The immersive installation at Montreux Jazz Heritage Lab 2 by ALICE and EPFL + ECAL Lab

The immersive installation Montreux Jazz Heritage Lab 2 revives 50 years of jazz history.

2016-12-08

项目标签

设计公司: :; ALICE EPFL + ECAL Lab
位置: :; Switzerland
类型: :; Architecture
标签: :; Interior Design
分类: :; Exhibition

非常感谢 ALICE 予gooood分享以下内容。更多关于 ALICE on gooood.
Appreciation towards ALICE for providing the following description:

Montreux 爵士遗产2号研究室是一个跨学科研究室专注于研究建筑，设计和技术。此项目由EPFL+ECAL研究室与ALICE建筑研究室紧密合作，位于瑞士联邦理工学院之一的EPFL。这个新的永久浸入式装置在由建筑师隈研吾设计的新校园建筑中展出，毗邻Montreux爵士咖啡馆。精美的建筑几何体有面向Montreux爵士咖啡厅，外部广场和校园中心的景观。一部分透明的区域面对着咖啡馆，在白天创造了的温馨氛围，在夜晚又如同一盏灯点校园。相比于回顾历史，此项目带领旅客浸入了一个独特的旅程去享受在Montreux爵士音乐节上录制的5小时音像，体验50年的爵士乐历史。游客可以体验在演出现场般的真实感，如同与Ella Fitzgerald同台演出，站在Miles Davis的小号旁边或是与Deep Purple一同演奏Smoke on the Water.

The Montreux Jazz Heritage Lab 2 is a research program at the crossroads between architecture, design and technology. The program is led by the EPFL+ECAL Lab in close collaboration with the architectural lab ALICE, at the École Polytechnique Fédérale de Lausanne (EPFL), one of the two Swiss Federal Institutes of Technology. This new permanent and immersive installation is hosted within the new campus building designed by the architect Kengo Kuma, and situated just next to the Montreux Jazz Café.This sophisticated geometry offers a variety of views both from the Montreux Jazz Café and the external square, the heart of the university campus. The partial, intriguing transparency towards the café creates an enveloping atmosphere during the day and illuminates the campus at night. Rather than mimicking the past, the project leads the audience on a unique journey through 50 years of history and 5.000 hours of audiovisual recordings made at the Montreux Jazz Festival. Visitors truly feel that they are live on stage with Ella Fitzgerald, standing beside Miles Davis’ trumpet, or composing Smoke on the Water together with Deep Purple.

▼ 由建筑师隈研吾设计的新校园建筑，the new campus building designed by the architect Kengo Kuma

游客现可以探究50年以来的音乐会历史，近距离感受世界上最大最全的众多现场爵士乐、蓝调和摇滚乐收藏品。这同时也是第一个被列入联合国教科文组织“世界记忆”的影音图书馆。“原有的真实音乐会以日内瓦湖和山脉作为背景，以成千上万的舞台活动塑造了节日的欢快气氛，最重要的是游客可以接触有血有肉的音乐家们，然而这是我们无法复制的体验。因此我们希望最大化的利用数码技术，为游客创造一个可替代，与之互补的新鲜体验。 ”项目负责人Nicolas Henchoz说道。

After an 8-year long preservation project kick-started by Audemars Piguet, Montreux Sounds and EPFL, visitors can now delve into 50 years of concerts and have world’s largest collection of live jazz, blues and rock recordings at their fingertips – the first audiovisual library ever to be listed in the UNESCO “Memory of the World” Register. “The original concert experience is set against the backdrop of Lake Geneva and the mountains, the atmosphere of festival-goers in their thousands, the unfolding of events on stage, and above all the flesh-and-blood presence of the musicians. We can’t recreate this. Instead, we need to make the most of what digital has to offer, on order to create an alternative, complementary experience,” says Nicolas Henchoz, the project curator.

▼ 展厅，exhibition hall

▼浸入式装置，immersive installation

几条原则推动了设计和研究的发展方向：通过保留原始素材的真实度和流行度来保持录音文化的价值，加强浸入式体验感。提升中央图像的感染力，两侧墙面装置上的镜面板有LED网格装饰，展示了音乐会的数据和影像等。

Several principles have driven the multiple design and research choices: from a deep desire to preserve the recordings’ cultural value and content by keeping the original footage unaltered and prevalent, to the enhancement of the immersive experience. To boost the power of the central images, the sidewalls of the installation consist of mirrored panels featuring a LED light grid, which reveals data and visuals about the concerts.

▼ 两侧墙面装置上的镜面板有LED网格装饰，the sidewalls of the installation consist of mirrored panels featuring a LED light grid

中央屏幕的双曲线形式借鉴了圆环体的切面形态，其最终效果具有深度和层次感又不会使人感到疲劳和恶心。最后一点很重要的是，建筑系统为装置展览空间安装了3D扬声器和吸声装置创造了一个良好的声学环境。一个革新的浏览系统可以让游客在屏幕上滚动水平时间线从44000件歌曲表演中选择自己的所爱。

The double curvature of the central screen takes the form of a torus segment, which creates a sense of depth without generating fatigue or queasiness. Last, but not least, the building system contributes to the sonic environment by hosting speakers for 3D sound and absorbing sound reflections in the installation space. An innovative browsing system permits the public to scroll a horizontal timeline and choose between over 44.000 tracks or performances, in a simple touch.

▼ 中央屏幕一部分， a part of central screen

Montreux 爵士文化遗产2号研究室面向公众开放会将会继续发展。他会成为研究工作的新工具，为设计师提供一片试验田，观测用户的体验感知进而更好的了解浸入式装备带来的影响。

Following its public opening, the Montreux Jazz Heritage Lab 2 will continue to evolve. It will serve as a tool to explore new research issues, provide a testing ground for designers, and also observe users’ perceptions, on order to better understand the impact of immersive devices.

▼分析图，Diagram