非常感谢 麟和建筑工作室 予gooood分享以下内容。更多关于 Atelier L+ on gooood.
Appreciations towards Atelier L+ for providing the following description:
项目背景
Project background
遵义遗体器官捐献纪念碑旨在为广大群众、捐献者家属以及青少年等不同社会群体提供一处静谧的公共场所,以悼念和缅怀人体器官(人体、眼角膜组织等)捐献者们,表达对他们无私奉献的大爱精神的敬仰。建筑师受业主委托,介入到此项与生命有关的半公益性设计。
Zunyi Memorial of Body and Organ Donors aims to provide a quiet public place for the general public, the families of donors and young people and other social groups to mourn and remember the donors of human organs (human body, corneal tissue, etc.) and express their selflessness. Respect for the dedication of the great love spirit. The architect was commissioned by the owner to intervene in this semi-public welfare design related to life.
▼视频,video ©章鱼见筑
项目选址在凤凰山半山腰西南角的一处市民休闲健身广场。基地毗邻凤凰山隧道入口,靠近山脚,与市内交通衔接便利,市民可从山脚沿台阶步行直达参观。项目尊重原有场地及其自然环境肌理,仅拆除部分健身器材,并充分保留了广场的休息凉亭等设施及其原有的基础布局,以最大化适应性介入周边环境;同时使得新建筑尽可能呈现质朴和低调的姿态,与当地的自然风貌以及当代社会人文精神保持谦逊而开放的互动。
The project site is located in a public leisure and fitness plaza at the southwest corner of the mountainside of Phoenix Mountain. The base is adjacent to the entrance of the Phoenix Mountain Tunnel, close to the foot of the mountain, and is easily connected to the city’s transportation. The public can walk directly from the foot of the mountain along the steps to visit. The project respects the original site and its natural environment texture, only removes part of the fitness equipment, and fully retains the square’s rest pavilions and other facilities and its original basic layout to maximize adaptability to the surrounding environment; at the same time, the new building is made as much as possible presenting a simple and low-key posture, maintaining a humble and open interaction with the local natural scene and the humanistic spirit of contemporary society.
▼项目远景鸟瞰,靠近凤凰山西入口及凤凰山隧道入口,distanced area view of the project close to the west entrance of the Phoenix Mountain and the entrance of the Phoenix Mountain Tunnel ©章鱼见筑
▼近景鸟瞰,closer aerial view ©章鱼见筑
纪念碑被设想成一处向市民开放的公共空间:开放的、可通过的、日常性的,但又具有独特空间与建造品质的一处静谧之所。
The monument is conceived as a public space open to citizens: a quiet place that is open, passable, and daily, but with unique space and construction quality.
▼项目局部鸟瞰,partial aerial view of the project ©章鱼见筑
设计理念
Design Concept
建筑赞美生命:那些在生命终点前志愿捐出身体或器官的人,一定拥有一个乐观灿烂的生命。设计基于“光/Englightment”的理念来展开:生命的光亮,或强或弱,但四散开去照亮一隅,美好而沉静!这是纪念碑的最初原型。
Architecture praises life: Those who volunteer their bodies or organs before the end of their lives must have an optimistic and brilliant life. The design is based on the concept of “Light/Enlightenment”: the light of life, strong or weak, but spread out to illuminate a corner, beautiful and calm! This is the original prototype of the monument.
▼项目近景透视,原有广场路面采用花岗岩铺设,衔接白色混凝土浇筑的墙体及阶梯,closer perspective, original plaza paved with granite, connected by white concrete walls and steps ©章鱼见筑
诗性:遵义遗体器官捐献纪念碑的设计是一个开放的命题,功能的限定是模糊的,也恰好给到精神的与诗性的考量第一位次的机会。“建筑物本身从来不是诗性的”(彼得•卒姆托),而建筑师正是物质与精神的联结者,是物质的精神赋予者。
Poetic: The design of Zunyi’s remains and organ donation monument is an open proposition, and the limitation of function is vague. It also happens to give the first chance to consider spiritual and poetic considerations. “The building itself is never poetic” (Peter Zumthor), and the architect is the link between the material and the spirit, the spiritual giver of the material.
▼广场下坡台阶与廊亭连通,steps of the plaza connecting to the traditional pavilion ©章鱼见筑
▼从廊亭内视点看通往广场的台阶及呈放射状分布的墙体,view to the steps and radial walls from the traditional pavilion ©章鱼见筑
空:“空”是建筑师面对纪念性诉求的一贯策略,对于“物”的中心性的抵触,使建筑师一开始就以场所的思考代替物的标志,从而使得纪念的过程成为一种静谧的、沉思的空间体验过程。“空”构建了一个光的中心,片墙辐射开来,巧妙嵌入到山脚高低零落的场地,这是设计的赋形和启示的时刻,设计激活了这一平凡乏味的场地,亦谓之“启蒙/Enlightenment”。
Empty: “Empty” is a consistent strategy for architects to face monumental demands. The resistance to the centrality of “things” makes architects use place thinking instead of signs of objects from the beginning, making the process of commemoration a kind of Quiet and contemplative space experience process. “Empty” constructs a center of light, the wall radiates, and is cleverly embedded in the high and low site at the foot of the mountain. This is a moment of shaping and inspiration of the design. The design activates this ordinary and boring site, which is also called ” Enlightenment”.
▼圆形小广场,small circular plaza ©章鱼见筑
场所系统与物质构建
Site system and material construction
纪念碑成为一个微型的日常场所系统,全部由白色混凝土浇注而成,如同磬石,与山脚自然的林木、地势嵌为一体。建筑的材料是纯一的、厚重的,衔接呼应,如同生长出大地。
The monument becomes a miniature daily place system, all made of white concrete pouring, like a chime stone, embedded in the natural forest and terrain at the foot of the mountain. The materials of the building are pure and heavy, connecting and echoing, as if growing out of the earth.
