Vladilen Apartment by Room Design Buro

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该项目的灵感来自1930年代的室内设计，业主Vladilen是包豪斯学派、现代主义和俄国构成主义运动的拥护者。在设计开始前，Vladilen到德国旅行，汉斯夏隆设计的Schminke故居给他留下了深刻的印象，事务所仔细研究了这些照片，试图传达那个时期空间的氛围和精神。

The inspiration for this project was 1930s interior designs. Vladilen, the client, shares with Room Design Buro the appreciation of Bauhaus art school, modernism and Russian constructivism movements in architecture. Before we began working on the project, we carefully investigated photographs from Vladilen’s trip to German, where design and architecture of Schminke House owed him the most. That helped us to translate and apply some of the principles to the interior environment and spirit of this era.

▼项目概览，overview © Vladimir Ruglulin

地面高度的差异提高了空间的可塑性，并划分了区域。业主Vladilen很喜欢低矮窗台，这正好与地面高度差契合，因此建筑师接受这个想法并把它应用到设计中。

The difference in floor height was introduced to create some plasticity and zoned the space. This idea initially was suggested by Vladilen. He really likes the look of low windowsills, that why we supported this idea and developed it to our design.

▼入口，地面有高差，窗台低矮 © Vladimir Ruglulin
entrance space，floor heights are different，windowsills is low

打造27㎡的小空间并非易事，但对于事务所来说，这是常见问题，其关键在于充分利用空间，为独居者创造舒适的生活空间。设计包括尺寸刚好合适的淋浴间和功能齐全的厨房。200×140cm的床与隐藏的办公桌充分隔离，此外，空间中还有可以看电影、阅读或者举杯思考的休闲区。室内的重点是家具和材料的选择，尤其是整体色调，与苏联时期的家具和风格相似，这可能引起部分人的消极反应，而建筑师想要证明设计是独立于时间和当时的时代问题，一旦观者从消极中抽离出来，就有可能纯粹地享受这一时期家庭的建筑设计和独特之处。建筑师将现代的构成主义引入公寓的设计中，保留窗户一侧尚未建完的墙体，并暴露旁边的结构柱。

27m² is not an easy task, but it is a common issue to solve for our Buro. The challenge was to create a comfortable space for one person to live in without compromises. The design includes a full-size shower and fully functional kitchen. Additionally, there was no compromise to the size of the bed, which is 200cm X 140cm, along with a hidden workspace/desk. Furthermore, the layout has the leisure area for movie watching, reading or simply indulge in thought with a nice glass of wine.The focus point in the interior is the furniture and material choices, especially the colour palette. The colour choice can be associated with the furniture and style of Soviet time, which might resonate negatively with some people. However, our goal was to prove that design exists independently from time and problems of this period. Once you abstract away from negative aspects of the household of the period than it is possible to purely enjoy the architecture, design and unique parts of the household of this time.It would be reckless if we didn’t introduce aspects of modern constructivism to this apartment. There are a couple of design decisions were made: the wall on a window side stayed untouched along with structural column that has been left exposed.

▼整体色调协调统一，colour palette is unified © Vladimir Ruglulin

▼保留未完成的墙体，the wall stay untouched © Vladimir Ruglulin

▼打开柜子形成办公区，open the cabinet to form workspace © Vladimir Ruglulin

▼动图示意，gif diagram © Vladimir Ruglulin

▼休闲区与床，leisure area and bed © Vladimir Ruglulin

▼200×140cm的床，the size of bed is 200×140cm © Vladimir Ruglulin

▼床的细节，details of bed © Vladimir Ruglulin

▼办公区细节，details of workspace © Vladimir Ruglulin

室内有的装饰是业主的个人收藏，例如Philippe Starck设计的柠檬榨汁器，有的是建筑师在购物网站和ins上发现的。其中，黑色皮制扶手椅淘于古董店，建筑师很喜欢它，认为它是是无名制造商的杰出作品，与空间完美融合。“当我们把它放进空间之后，发现好像缺少了水晶烟灰缸和烟草的气味，我们好像创造了一个18+的空间。”

Some of decor elements came from our client’s personal collection, such as Philippe Starck’s lemon squeezer. A few pieces of furniture were found on online marketplace websites and Instagram pages. The black leather armchair was a coincidental discovery in a vintage store, an amazing piece from an unknown manufacturer. We all liked it, and it is fantastic how well it got integrated into our design space. “After it arrived and we placed into space we felt like crystal ashtray and the smell of tobacco is something that is missing. It appears that we created an interior 18+.”

▼回看入口，view back to entrance © Vladimir Ruglulin

▼功能齐全的橱柜，fully functional cupboard © Vladimir Ruglulin

▼细节，details © Vladimir Ruglulin

▼镜子反射下的橱柜，cupboard reflected by mirror © Vladimir Ruglulin

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