The eye of the future by Oumoumou Studio, School of Design, SJTU+ARCPLUS

”One Thousand Years” through the past and the future of the metaverse future eye

2022-10-08

项目标签

设计公司: :; ARCPLUS ‘Oumoumou Studio, School of Design, SJTU
位置: :; China
类型: :; Art
材料: :; Metal Precast panel / system Fabric Fabric construction
标签: :; Shanghai
分类: :; Hospitality Pavilion Art space installation

感谢上海交通大学设计学院奥默默工作室 和华建集团予gooood分享以下内容。更多关于他们，请至：Oumoumou Studio, School of Design, SJTU on gooood，ARCPLUS on gooood
Appreciations towards Oumoumou Studio, School of Design, SJTU，ARCPLUS for providing the following description:

以球体表达“元之概念”
通过排列旋转排列的膜体表达”吸入宇宙”
装置球体中心形成一只凝视宇宙深渊之眼睛
而宇宙深渊也凝视着我们的“未来”

“The Concept of the Meta” expressed in Spheres
“Inhale the universe” is expressed through the arrangement of the rotating arrangement of membrane bodies.
The center of the device’s sphere forms an eye that gazes into the cosmic abyss
And the cosmic abyss is staring into our future.

▼项目概览，Overview of the project ©章鱼见筑

“未来交互”呼应“设计无界”
“Future Interaction” Echoes “Design without Boundaries”

WDCC设计之都大会开幕之际。“未来之眼”作为展厅区域的C位担当，以“未来交互”呼应“设计无界”的大会主题。人类以“眼”观察感知世界，设计离不来“眼观六路”。被誉为“睁眼看世界”第一人的徐光启早在400多年前就认识到世界“相融共生”的重要性。

At the opening of the WDCC Design Capital Conference. As the C position of the exhibition area, “Future Eye” echoes the theme of “Design without boundaries” with “future interaction”. Human beings observe and perceive the world with “eyes”, and design cannot be separated from “eyes and six ways”. Xu Guangqi, known as the first person to “see the world with open eyes,” realized the importance of the world’s “integration and symbiosis” more than 400 years ago.

▼位于展场内的装置，The installation at the WDCC Design Capital Conference ©章鱼见筑

装置试图用手工的方式致敬创造城市奇观的劳动者，脚手架、编织膜，通过预制化搭建的方式呈现材料的真实性。进入其中，圆形的穹顶与横纵的结构之间形成紧张的冲突关系，即如回到“宇宙”这一话题，在时间、空间的维度中实现“无界”之概念。“一眼万年”这个贯穿于过去与未来的眼睛是元宇宙的未来之眼。

The installation attempts to pay tribute to the laborers who create the wonders of the city in a manual way. Scaffolding, woven membranes, and prefabricated structures present the authenticity of the materials. Entering it, there is a tense conflict between the circular dome and the horizontal and vertical structure, which is to return to the topic of “universe” and realize the concept of “unbounded” in the dimension of time and space. The eye of the past and the future is the eye of the future of the metaverse.

▼装置外观，Exterior of the installation ©章鱼见筑

设计无界，相融共生
Design without boundaries, harmony and symbiosis

“未来之眼”由上海交大设计学院张海翱副教授与华建集团携手打造。作为本次大会亮点的公共空间艺术装置之一，该装置以“未来交互”呼应“设计无界”的大会主题。

“Eye of the Future” is jointly created by Zhang Haiao, Associate professor of Design School of Shanghai Jiao Tong University, and Huajian Group. As one of the highlights of the exhibition, the public space art installation echoes the theme of “Design without Boundaries” with “Future interaction”.

▼推导过程，Diagram of the formation process ©上海交通大学设计学院奥默默工作室

▼由展场二层俯瞰装置，A view from the second floor to the installation ©章鱼见筑

从设计维度看，设计之起源来自于人类对大自然的改造，设计本身是一件特别本能的事，当我们的祖先自发地垒起石头之时，设计就发生了。从这个角度看，设计伴随着人类文明的开端，即文明之始就是设计之源。在漫长的历史中设计也不断的发展、分化、深化、疏离，也就衍生出了各种不同的设计专业。“设计无界，相融共生”这个主题通过“融”这个关键词，提醒我们回到本源，如今分门别类的各个设计专业之源其实是相同的，都是来自人类用创造性的劳动改变外在环境的原始动机。世界正经历百年未有之大变局的关键时期，在人工智能，量子计算，元宇宙等科技大爆发前夜，设计作为一种共通的媒介，传递世界合作共赢的信念，推动全球更深入的联结。

From the perspective of design, the origin of design comes from the transformation of nature by human beings. Design itself is a special instinctive thing. Design occurred when our ancestors spontaneously built stones. From this perspective, design is accompanied by the beginning of human civilization, that is, the beginning of civilization is the source of design. In the long history, design has been developing, diverging, deepening and estranging, which gives rise to various design majors. The theme of “design without boundary, harmony and symbiosis” reminds us to return to the origin through the keyword “harmony”. The source of all design majors classified today is actually the same, which comes from the original motivation of human beings to change the external environment with creative labor. The world is going through a critical period of profound changes unseen in a century. On the eve of the explosion of artificial intelligence, quantum computing, metaverse and other technologies, design, as a common medium, delivers the belief of win-win cooperation and promotes deeper global connection.

