感谢 Wutopia Lab 予gooood的分享。更多关于他们：Wutopia Lab on gooood
Appreciation towards Wutopia Lab for providing the following description:
山有小口，仿佛若有光。便舍船，从口入。初极狭，才通人。复行数十步，豁然开朗。
——《桃花源记》
▼项目视频，video © CreatAR Images
Wutopia Lab接到贵州十二背后旅游开发有限公司的委托，在贵州遵义的小十二背后景区，创造一座秘境方舟。从清溪湖景区码头出发，乘快艇走水路18公里，在一颗水中的指路石引导下，可以到达时空裂隙一般的小十二背后的入口，入口狭窄，前后都是积水，在雨季水能没过肩膀。秘境的入口，无法从陆地到达，而小十二背后，又是别样的一片天地，等待我的是整段徒步溯溪的2.8公里。
Wutopia Lab was commissioned by Guizhou Qingxi Lake Tourism Development to create a secret ark in the scenic area of Behind the Little Twelve in Zunyi, Guizhou. From Qingxi Lake scenic pier, take a speedboat to travel 18 km by water, guided by a guiding stone in the water, you can reach the entrance of Behind the Little Twelve, which is like a space-time rift. The entrance is narrow, with standing water in front and behind, and in the rainy season the water can be over your shoulder. The entrance of the secret place cannot be reached from land, and behind Little Twelve is another different world, and what awaits me is the whole 2.8 km of hiking up the stream.
▼项目概览，General view © CreatAR Images
01. 溯溪而上
Stream Up
秘境方舟是一座驿站。
舍弃快艇，跳上临时搭建的浮桥码头，穿过狭窄入口，入口前后竟然都被水所包围着，在另一端又是竹筏码头在等着我们。乘竹筏漂流一小段，便是徒步溯溪才能前进的水路了。起初是及膝的缓流，随着步步深入，水深的地方已漫过腰身。穿过的每一个山谷都回荡着水流声，清凉的风徐徐吹来。经过2.8千米的徒步溯溪，对于城市人来说非常疲惫，我需要休息，渴望清洗布满是泥泞的身体，在出口，远远看到像灯笼一样的秘境方舟，在终点得到了极大的鼓舞。
▼巡场，Site trip © Wutopia Lab
The Secret Ark is a post.
Abandoning the speedboat, we jumped onto the temporary pontoon pier and crossed the narrow entrance, which was surprisingly surrounded by water in front and behind, and at the other end was the bamboo raft pier waiting for us. After a short float on a bamboo raft, it was time to hike up the waterway. At first, the water was knee-high and slow, but as we went deeper, the water was waist-deep in places. The sound of water flowing echoed in every valley we passed through, and the cool breeze blew slowly. After 2.8 km of trekking up the stream, I was very tired as a city dweller, and I needed to rest, eager to clean my body covered with mud. At the exit, seeing the Secret Ark like a lantern from afar, I got a great encouragement of reaching the end.
▼鸟瞰，Aerial view © CreatAR Images
▼远观灯笼一样的秘境方舟，The Secret Ark looks like a lantern from afar © CreatAR Images
02. 豁然开朗
Open Up
秘境方舟是一种外来文明。
在秘境终点，你被群山环抱，在这种环境里，我们很容易想到用木材或石材去塑造一个东西融入环境，但是如果我们在终点看到一个不像此处应有的一种物质，在这个疲惫的尽头获得的兴奋感，会使得我们有更好的体验，因此选用了白色织物去塑造秘境方舟，形成异质感。
The Secret Ark is an alien civilization.
At the end of the Secret World, you are surrounded by mountains, in this environment, it is easy to think of using wood or stone to shape something into the environment, but if we see a substance at the end that is not like what we should see here, the excitement we get at the end of this exhaustion will make us have a better experience. Therefore, white fabric was chosen here to shape the Secret World Ark to form a heterogeneous feeling.
