非常感谢思锐建筑师事务所将项目介绍和项目图片授权gooood发行。更多请至：Serie Architects on gooood
Appreciation towards Serie Architects for providing the following description:
思锐建筑师事务所北京工作室给gooood分享了他们去年竣工的“时•光”中英时尚电影展展场设计，该展场位于北京798尤伦斯当代艺术中心。
“时•光”中英时尚电影展展场设计
受邀于英国大使馆文化教育处和《周末画报》，思锐建筑事务所负责设计了此次活动的展览空间。场地位于北京798艺术区尤伦斯当代艺术中心，于2012年10月顺利投入使用。“时•光”旨在探寻时尚与电影之间的共通艺术语汇。遵循我们的空间理念，设计概念是将单一独立大空间分解并置入至小空间之中以强调每个放映区的独立性，同时让参观者在每一个角落始终能感受到场地宽大的尺度感。整个空间内高耸的顶板架构和白色垂落织布的元素给空间带来了通透性。当人们在各个展映区间穿梭时，能够切身触碰到作为隔断元素的白纱窗帘，这和此次展览的主角“时尚电影”所依附的主要媒介“布料”相呼应。
“时•光”是一部流动的电影史，它诉说了1938年至今的英国时尚界传奇历程，同时融入对当今中国时尚界新兴设计力量的探究。在英国展区放映的部分覆盖了许多时尚流派发展的关键瞬间，譬如Ossie Clark的早期作品，Nick Knight和其SHOW工作室对前卫理念的尝试，近年流行的3D全息投影技术也被运用，完美呈现了Burberry和Cassette Playa设计团队的优秀作品等。
白色帘状元素成为了整个展场的视觉焦点；这些分层式的布料元素划定了空间。场地的参观流线与电影年代息息相关，主入口处的小型投影幕放映的是电影黄金时代的记录片，回顾了人们早期对时尚的探索追求；紧接着人们被带入上世纪八十年代的“时装秀、戏剧和奇观”展区；进入到中心展区，空间焦点在这里汇集，主要的参展影片被布置在东西两侧的大银幕上，主题为网络时代的“数字革命”和“影响缪思”。我们用白纱窗帘划分每一个展映区以确保各自观感上的独立性，参观者能够更专注地捕捉眼前的信息，同时保留了各放映区的视觉连贯性。此外，我们运用高品质的定向扬声器，成功地将声音效果做区域化处理，使参观者从听觉上更能集中于所观看的影片。中心展区在设计上消减了空间的边界感，从而扩大了空间体量并强化了中心场地的聚焦感。展览主要关乎影像作品，而不是建筑。整个空间注重素朴感，尤其强调各个空间之间的流动性体验。设计成功地让参观者沉浸在这样一种空间气氛中。
Serie was commissioned by the British Council to design an exhibition that explored the intersection between fashion and film. This was a temporary exhibition located at the Ullens Centre for Contemporary Art in Beijing. The design concept was to divide the large space into smaller rooms in order to create an intimacy allowing the viewer to focus on each section whilst not feeling too confined.
Using the elements of the ceiling and the notion of a fine white draping fabric to give a level of translucency, the space was divided into simple strips. To move from room to room was simply peeling away the white drape and in doing so physically connecting with what the films were about: fabric.
Dressing the Screen was a moving image collaboration that told the story of fashion film in the United Kingdom from 1939 to the present day combined with an exploration of the exciting new work coming out of China. The films displayed in the United Kingdom section covered pivotal moments in the development of the genre, from the early films of the Ossie Clark and the pioneering experiments of Nick Knight’s SHOWstudio to the most recent holographic and 3D fashion show-cases by designers such as Burberry and Cassette Playa.
The milky, dream like curtains greeted you first; a series of dividers which became whiter from their layering and help divided the space. Smaller screens at the entrance displayed early explorations of fashion through film from the golden age of cinema. Stepping forward chronologically and in space, another room features film of runway shows from the 1980’s. The main films were displayed on large screens on the walls either side, culminating in the central room, showing the largest from fashion film of the internet age.
Dividing each space created an intimacy to allow the viewer to focus on each section, whilst retaining a loose visual connection to each neighbouring section. Sound was localised, using special speakers of the right volume to allow for the viewer to concentrate on the video they’re watching. The central room with the increased height of the existing ceiling, became the centre of the exhibition.
The exhibition was about the video, not the architecture. Simplicity was the primary concern, and the experience of the viewer as they move from room to room was imperative. The design brought the content to the fore in order to inspire all those visiting.
项目信息
地点：中国，北京
功能：展示空间
主办方：英国大使馆文化教育处、现代传播《周末画报》
状态：2012年10月竣工
建筑面积：400平方米
设计团队：Chris Lee, Bolam Lee, Martin Jameson, Patrick Usbourne, Unison Baori
Gele, Lara Yegenoglu, Brian Cheng , Stephie Qin Sun
实景摄影：舒赫建筑摄影工作室
Location: Beijing, China
Use: Exhibition Space
Hosted by: British Council, Modern Media
Status: Completed October 2012
Area: 400 sqm
Design Team: Chris Lee, Bolam Lee, Martin Jameson, Patrick Usbourne, Unison Baori
Gele, Lara Yegenoglu, Brian Cheng , Stephie Qin Sun
Images: Shuhe Photography
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