In Finis Terrae / Elsa Urquijo Arquitectos

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Appreciation towards Elsa Urquijo Arquitectos for providing the following description:

地理环境塑造了其区域的景观，也让居住其中的人们有了独特的生活、创作和思考方式。

在威尼斯双年展会场Palazzo Bembo宫的房间中央，Elsa Urquijo Arquitectos建起了一个封闭的立方体空间。阳光从临近威尼斯大运河一侧的窗户进入室内，投映在封闭方体的内部。参观者循着光线漫步，感受建筑师创造的空间。素净的空间内敛而沉静，时间仿佛也在此静止了。房间中部的圆柱体中盛满了来自西班牙加利西亚的清澈泉水。顶部的射灯投射在柱体上，中世纪的民谣在空中回荡，愈发凸显出建筑的纯净和永恒之感。在这个空间中，有形的柱体、水体和无形的光线、乐曲相互衬托，永恒和短暂在此相遇交错。

塑造了肃静的氛围的歌曲源自加利西亚地区的sibila，这在中世纪南欧地区曾广泛传播的宗教礼仪旋律预示着基督教中最终审判之日的来临。而环绕着中央体量的墙面上悬挂着巨幅的图片，展示着来自建筑师的摄影、建筑作品，传达着他们对世界的感受和理解，也代表着他们在这个世界上留下的痕迹。

这是来自Elsa Urquijo Arquitectos，对“世界尽头”的自主演绎。

Inside of the venetian Palazzo Bembo room, a closed central space will be built; a cube. The daylight views of the grand canal drive the visitor to our own world in a sensitive travel to their own insight. The inside will accommodate both the introspective and the infinitum. A central cylindrical piece, a vessel half filled with galician water, a clean unique spot of light on top of it and the sound of medieval lyrics will evoke the infinite and introspective sensibility that drawn our architecture. The vessel will be the testimony of the materiality; the tangible.there is the magic, the connections between the tangible and the intangible, the finitum and the infinitum.

The intangibles will come from the lyrics. The music will be composed by an interpretation of the singing of the sibila galaica, part of the cantigas of Alfonso X el sabio (s.xiii). the sibila is a gregorian drama liturgical melody that had much diffusion in southern Europe during the middle ages. Sibila is a doomsday prophetess of the classic mythology who was adapted to Christianity by analogy to the biblical concept of the final judgment.

Around this central cubic volume, large screens will reproduce pieces of our insights our perceptions of our landscape and our territory together with some fragments of our work. These images represent the traces, the lines and synthesis of what we are.

A more “infinitum” way of perception in finis terrae.

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