Overseas NO.110: Jinyu Zhang

海外存知己，天涯若比邻。
在海外专辑分享海外华人的故事。希望这份分享可以让世界更加海阔天空。
第一百一十期为您介绍的是毕业于米兰理工大学、现工作于KPF纽约的张锦玉。

A bosom friend afar brings distant land near. The Oversea album shares the lives of Chinese living abroad with all. The No.110 episode features Jinyu Zhang who graduated from Politecnico di Milano, and is now working for KPF New York.

为什么出国？
Why going abroad?

我喜欢具体的人具体的事，所以坚定的唯心思考方式让我想出去自己看看东方世界以外的地方。

进入建筑的语境是一个漫长乃至一生的过程。经过8年的时间累计，我从始至终一直坚持的事情是去做自己的设计，去做自己的思考。很多时候建筑学生喜欢去模仿一些既有的风格，而不是思考生成的方法。在学生时期，可以看到了很多被复刻的组合。我也在寻找自己风格的路上，从独立思考开始。结果可能还不成熟，但是是个很好的开始。让设计变得亲切和动人，精心打磨，同时没有放弃建筑学的初心。

I like concrete people and concrete things, so my firm solipsistic way of thinking makes me want to go out and see for myself what lies beyond the Eastern world.

Getting into the context of architecture is a long and even lifelong process. After eight years of accumulation, the thing I have insisted on from the beginning to the end is to do my own design, to do my own thinking. Many times architecture students like to imitate some established styles instead of thinking about the ways to generate them. As a student, you can see a lot of combinations that are reproduced. I am also on the way to find my own style, starting from independent thinking. The result may be immature, but it is a good start. Make the design intimate and moving, carefully polished, while not giving up the initial heart of architecture.

在国外遇到了什么让你印象最深刻的事情？
What impressed you the most when you are abroad?

欧洲是一个融合却又分离的文化阵营。所以每个国家甚至每个城市的建筑学院都有不同的教学风格与体系。在欧洲学习建筑有一个很方便的途径让你去选择适合自己的方向。我在研究生期间去葡萄牙波尔图建筑学院交换了一年，也在丹麦哥本哈根实习了半年，在不同的国家高强度的生活学习工作旅行给我的经历带来了厚度与深度。人类第一次试图描绘世界的形状是用文字和图片。文字用叙述和抽象的方法来传达想象的空间，图片用直接和具体的方法来解释空间。就像尽管人类已经绘制了最精确的世界地图，但生活在每个领域的人们对他们的 “范围 “有了属于自己的定义。我沉溺与欧洲惬意悠长的假期，感动于欧洲建筑师对于建筑设计的尊重与谦逊，在切身体会的过程中对话中深刻了我对建筑的坚持。这些片段组合起来的蒙太奇是我最为私人也最为深刻的事情。

Europe is an integrated yet separated cultural camp. So each country or even each city’s architecture school has different teaching styles and systems. Studying architecture in Europe has a very convenient way for you to choose the direction that suits you. During my graduate studies, I spent a year on exchange at the Porto School of Architecture in Portugal, and six months in Copenhagen, Denmark as an intern, where I lived, studied, and worked in different countries, bringing thickness and depth to my experience. The first time humans tried to depict the shape of the world was with words and pictures. Words use narrative and abstraction to convey imaginary space, pictures use direct and concrete methods to explain space. Just as despite the fact that man has drawn the most precise map of the world, people living in each sphere have their own definition of their “sphere”. I indulged in a pleasant and long vacation with Europe, moved by the respect and humility of European architects for architectural design, and profoundly insisted on my insistence on architecture in a tangential dialogue. The montage of these fragments combined is the most personal and profound thing for me.

最想念祖国的什么？
What do you miss the most about China?

家人，朋友，家乡的一切
Family, friends, everything about home.

你会回国吗？为什么？
Will you come back? Why?

会在积累更多工作经验之后回国，回国之前会尝试独立设计，现在还对中国的设计环境不太熟悉。

I will return to China after gaining more work experience. Before returning to China, I will try to design independently, but I am still not familiar with the Chinese design environment.

出国后在不同的背景下再看中国是否看得更清晰，有哪些感触？
Is it more distinct to view China in a different environment after going abroad? Any thought?

那是必然的，在国内期间更多接触的是一种知识输入式教学，在打了一个扎实的基础之后，却很难有时间去沉淀思想。

出国后切身看到感受到了中西方世界的语言，地理，文化导致的隔阂。在疫情期间更加具象了这种想法。作为年轻一代，我们感到了更多的迷茫和考验。但是这种过载信息会带来一些质变的思考方式，更加没有这么偏激，全面的分析观察，谨慎地表达变成我的一种常态。

That is inevitable, during the domestic period is more exposed to a kind of knowledge input teaching, after laying a solid foundation, but it is difficult to have time to precipitate ideas.

After going abroad, I saw and felt the language, geography, and cultural divide between the Western and Chinese worlds. During the epidemic, this idea became even more apparent. As a younger generation, we felt more confused and challenged. But this overload of information will bring some qualitative changes in the way of thinking, more not so radical, comprehensive analysis and observation, and cautious expression became a norm for me.

你的学校有哪些教育特点？
What are the educational characteristics of your school?

