非常感谢 Taller de Arquitectura 予gooood分享以下内容。
Appreciation towards Taller de Arquitectura for providing the following description:
该项目位于墨西哥Niño Jesus街区的一块7×14平方米的场地，距离它的主人Graciela Iturbide的家仅有几步之遥。建筑主体是一座三层高的小型塔楼，坚固的黏土材料和难以觉察的钢结构共同为之赋予了独特的质感。
In a site with dimensions of 7×14 meters, in the Niño Jesus neighborhood, just a few steps from Graciela Iturbide’s home. In this context rises a small tower of just three levels that literally extrudes its floor plant measures to become a solid piece of clay that is De- constructed to its own materiality in very fine and almost imperceptible tensions of steel.
▼建筑外观，exterior view
建筑内部使用木板、混凝土板和大理石板塑造出高度不一的空间，在未来将成为房屋主人的写作空间和园艺工作室。
In its interior three planes of wood, concrete and marble appear tensed from one side to another creating a pair of voids of multiple heights, which in the near future will become patios with gardening, authorship of its owner.
▼庭院，patio
▼从首层空间望向庭院，patio view from the lounge
▼一层客厅，living room on the ground floor
▼位于二楼的休闲室，lounge on the first floor
▼位于三楼的工作室，studio on the second floor
黏土墙面以一种微妙的形式环绕着室内空间，在阻隔光线的同时投下优美的光影。
Its interior facades insinuate almost imperceptibly the conditions of the context that surrounds them with clay that does not let the light through and later become shadows.
▼被自然光照亮的室内空间，interior illuminated by natural light
服务空间、交通空间和一组书架共同构成了室内的纵向元素，并与隔墙融为一体。这种隐藏式的设计使黏土体量的质感得到进一步强调。
The services, circulations and a long book shelf group as a vertical element that integrates to the containing walls, to practically disappear and highlight the clay volume.
▼走廊，corridor
通过对单一材料的近乎“痴迷”的使用，设计师为该空间赋予了统一的观感和与众不同的宁静氛围。对形态和比例的策略性应用使得混凝土得以从结构中消失，且不再需要额外结构的支撑。
A piece that most importantly seek for silence, synthesis, continuity and a repetitive and almost obsessive use of a singular material. It strategically took advantage of its shape and proportions in a way that concrete could disappear from the structure and it became self- carried.
▼屋顶花园，roof terrace
▼庭院鸟瞰，aerial view of the patio
▼黏土墙体现出对单一材料的近乎“痴迷”的使用，the clay walls indicate a repetitive and almost obsessive use of a singular material
这是一座“空灵”的、与光影融为一体的建筑，它与它的女主人传达着一种相似的、强烈且富有力量的气质。
A piece that aspires to become mass and emptiness, an ethereal volume that disappears with the light and shadow; that stops being so that the strong atmosphere transmitted by this woman whom we admire lives in it and is empowered.
▼天井与光影融为一体，a volume disappearing with the light and shadow
▼墙面细部，facade detailed view
▼首层平面图，ground floor plan
▼屋顶平面图，roof plan
▼北立面图，north elevation
▼西立面图，west elevation
▼横剖面图，cross section
▼纵剖面图，longitudinal section
Project: Iturbide Studio
Location: Coyoacan, Mexico City.
Project Year: 2012-2016
Architectural studio: Taller | Mauricio Rocha + Gabriela Carrillo
Architects: Mauricio Rocha, Gabriela Carrillo
Project team: Rafael Carrillo, Gerson Huerta, Pavel Escobedo, Esterlina Campuzano, Elizabeth Waites, Enrique Ibarra Construction: Rafael Carrillo – Taller 499 Structural Engineering: Grupo SAI Gerson Huerta – Ingeniería Estructural Sismoresistente
Electrical and Hydraulic installation: Ing. Tomás Rodríguez Photography: Rafael Gamo
Model: Francisco Ortiz
Client: Graciela Iturbide
Project Area: 162 m2
太高了，密集恐惧症，如果只有一到两层应该挺舒适的
宗教属性
mark
粗材精造的典范，空间少了一些意料之外的惊喜。图片上缺少楼梯的空间表达，有了竖向动线的收缩体验，才能感觉到前后庭院的开阔吧