感谢 Jeferson Branco Arquitetura 予gooood分享以下内容。更多关于他们：Jeferson Branco Arquitetura on gooood
Appreciations towards Jeferson Branco Arquitetura for providing the following description:
建筑师Jeferson Branco在29岁的年龄第三次参加CASACOR展会，并再次押注于空间宣言的胆略之上。在他的展览作品（一个社交酒吧）的环境构成中，拥有一个悬浮花园、多件有机物体，以及对我们从哪里来、到哪里去的思考。
Betting once again on the audacity of a manifesto space, Jeferson Branco arrives at his third CASACOR at the age of 29. The composition of the environment of the socializing bar of the show, signed by him, houses a hanging garden, organic pieces, and a questioning about where we come from and where we are going.
▼展厅概览，showroom overview © Everson Martins
在建筑师Jeferson Branco为“CASACOR巴内阿里约坎博里乌2023”展会设计的空间中，从形式到个性，没有任何东西是方正的。[t3chno.DELTA]酒吧项目是该展会以“身体与居所”为主题的宴会空间的一部分，在圣卡塔琳娜海岸举行。这是一个沉思与质疑之所，因为质疑正是Jeferson的建筑装饰的一部分。
Nothing is square in the space that architect Jeferson Branco signs for CASACOR Balneário Camboriú (SC) 2023. Neither in form nor in personality. The [t3chno.DELTA], the project of the bar in the convivial space of the show, taking place on the coast of Santa Catarina and bringing the theme of Body and Dwelling, is a place to be contemplated and questioned, as asking is part of Jeferson’s architecture decoration.
▼展厅局部，showroom corners © Everson Martins
环境宣言的灵感来自于沼泽，从地面到天花板都是绿色，容纳了大自然最原始的形式——有机物。所有这些都是为了警示人们对技术的过度使用，让人们意识到我们是否现在更多生活在云端，而非与我们的根基相连。
The manifesto environment, inspired by a swamp, brings green, literally, from the ground to the ceiling, housing the most primitive forms of nature, the organic. And all this to alert about the excessive use of technology, bringing to the fore whether we are more in the cloud than connected to our roots.
▼绿色覆盖了从地面到天花板，green covers from the ground to the ceiling © Everson Martins
▼灵感来自于沼泽，inspiration comes from the swamp © Everson Martins
▼巨大的建筑三角洲，a vast architectural delta © Everson Martins
在这个项目中，Jeferson以人工智能的兴起为灵感，提出了空间的中心主题：我们将何去何从？建筑师认为，“该项目提醒人们，沼泽也是一个创新和发现的地方，它将生物迷恋与高科技、祖先与未来主义的二元性以令人愉悦的方式地融合在一起，提出了我们从哪里来、要到哪里去的问题。”为此，他把仅100平方米的空间改造成了一个巨大的建筑三角洲，其中有木材、石头、铁和独特的物件，构成了一个可以说是挑衅性的环境。
In this project, Jeferson brings the rise of artificial intelligence as inspiration for the central theme of the space that asks: Where are we going? According to the architect, “the project is a reminder that the swamp is also a place of innovation and discovery, and brings a good-humored blend between biophilia and high-tech, the duality between ancestry and futurism, raising questions about where we come from and where we are going”. And to do so, the almost 100m² that he transformed into a vast architectural delta has wood, stone, iron, and unique pieces that compose the, at least, provocative environment.
▼容纳了木材、石头、金属的环境，environment incorporates wood, stone, iron © Everson Martins
构成[t3chno.DELTA]项目的元素包括南里奥格兰德天主教大学的学生开发的自动化线缆系统、Bruno Munari于1964年设计的意大利灯具、《福布斯》30 岁以下设计师Leonardo Zanatta设计的当代凳子， Victor Vasconcelos设计的沙发、Jeferson本人署名设计的紫檀木Pangea支撑桌以及Protozoa系列地毯。所有这一切都与自然有关，而使用的Speranza（一种在巴西开采的石英）亦是如此，项目某些区域使用的拉丝钢索则与未来主义和技术相关。这种介于动画《杰森一家》和《摩登原始人》之间的视觉构图让我们可以清楚地看到，沼泽是生命诞生、进化和适应的沃土。这种顺序不是固定的。
Among the elements that make up the [t3chno.DELTA] project are a cable automation system developed by students from PUC of Rio Grande do Sul, an Italian lamp designed in 1964 by Bruno Munari, contemporary stools by Leonardo Zanatta, a Forbes Under 30 designer, a sofa by Victor Vasconcelos, Pangea support tables in purplewood signed by Jeferson himself, who also signs the rug from the Protozoa collection. All this, while the use of Speranza, an exotic quartz extracted in Brazil, refers to the natural, and the brushed steel applied in some areas of the project brings the relationship with futurism and technology. And with this visual composition halfway between the Jetsons and the Flintstones, it is clear that the swamp is a fertile scenario where life is born, evolves, and adapts. Not necessarily in this order.
▼来自不同设计师的家具组合，furniture suite from multiple designers © Everson Martins
▼自动化钢索，cable automation system © Everson Martins
▼高脚凳，tall stool © Everson Martins
继续参观[t3chno.DELTA]的细节，策展布置时时刻刻将巴西业已成名的设计师和先锋设计师并置，始终强调过去和未来的二元性。在墙壁上，Walmor Corrêa的植物图像与Rodrigo Ohtake的有机镜子共享空间，而Laura Rotter的景观设计中的天然植物则从天花板上垂落下来。
Continuing the tour through the details of [t3chno.DELTA], the curation of the pieces always makes the counterpoint of already established designers and the avant-garde in Brazil, always emphasizing this duality between past and future. On the walls, the botanical images of Walmor Corrêa share space with an organic mirror by Rodrigo Ohtake, while natural plants from Laura Rotter’s landscaping fall from the ceiling.
▼Walmor Corrêa的植物图像，the botanical images of Walmor Corrêa © Everson Martins
▼Rodrigo Ohtake的有机镜子，an organic mirror by Rodrigo Ohtake © Everson Martins
▼从天花垂落下来的天然植物，natural plants fall from the ceiling © Everson Martins
Jeferson Branco的合伙人以及姐姐Letícia Branco认为，“展厅应该促使参观CASACOR的人进行片刻的反思，我们希望参观者不仅仅是欣赏，而是去理解我们通过将过去、现在和未来的形式、概念、材料和专业人士结合起来而试图传达的信息。”
According to Jeferson Branco’s partner and sister, Letícia Branco, “the environment should promote a moment of reflection for those who visit CASACOR, and we hope that, more than just appreciating, the visitor seeks to understand the message we are trying to convey by aligning forms, concepts, materials, and professionals from the past, present, and future.”
▼平面图，plan © Jeferson Branco Arquitetura
▼立面图，elevations © Jeferson Branco Arquitetura
Project Name: [t3chno.DELTA]
Office: Jeferson Branco Arquitetura
Website: www.jefersonbranco.com
Social Media Profiles: @jefersonbranco
Contact Email: contato@jefersonbranco.com
Office Location: Itajaí – Santa Catarina – Brazil
Project Completion Year: 2023
Gross Built Area: 98m²
Project Location: Balneário Camboriú – Santa Catarina – Brazil
Program: wine bar; restrooms; lounges
Lead Architect: Jeferson Branco
Lead Architect’s Contact Email: contato@jefersonbranco.com
Photographic Credits: Everson Martins
Photographer’s Website: https://www.instagram.com/arq.em.foto/
Photographer’s Email: eversonmartins.fotografia@gmail.com
Photographer’s Instagram Profile: @arq.em.foto
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以布置为主要吗
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