House for Fernando Pessoa and his heteronyms

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建筑在景观中成为一片废墟。这里，只有光，石材，植被，以及诗人的想象。

费尔南多·佩索阿（葡萄牙语：FernandoPessoa，1888年6月13日－1935年11月30日），生于里斯本，是葡萄牙诗人与作家。他生前以诗集《使命》而闻名于世。他被认为是继卡蒙斯之后最伟大的葡语作家。文评家卜伦在他的作品《西方正典》形容为他是与诺贝尔奖得主巴勃鲁·聂鲁达最能够代表二十世纪的诗人。

他在文学上以“创造”性格闻名，我们称这种写作手法为“异名”。各个“异名者”有着不同的笔名，存在着不同的个性，其实是来自作者多种性格的反映。在异名者之外，作者还有一个“自我”，这个是作者的真正性格。在众多角色中，以“自我”加上另外三个“异名者”最为成熟及最广为人知。三个“异名者”分别是AlvaroCampos、RicardoReis和AlbertoCaeiro。在他们当中，“自我”Fernando Pessoa通常都是最能够带出真理、存在及个性等深层哲学意义的角色。

建筑师发现费尔南多佩索阿常常前往葡萄牙亚速尔群岛上的特塞拉岛看望他的母亲，于是建筑师想象最后作家留在了这里，建立一个可以俯瞰绿色田野，村庄，还有大海的位于小山顶上的房子。

▼Overview  全景

Fernando Pessoa (1888/1935) is considered to be one of Portugal’s greatest modernist writers. His major attribute was the invention of heteronyms, different creative personalities that he conceived, with their own personalities and backgrounds that became real through their writting. With the maturation of these characters, the personalities become confuse and we can no longer distinguish the nature of the original person. Through his life, Pessoa created dozens of heteronyms. The three most significant ones, because of the consistency and extent of their work were: Alberto Caeiro, Álvaro de Campos and Ricardo Reis.

This persistent simulation of the self comes from Pessoa´s desire of being someone different, capable of enjoying life instead of over-razionalising it. Caeiro is the representation of this, reason why he was nomaneted master. For the project, we´ve seeked an ambiance were Caeiro could have lived, surrounded by the nature he celebrates. In Terceira´s island, (Azores archipelago, Portugal) we´ve discovered these features. Pessoa travelled there frequently to visit relatives from his mother side. We can imagine that in one of these visits, he decided to stay. On the top of a hill he built the house Caeiro (or was it himself?) describes: overlooking the green fields, the village and the ocean in the distance.

▼Garden 花园

这个房子要同时为几个诗人服务（其实是性格分裂的一个诗人），有阅读，写作，冥想等等四种类型的空间。建筑师根据地形设计了一个被石墙圈起的花园，这石墙足够厚，里面拥有可居住的空间。沿着这堵墙，布置不同性格的居室，每套居室都有不同的大小，形状，还有光线。

建筑在景观中成为一片废墟。这里，只有光，石材，植被，以及费尔南多佩索阿的想象。

To design a house for a poet that is at the same time several. A house in wich to read, to write and to think through four dinstinct realities. From the topography, we raise a stone wall that folds around itself to create a surrounded garden open to the sky. We make it thick enough to contain habitable spaces. Along this wall we distribute the dwellers. Their houses vary in dimensions, geometry and light according to their own personalities. Like a ruin embedded in the landscape, only light, stone and vegetation build the house that Pessoa inhabits with his imagination.

▼Alberto Caeiro  三个“异名者”之一

▼Alvaro Campos  三个“异名者”之一

▼Ricardo Reis  三个“异名者”之一

▼fpessoa  费尔南多佩索阿的自我 Fernando Pessoa

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