非常感谢 Taeg Nishimoto 予gooood分享以下内容。更多请至:Taeg Nishimoto on gooood
Appreciation towards Taeg Nishimoto for providing the following description:
LIQUID是一系列带有视觉图案的墙面镜作品。在该系列中,部分破损的圆形镜片被镶嵌在特制的混凝土圆盘内。圆盘由混有色素的混凝土浇筑而成,其表面的图案反映了混凝土的流动,与镜子破损的部分交相呼应,使镜子以新的形式呈现在空间之中,同时为照镜子这一日常行为增添了新的体验。
LIQUID is a series of wall mirrors that play with optical textures. Partially distressed circular mirror is imbedded into the cast concrete disk with pigments that document the flow of concrete while poured into the mold. The combination of flowing patterns of pigmented concrete and the distressed part of the mirror creates a new layer to the presence of mirror in space as well as to the act of looking into the mirror.
▼ 圆盘由混有色素的混凝土浇筑而成,Partially distressed circular mirror is imbedded into the cast concrete disk with pigments
▼ 镜子方向尺寸各有不同,mirrors various in different scales and directions
制作时,技术人员将预先做好的破损圆镜被放在圆形模具的底部,然后向其中浇入混有不同量色素的调配好的混凝土。首先浇入的是混有色素量最大的混凝土,然后再逐渐倒入流动性不同的含较少色素的混凝土材料;最后,没有加色素的混凝土也被倒入模具之中。脱模剂被不均匀地涂在模具底层,以期与色素混凝土产生意料之外的反应。混凝土凝固脱模后,工作人员会对其表面进行密封处理。倒入混凝土液的角度和方向决定了最终成品表面的图案样式。
Pre-distressed circular mirror is placed at the bottom of the circular mold in which the concrete is poured. Different consistencies of concrete with different amount of pigments are prepared prior to the pouring. First the concrete with the most amount of pigment is poured, then gradually the concrete with less pigment and different liquidity is poured in. The concrete with no pigment is the last pour. The release agent is randomly applied to the bottom surface of the mold in order to provide conditions in which the pigmented concrete react to the agent in an unexpected manner. When the concrete is cured and taken off from the mold, the surface is treated with sealer. The location and the direction of sequential pour of the liquid state of concrete determine the final outcome of the pattern on the surface.
▼ 倒入混凝土液的角度和方向决定了最终成品表面的图案样式,The location and the direction of sequential pour of the liquid state of concrete determine the final outcome of the pattern on the surface.
这些混凝土圆盘约有7毫米厚,直径从35厘米到50厘米不等。圆盘底部装有旋机,使镜子不会紧贴在墙面上,人们可以根据需要将镜子转向他们希望的方向,改变其样貌,以获得新的空间体验。当人们照这些镜子时,他们的注意力会被表面的图案吸引,获得独特的空间视觉体验。这些图案记录了液体自然流动的瞬间,又像是夜晚流云中的明月,引人遐思。
The concrete disks are in different sizes from 35cm to 50cm in diameters, and about 7mm thick. Swivel mechanism is attached in the back, which lifts the disk off from the wall and enables the disk to be rotated to the desired orientation as well as periodical changes of appearance in space. LIQUID draws our attention to the surface pattern as optical texture as we look closely at the reflection on the mirror, giving a unique visual presence in space. This texture is in fact a visualization of natural phenomena of liquid movement captured in a brief moment (while also evoking the image of the moon in the night sky with moving clouds.)
▼细节,Details
More:Taeg Nishimoto ,更多请至:Taeg Nishimoto on gooood



























自然 好看 特别