▼秘境终点的“外来文明”，An “alien civilization” at the end of the Secret World © CreatAR Images
▼白色织物表皮，The surface made of white fabric © CreatAR Images
▼秘境方舟细节，Detailed view of The Secret Ark © CreatAR Images
03. 吐丝作茧
Wrap Up
秘境方舟是一只茧。
向着半透明的白色装置继续前行，沿着最后的水路一直走，便可以发现通往方舟的阶梯。方舟主要功能是厕所和浴室，以及供游客休息的一处平台，底层内部功能组件，形成一座小迷宫，如遗迹一般。由于方舟位于景区深处，到达交通困难，在材料选择上，底层突出一种原始和蛮荒。院里螺旋上升的阶梯，联通到二层平台，与底层材料不同，钢结构组成的构架，支撑起白色半透明织物，如同蚕茧。茧作为一种状态，被我记录下来，保护着自己，也为小十二秘境提供一个安全场所。在茧的包围之中，穿过交错的“蚕丝”登上屋顶，仰视群山，内心平静。
▼gif分析图，gif diagram © Wutopia Lab
The secret ark is a cocoon.
Continue towards the translucent white device, and keep walking along the last waterway, you can find the stairs leading to the ark. The main functions of the ark are toilets and bathrooms, as well as a platform for visitors to rest, with infrastructure inside the bottom floor, forming a small maze, like a relic. As the ark is located deep in the scenic area, it is difficult to reach the transportation, and in the choice of materials, the bottom floor highlights a kind of primitive and barbaric experience. The spiral staircase in the courtyard connects to the second floor platform. Unlike the material of the bottom floor, the steel structure consists of a frame that supports a white translucent fabric, like a cocoon. Cocoon as a state, was recorded by me to protect themselves, but also to provide a safe place for the Little Twelve Secret Wonders. Surrounded by cocoons, I walked through the interlaced “silk” to the roof, looked up at the mountains, and felt calm.
▼底层突出一种原始和蛮荒，The bottom floor highlights a kind of primitive and barbaric experience © CreatAR Images
▼通往方舟的阶梯，The stairs leading to the ark © CreatAR Images
▼从桥洞望向方舟，View from the bridge © CreatAR Images
▼钢结构支撑起半透明的“蚕茧”，The steel structure consists of a frame that supports a the translucent “cocoon” © CreatAR Images
▼俯视屋顶平台，Aerial view to the roof © CreatAR Images
04. 没有树的树院
A Tree Yard without Trees
秘境方舟有一个没有树的树院。
阳光可以穿过蚕丝打在院子里，雨水可以从洞口中滴落进来，在这个一方庭院，你站在那里，仰起头，感受风雨，不必移栽也不必栽种，在小十二背后的这个终点，你和自然变成了伙伴，你成为了他院里的那棵树。
▼手稿，Sketch
The secret ark has a tree yard without trees.
Sunlight can hit the courtyard through the silk, rain can drip in through the hole, in this side of the courtyard, you stand there, tilt your head, feel the wind and rain, no need to transplant or plant, in this end behind the small twelve, you make friends with nature, then becoming the only tree in his courtyard.
▼庭院，Courtyard © CreatAR Images
▼阳光穿过蚕丝打在院子里，Sunlight hits the courtyard through the silk © CreatAR Images
05. 逐渐失控
Losing Control
秘境方舟等待着远航。
2019年底经历了疫情，随之而来的又是各种人生起伏，我几乎已经忘记了当时埋下的这颗种子，虽然她不够完美，但这一刻，这里让我忘记了城市带来的烦恼和哀伤，痛苦和绝望。听着风，哼着曲，小十二背后的秘境方舟无需承载更多的东西了，我躺在甲板上，等待远航。
The secret ark awaits the voyage.
At the end of 2019 experienced the epidemic, followed by various life ups and downs, I have almost forgotten this seed planted at that time. Although she is not perfect, but this moment, being here makes me forget the worries and sorrow, pain and despair brought by the city. Listening to the wind, humming the song, the secret ark behind the small twelve need not carry more things, I lay on the deck, waiting for the voyage.