▼由周边展场看向装置，A view from the nearby exhibition to the installation ©章鱼见筑

微小空间中的“元宇宙”
‘Metaverse’ in tiny space

“未来之眼”的设计灵感来源于设计之起源“观察”。人类以“眼”观察感知世界，设计离不开“眼观六路”。被誉为“睁眼看世界”第一人的徐光启早在400多年前就认识到世界“相融共生”的重要性。“天地交而万物通”，是上海交通大学蕴含的人文精神和办学理念，设计师以纵横的结构形成阡陌交通之氛围，同时也代表了同一个世界在元宇宙空间交汇。

The design inspiration of “Future Eye” comes from “observation”, the origin of design. Human beings observe and perceive the world with “eyes”, and design cannot be separated from “eyes and six ways”. Xu Guangqi, known as the first person to “see the world with open eyes,” realized the importance of the world’s “integration and symbiosis” more than 400 years ago. “Heaven and earth connect to all things” is the humanistic spirit and educational philosophy of Shanghai Jiao Tong University. The designers form the atmosphere of the traffic with the vertical and horizontal structure, which also represents the intersection of the same world in the metaverse space.

▼装置外观近景，Close shot of the installation exterior ©章鱼见筑

智慧自诞生之开始即“观察”，通过“劳动”之手段创造出各种各样之构筑物，大若巨石长城，小若纳米芯片，皆出自劳动之手。劳动之上，谓之“创造”，通过创造未知之将来所谓“未来”。人类世于此面对各种将来之可能性，“元宇宙”至关重要。设计方案以球体表达“元之概念”，通过旋转排列的膜体表达“吸入宇宙”。结合声光电VR展示，在微小空间中创造出“元宇宙”之氛围。装置试图用手工的方式致敬创造城市奇观的劳动者，脚手架、编织膜，通过预制化搭建的方式呈现材料的真实性。

Wisdom from the beginning of the birth is “observation”, through the means of “labor” to create a variety of structures, big like the Great Wall, small like nanochips, all from the hands of labor. Above work, it is called “creation”, by creating the unknown future called “future”. In the Anthropocene, the metaverse is crucial to all future possibilities. The design scheme expresses “the concept of the meta” by the sphere, and “the inhalation of the universe” by the rotating and arranged membrane body. Combined with sound and photoelectric VR display, the atmosphere of “metaverse” is created in a tiny space. The installation attempts to pay tribute to the laborers who create the wonders of the city in a manual way. Scaffolding, woven membranes, and prefabricated structures present the authenticity of the materials.

▼装置搭建过程，The construction process ©章鱼见筑

圆形的穹顶与横纵的结构之间形成紧张的冲突关系，即如回到“宇宙”这一话题，在时间、空间的维度中实现“无界”之概念。造型以“未来之眼”为切入，环状的参数化肌理形成富有未来感的造型，与大会“设计无界，相融共生”主题相契合，同时也与“元宇宙主题”的展陈内容相互呼应。灯光上利用横竖不一的闪烁灯管形成前卫富有未来感的光影氛围。材料上利用半透明的膜结构为主要的表皮，形成亦真亦幻的梦幻效果。

There is a tense conflict between the circular dome and the horizontal and vertical structure, which is to return to the topic of “universe” and realize the concept of “unbounded” in the dimension of time and space. The shape starts with the “Future Eye”, and the circular parametric texture forms a futuristic shape, which is in line with the theme of “Design without boundaries, integration and symbiosis” of the conference, and also echoes the exhibition content of the “metaverse theme”. On the lighting, the use of horizontal and vertical flashing tubes to form an avant-garde rich sense of future light and shadow atmosphere. On the material, the translucent membrane structure is used as the main epidermis to form a dream effect that is also true and unreal.

▼装置入口，The entrance ©章鱼见筑

建造技术：工艺决定效果
Construction technology: The process determines the effect

设计主要在结构，材料，灯管，展陈方式上进行了创新。结构上以快速搭建为主要诉求，利用建设工地最常见的脚手架钢管为主要材料，技术成熟且有创意，也代表了设计来源于劳动者之手的寓意。在材料上采用了法拉利透光膜，通过半透光的材料展现朦胧虚幻的美感。灯管才用常规t5灯管，以创意性的排列组合形成了错落的光影变化。最后是展陈方式大量采用电子屏幕，VR技术等，以数字媒体的形式来展示各种内容。

The design is mainly innovative in structure, material, lamp tube and display way. In terms of structure, rapid construction is the main appeal, and the most common scaffold steel pipe in construction site is used as the main material. The technology is mature and creative, which also represents the meaning that the design comes from the hands of workers. In the material adopts Ferrari transparent film, through the semi-transparent material to show the hazy illusory aesthetic feeling. The conventional T5 lamp tube is used to form the scattered light and shadow changes with the creative arrangement and combination. Finally, a large number of electronic screens, VR technology, etc. are used to display various contents in the form of digital media.

▼装置内部的展示屏，Display screen inside the installation ©章鱼见筑

▼展示屏近景，Close shot of the display screen ©章鱼见筑

设计灵感主要在造型，灯光，材料氛围上体现。造型以未来之眼为切入，同时环状的参数化肌理形成富有未来感的造型，很好契合了融的主题，同时也与展陈内容“元宇宙主题”相互呼应。灯光上利用横竖不一的闪烁灯管形成前卫富有未来感的光影氛围。材料上利用半透明的膜结构为主要的表皮，形成亦真亦幻的梦幻效果。

Design inspiration is mainly reflected in the shape, lighting, material atmosphere. The shape is cut into the future eye, and the circular parametric texture forms the shape with a rich sense of future, which fits the theme of fusion well and echoes the theme of the metaverse. On the lighting, the use of horizontal and vertical flashing tubes to form an avant-garde rich sense of future light and shadow atmosphere. On the material, the translucent membrane structure is used as the main epidermis to form a dream effect that is also true and unreal.

▼仰视装置内部结构，Look up to the structure inside the installation ©章鱼见筑