非常感谢 The Architecture Drawing Prize 予 gooood 分享以下内容。Appreciation towards The Architecture Drawing Prize for providing the following description:
第八届建筑绘图奖（The Architecture Drawing Prize）获奖作品——该奖项由Make Architects、世界建筑节（World Architecture Festival）与约翰·索恩爵士博物馆（Sir John Soane’s Museum）共同发起——1月在约翰·索恩爵士博物馆展出。
Winners of the 8th edition of The Architecture Drawing Prize – a partnership between Make Architects, World Architecture Festival and Sir John Soane’s Museum – go on display in January at Sir John Soane’s Museum.
▼有生命的土壤，Living Soil © Inside Outside
▼匠人村，Shilpogram A Crafter’s Village © Sanjidah Chowdhury
▼喜马拉雅山一线：气候变化下的水景，
Himalayas Frontline A Waterscape against Climate Change © Yichen Li
一年一度的建筑绘图奖旨在表彰绘图作为一种工具，在捕捉并传达建筑思想中的重要意义。2025年的获奖者来自世界各地，包括英国、中国、美国、巴西和荷兰，涵盖建筑师、设计师及学生等不同群体。
The annual Architecture Drawing Prize celebrates the significance of drawing as a tool in capturing and communicating architectural ideas. The 2025 winners hail from around the world, including the UK, China, USA, Brazil and the Netherlands, and comprise architects, designers and students.
▼解构主义与后现代主义的幻影，Gossips Phantoms of Deconstructivism and Postmodernism © CJ Lim
▼两种观点， Two views © Marie-Louise Raue
本次展览将呈现获奖及入选作品，这些作品采用了从铅笔、墨水到数字程序等多种创作媒介，是进入当代建筑现状、并关注未来值得期待的新兴声音的重要入口。
The exhibition will showcase the winning and commended entries, created in a wide range of media from pencil and ink to digital programmes, and serves as a fantastic entry point into the state of architecture in the present and the exciting new voices to look out for in the future.
▼超级超级乡村主义者，Super-Mega-Ruralistic © Smout Allen
▼几乎被遗忘，Almost Forgotten © Yixuan Liu and Yilin Zhang
展出内容包括：为莫克姆湾拾贝事故（Morecambe Bay cockling disaster）而设的综合性纪念方案、山体之间的悬浮结构、城市漂移的制图研究、重新想象的威尼斯城市景观、一组批判社交媒体对建筑影响的双联画、土壤地下生态系统的呈现、创新型干船坞及退役海军部件的再利用、扭转数十年有害燃煤历史的发电厂、对一件美国大地艺术作品的两个视角、一座巴西艺术画廊、工业景观向农业系统的转化方案、应对水资源危机的不丹水景设计，以及一个为适应气候变化而改造的孟加拉村庄。
They include an integrated memorial to the Morecambe Bay cockling disaster, suspended structures in-between mountains, mapping of urban drift, a re-imagined Venetian cityscape, a diptych critiquing social media’s effect on architecture, the underground ecosystem of soil, innovative dry docks and a re-purposing of decommissioned naval parts, a power plant that reverses decades of harmful coal-burning, two views of an American land art piece, a Brazilian art gallery, the transformation of industrial landscapes into agricultural systems, a Bhutan waterscape that tackles water crises, and a Bangladeshi village adapted to climate change.
▼阈限的故事，The Tales of Liminality © Anna Pang
▼翻译中的建筑，Architecture in Translation © Oscar Ssu Kuo Lo
展出的作品涵盖从概念性到技术性的各类建筑设计形式，充分展现了当代建筑绘图所体现的技艺水平、雄心与创造力。
The works on display, which span all forms of architectural designs, from conceptual to technical, testify to the skill, ambition and creativity that characterise architectural drawing today.
▼从萨凡纳火车站的视角看城市再设计的空间化与记忆映射，Spatialization and Memory Mapping an Urban Redesign through the Lens of Savannah Train Station © Xinyi Liu and Christine Wacta
2025年建筑绘图奖评审团成员包括：Make Architects创始人Ken Shuttleworth；艺术家Ben Langlands与Nikki Bell；LilyJencks Studio创始人Lily Jencks；Iris Ceramica Group首席执行官Federica Minozzi；Foster + Partners设计传播负责人Narinder Sagoo；约翰·索恩爵士博物馆展览助理策展人 Erin McKellar；以及世界建筑节项目总监、评审主席Paul Finch。
The judges of the 2025 prize were Founder of Make Architects, Ken Shuttleworth; Artists Ben Langlands and Nikki Bell; Founder of Lily Jencks Studio, Lily Jencks; Iris Ceramica Group CEO, Federica Minozzi; Head of Design Communications at Foster + Partners, Narinder Sagoo; Assistant Curator of Exhibitions at Sir John Soane’s Museum, Erin McKellar; and WAF Programme Director and Chair of the jury, Paul Finch.
▼失落的男孩哭也没关系-合成图（平面、剖面图、透视图、轴测图），The Lost Boys It’s OK to Cry – Composite Drawing (Plan, Section, Perspective, and Axonometric) © Erhang Wang
约翰·索恩爵士博物馆展览助理策展人Erin McKellar表示：“今年，建筑绘图奖首次决定不再按类别对绘图作品进行划分评审。这一改变促成了一批令人振奋的参赛作品，其中许多作品跨越了不同的绘图方法与媒介。本次展览将这些具有高度冲击力的作品集中呈现，并在博物馆一层展厅展出，使观众得以直观感受当代建筑绘图的广度，并从中获得启发。”
Erin McKellar, Assistant Curator of Exhibitions at Sir John Soane’s Museum, said: “This year, for the first time, The Architecture Drawing Prize decided not to consider drawings in category silos. This resulted in an exciting group of entries, many of which bridge drawing methods and media. The exhibition brings together these high-impact works, displayed across our first-floor galleries, allowing visitors to see and be inspired by the breadth of contemporary architectural drawing.”
▼哈克尼电厂截面等距，Hackney Power Plant Sectional Isometric © Holly McLean
▼造船厂 X，Dockyard X © Jason Wang
▼一座工作的纪念碑，A Working Monument © Tom Wood
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