▼由纪念碑墙与坐凳围合成的圆形广场,circular plaza surrounded by the monument wall and benches ©章鱼见筑
沿放射线形成不同的台地与阶梯,提供端坐静思之地,沿台级而上的路线形成折转忽见的参观之径,纪念碑、纪念墙与坐凳围合成核心的圆形场地,提供可供五六十人使用的小型纪念活动场所。
Different terraces and steps are formed along the radiation line, providing a place to sit and meditate, and the route up the platform forms a path of turning and seeing. Monuments, memorial walls and benches surround a circular site with a core. A small commemorative venue for fifty or sixty people.
▼场所与山脚林木和地势嵌为一体,the place corresponded with the forest and the terrain ©章鱼见筑
▼白色混凝土浇注而成的磬石效果,walls casted by white concrete like stones ©章鱼见筑
▼台阶和细部,steps and details ©章鱼见筑
▼圆形纪念墙围合而成的转角,turning corner defined by curved monument walls ©章鱼见筑
花台之上,回首可见城市繁华灯火,在沉思与反观之间感受生命之美好;汉白玉的石板用以雕刻每一位捐赠者的姓名,每一批名字的雕刻成为一种纪念的仪式。
Above the flower stand, looking back, you can see the bustling lights of the city, and you can feel the beauty of life between contemplation and reflection; the white marble stone slab is used to carve the name of each donor, and the carving of each batch of names becomes a commemoration ceremony.
▼纪念碑墙,monument wall ©章鱼见筑
场地中间种植高大银杏,可想见秋季白色混凝土台地黄叶缤纷,生命可逝去,但都有绚烂的一瞬!
Tall ginkgo is planted in the middle of the site. You can imagine the yellow leaves on the white concrete platform in autumn. Life can pass away, but there is a glorious moment!
▼夜景,night view ©章鱼见筑
▼总平面图,site plan ©麟和建筑工作室
▼平面图,plan ©麟和建筑工作室
▼剖面图,sections ©麟和建筑工作室
项目名称:遵义遗体器官捐献纪念碑
业主:遵义市红十字会
项目地点:贵州省遵义市
占地面积:178平方米
建筑高度:5.5米
建筑设计:同济大学建筑设计研究院(集团)有限公司/麟和建筑工作室
主创建筑师:李麟学
设计团队:周凯锋、刘旸、单云翔、侯苗苗、温良涵、刘聪聪、马骁
摄影:章鱼见筑
Project Name: Zunyi Memorial of Body and Organ Donors
Owner: Red Cross Society of Zunyi City
Project location: Zunyi City, Guizhou Province
Area: 178 square meters
Building height: 5.5 meters
Architectural design: Tongji University Architectural Design and Research Institute (Group) Co., Ltd./Linhe Architecture Studio
Leading architect: Li Linxue
Design team: Zhou Kaifeng, Liu Yang, Shan Yunxiang, Hou Miaomiao, Wen Lianghan, Liu Congcong, Ma Xiao
Photography: Zhangyu Jian Zhu
More: 麟和建筑工作室。更多关于 Atelier L+ on gooood



































评论这么差我还挺意外的,为啥大家对玩构成的项目评价这么偏激,设计师有几个能把画面和故事结合好?能把画面玩好就已经很出色了,讲故事是最鸡肋的事儿。这个作品确实挺像“学生作业”的,但是构成可圈可点,主要是最终完成的质量还是挺不错的,材质的选择把控也挺出色。我觉得有两个地方处理的不太好:1.圆形草地上放一块自然石块,这个草地不该有,草地太小,又是圆形,像一个托盘,把空间做小气了,其实石头直接放铺装上就行。2.所有墙面都是很厚重的感觉,是协调的,但那个掏空的形成景框的墙一下子就单薄了,和整体的比例失衡了,减了不少分,变化多余了。
我真心希望大家不要老拿构成说事儿,更不要总拿学生作业说事儿,工作十几二十年的还不如学生作业的大有人在,构成关系能玩明白的更是大海捞针。做设计不容易,觉得好的点个赞,不好的说出哪里有问题,不要随便扔一句话然后一堆人跟风讽刺人家,实际啥也没说出来,作者看评论一点收获得不到,只赚了一肚子气,毫无意义。不要把平日我们被领导随意评价的怨气打包到这里扔给别人,设计这份工作就是这样越做越没劲,恶性循环。对领导不敢说,对别人口下无情,设计行业内部互不尊重,那外部不尊重设计岂不是更正常不过了?委屈吗?谁造成的?
赞
少了一点水性,灵性
我来帮你说设计理念吧,扇形发光台阶如同光一般,从一个角度散去,暗示了遗体捐赠者最后的那一束光。白色混凝土的洁白表达的是一种高尚和洁净的心。中间的圆是融合,器官的融合精神的融合
总平上看弱了点
这主题也没扣住。。。玩了点材质上的小聪明。。。就跟个立体构成作业一样,捐献遗体的那是多高尚的行为,你整的跟闹着玩一样,您是欺负人家都诈不了尸吗?看着来气。
做的太差了吧 真就学生水平 看不到设计灵性
学生作业水平
很好的创意,特别是夜景灯光开启后,阶梯的感觉很神圣!令人敬仰
准备去观摩打卡
屮————别闹!
个人感觉,这个方案对于还处于平面构成学习阶段的学生来讲很友好,是一个很不错的落地参考案例。
平面构成做嗨了就会发现立面墙特别多。。。
小巧精致,让我想起了大学时候的立构模型