非常感谢 Germans Ermičs 予gooood分享以下内容。更多请至:Germans Ermičs on gooood
Appreciation towards Germans Ermičs for providing the following description:
Ombré Glass Chair(2017)是致敬仓右史朗(1934-1991)之作。他标志性的玻璃椅子(1976)是20世纪最具影响力的家具设计之一。这个极具突破性的设计概念真实的反映了材料,并为玻璃在材料的运用上开创了先例,强调了玻璃材质的简单,透明,和表面失重特性。
Ombré Glass Chair (2017) is a tribute to Shiro Kuramata (1934 – 1991). His iconic Glass Chair (1976) is one of the most influential furniture designs of the 20th century. A breakthrough concept, and one that is profoundly true to its material, Glass Chair set a precedent for the direction of design in glass, in which the simplicity, transparency, and seeming weightlessness of the material are emphasized.
玻璃椅子体现了对无形和透明度的迷恋。新的革新性产品Photobond 100用干净的粘合玻璃手法,将六片玻璃板组合在一起,不需要螺丝也消除了所有结构痕迹。这些透明玻璃面板组成的椅子(致敬Piet Mondrian和风格派艺术家)似乎被模糊了外形,恍惚间存在于空间里,连有形的结构支撑也变得飘渺。
The Glass Chair exemplifies fascination with immateriality and transparency. Employing the revolutionary, new industrial product Photobond 100, which cleanly bonds glass, Kuramata was able to join six sheets of glass without screws, mounts or reinforcements thus eliminating all traces of structure. Formed solely from planes of clear glass (an homage to Piet Mondrian and the De Stijl artists), the chair’s solid state seems to dissolve. Almost invisible, these planes, without tangible support, hang in the air.
Clear glass: W 60 D 60 H 70 cm
Tall Screen
Transparent mirror: W 110 H 190 cm
Wide Screen
Frosted glass: W 150 H 150 cm
Photos by Jussi Puikkonen
More: Germans Ermičs,更多请至:Germans Ermičs on gooood



















好好做个玻璃盒子不好么,和椅子有啥关系
太美了 什么放不了手 什么承不了重 放在那儿就已经是艺术品了
这个边边角角没有处理放不了手啊
连接方式是个技术活
总感觉承不了重