▼秘境方舟等待着远航，The secret ark awaits the voyage © CreatAR Images
▼轴测分解图，Axon exploded © Wutopia Lab
▼场地平面图，Site plan © Wutopia Lab
▼平面图，Plan © Wutopia Lab
▼剖面图，Sections © Wutopia Lab
项目名称：小十二秘境·方舟
设计公司： Wutopia Lab
主持建筑师：俞挺
项目建筑师：李灏
项目经理：濮圣睿
设计团队：李子恒，王晔（实习），林志豪（实习）
施工图咨询：上海宕桦建筑设计咨询事务所
施工单位：贵州十二背后旅游开发有限公司建设部
业主单位：贵州十二背后旅游开发有限公司
项目地址：贵州十二背后清溪湖景区
建筑面积：360㎡
建成时间：2019.12
建筑摄影：CreatAR Images
Project Name: Little Twelve Wonders – The Ark
Design Company: Wutopia Lab
Lead Architect: Yu Ting
Project Architect: Li Hao
Project Manager: Pu Shengrui
Design Team: Li Ziheng, Wang Ye (intern), Lin Zhihao (intern)
Construction plan consultant: D&H studios
Construction Unit: Construction Department of Twelve Back Tourist Area in Guizhou Province
Client: Twelve Back Tourist Area in Guizhou Province
Project address: Little Twelve Back of Qingxi Lake, Zunyi, Guizhou
Building area: 360 square meters
Completion time: December 2019
More：Wutopia Lab 。更多关于他们：Wutopia Lab on gooood
想知道这种表皮如何清洁
单纯就建筑而言还不错，俞大师的设计都挺有意思的，大多都自带网红属性，看来俞大师做城里的网红打卡商业项目比较合适，这个建筑在环境中就是在美景中的一个瘤。
从各个角度看与环境都格格不入的东西，到城里做个售楼处当个网红打卡建筑挺好的，放到这里破坏这一方山水的风貌
小十二秘境·方舟
建筑很有意思，环境真的好美，结合到一起真的有点怪。我个人喜欢建筑和自然环境的和谐统一。大反差大对比，真的好吗？
野外急救中心？
剖面谁画的，全标错了，屋顶女儿墙高度也跟手绘的不一样，屋顶看台明显是发现看不到风景后加的
“小桥流水哗啦啦，绿有林旁是我家”的感觉
大师都功成名就了，还需要给杂志送图来“证明自己”吗？就来个坡屋顶棚子罩几个卫生间更自然合理吧。。。。
个人觉得挺好的~建筑是自带建造和破坏属性的，本就和自然环境不兼容，个人觉得没有必要把环境因素放在第一位。
白色建筑在山涧里很突出对比感很强，照片里就十分夺人视线，很适合作为一个游客中心来使用（显眼，有指向性，我相信游客在有内急的时候会感谢设计师的）。
“我觉得我们做的事情对当地是一种破坏”，“那我们就不去考虑当地风貌肆无忌惮的来破坏吧”。你觉得这逻辑没问题？！
建筑确实是自带环境破坏属性的，但是这并不是不考虑环境因素的理由，恰恰相反，因为建筑会破坏环境，所以才要考虑怎么少的破坏环境。人与自然都是环境的一部分，也是建筑生成的最底层逻辑。这层逻辑是建筑的理念得以成立的根本。为什么流水别墅会成为经典，就是因为它与环境的融合度。假设一个建筑不带有环境因素，那么它就没有扎足的合理度，换而言之就是这个建筑放到哪里都合适，或者说放到哪里都不合适，因为它并没有一个独属与它匹配的环境，是一个孤立的，没有根基的工艺品。
这也是为什么跟环境不融合的建筑往往被人诟病的原因之一，而这一位设计师，经常设计的建筑，很多都是对于环境有不理会甚至排斥的态度，这就更加深了我们对于他建筑的不感冒。
同意！桃花源记式的流线设计，竟然最后豁然开朗见到UFO，破坏自然，孤立性爆棚的建筑，靠着方舟的IP就能变成美吗。滥用IP的时代，这种建筑的宣传感觉正在扭曲适用、经济、美观、绿色的基础概念。
没法和大自然融合极为突兀
对比太强烈了，好奇室内是什么样子
就黑白那几张啊，看不到风景o(╥﹏╥)o
https://www.gooood.cn/risd-student-success-center-by-workac.htm
哦豁
哦豁
哈哈
点开之前我是真的没想到bgm是这个。
设计本身挺好的，不过跟场地的关系感觉有待商议
材料真是万能的，你说啥就是啥。
为啥评论里都在喷俞，个人感觉他的项目都挺有意思啊
关键在于他这位设计师每次对于周边环境的态度都让人难以吐槽。如果单从他建筑来说就还好。
很好看
哪好看