compositional technique, but this time the creative gesture is aimed to reconstruction, not to image fragmentation, where it was previously dissolved.
摄影作品可以展现宏观的画面，科技的发展和人造卫星的发射，使我们可以领略到地球的影像。此次艺术家借用碎片化的微型图片，重组成一系列美丽的艺术作品，它们如神秘的星际云图，又如显微镜下的生物分子。艺术家用这种方式描绘出地理界限，以及人类社会与生态自然的边界。
Photography has a macroscopic matrix, thanks to the use of satellite software, that allows to take aerial photographs of the earth, the artist de-builds the image in small colored dots, which are used as three-dimensional pigments to reconstruct abstract views that resemble planets, new worlds, and unpublished molecular aggregates seen in the microscope. The artist draws the geopolitical boundaries of the Earth, and nature, dominated by human action, reapplies its spaces.
Micaela Lattanzio在该作品中探讨了一些社会性问题，比如人口激增，全球沙漠化，提醒人类去反思我们对生态环境的影响。与其他批判性作品不同，该系列只是艺术家对世界的认知，是她对这种认知的回应。人类是生态系统中非常重要的组成部分，人类与万物一样也需要进化，而在这个过程中，我们需要找到一种平衡。
Micaela Lattanzio explores socio-political themes such as overpopulation and globe desertification, asking a fundamental question: what is the impact that our society has on the environment? The series is not a criticism, but rather a reflection on understanding the world, human being is an integral part of a complex system that is facing an evolutionary process in which it is imperative to find a necessary equilibrium.
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