欧洲的风格更加注重对场地文本的解读，在设计studio的推进中，会配合相关的讲座与书单。在波尔图建筑学院，这种教学模式得到了强化。设计课程会伴随着历史课，建筑理论课，建筑构造课推进。成果更加具体实践性，创新性都是合理化，层级化的。

米兰理工大学位于意大利北部，但是有七个校区，不同建筑方向位于不同的城市。所以教育风格更加全面基于理论，材料，形式，场地文脉的挖掘。最近几年请到了知名度很高的建筑师来客座执教讲座，例如妹岛和世，安藤忠雄，德莫拉。studio的类型也更加多样优质。每个学期的学习计划都很紧凑，设计课最后会开放各个教室，整个教学楼变成了一个开放的展厅。如果你积极的参与到studio，按照教授的节奏思考学习设计画图，你会发现，你可以学到很多很棒的设计思考方式。并且意大利的建筑和工程学生也相当努力，会感受到来自同学和老师的压力。

The European style is more focused on the interpretation of the site text, and the advancement of the design studio is accompanied by relevant lectures and book lists. At the Porto School of Architecture, this teaching model is reinforced. Design courses are accompanied by history, theory and construction classes. The results are more specific and practical, and innovation is rationalized and cascaded.

Politecnico di Milano is located in the north of Italy, but has seven campuses, with different architectural directions located in different cities. Therefore, the style of education is more comprehensive based on theory, material, form and site context. In recent years, we have invited architects of high reputation to give guest lectures, such as Kazuo Seijima, Tadao Ando and Demora, and the types of studios are also more diverse and high quality. Each semester has a very tight schedule, and the design classes are open to all classrooms at the end, turning the whole building into an open showroom. If you actively participate in the studios and think and learn to draw design at the pace of the professor, you will find that you can learn a lot of great ways to think about design. Also, Italian architecture and engineering students work very hard and feel the pressure from their peers and teachers.

你现在工作公司的特色和有趣的地方？
What are the characteristics and interesting points of your firm?

公司纽约部门目前有400人的规模，各个部门的人员形成了一个很好的合作氛围与设计共享社区。我目前参与到公司的三个项目。在设计推进的过程中，工作的安排都很合理，工作和生活的平衡也很好，我在这个成熟的大社区中快速的成长中。

The company’s New York office is currently 400 people strong, and the people in each department form a great collaborative atmosphere and design sharing community. I am currently involved in three projects for the firm. The work is well organized and the work-life balance is good as the design progresses, and I am growing fast in this large and mature community.

最喜欢的艺术家（绘画音乐电影等广泛范围）是谁？给你创作带来了什么影响？
Who is your favorite artist (in wider range such as art, music, movie)? What is the influence?

我在意大利读书期间，接触到最启发我思考的的意大利艺术家，Giorgio de Chirico。他的作品表达了很多形而上学的思想，虽然在西方语境中，但是和中国思想的表达方式很类似。他作品中耐人寻味的城市空间，大理石雕像，深沉的阴影都给了我一种观察事物的新视角。就像Walter Benjami形容的那种灵光乍现。而这种灵光aura在当代百家齐放的建筑界更加难得一见。

The most inspiring Italian artist I came across while studying in Italy was Giorgio de Chirico, whose work expresses a lot of metaphysical ideas, although in a Western context, but in a way similar to Chinese ideas. The intriguing urban spaces, marble statues, and deep shadows in his works give me a new perspective on things. It’s like what Walter Benjami described as an aura. This kind of aura is even more rare in the contemporary world of architecture, where there are so many different kinds of aura.

觉得自己的作品集有哪些迷人的特质？
What fascinates viewers the most in your portfolio in your opinion?

我在学习理论书籍和社会学的过程中，尝试理解有关民粹风格和学院派围的矛盾，并且形成中间灰色地带的设计风格，这种颇为贪心和中间派的想法目前还在。我很喜欢一位理论学者的论述，艺术应该具有一种“灵光”（aura）

“如果在夏日午后休息时，你用眼睛追随地平线上的山脉或投射在你身上的树枝，你就会体验到这些山脉和树枝的灵气…”
这种具有灵光的设计，也是我追求和推进的结果。我的设计更多是一种痛快的畅想和反复的切题，这是属于年轻设计师的特权。我们可以做得很多，让传统变得新颖，让从众变得独立，让排斥变得吸引。

In my study of theoretical books and sociology, I tried to understand the contradictions between populist and academic styles, and developed a design style in the middle grey zone, a rather greedy and centrist idea that still exists. I like the statement of a theoretical scholar that art should have an “aura”
“If, while resting on a summer afternoon, you follow with your eyes a mountain range on the horizon or a branch which casts its shadow over you, you experience the aura of those mountains, of that branch…”

This kind of design with an aura is also the result of my pursuit and advancement. My design is more of a painfully unrestrained and repeatedly tangential, which is the privilege of young designers. We can do a lot to make tradition new, to make subordination independent, to make rejection attractive.

什么时候开始看谷德网的？欢迎你提出建议哦，谢谢。
When did you start to follow gooood? Any suggestions?

从本科开始，谷德网有清晰的板块划分，在建筑行业内有很高的知名度。

Starting from the undergraduate level, Guardian.com has a clear board division and is well known in the construction industry.

W O R K

01.

浮·芯
广州番禺区多媒体图书馆
Floating Chips
Media libray in Guangzhou

2017 春 广州·中国 指导：肖毅强 王静 团队项目
Spring 2017 Panyu district·Guangzhou Instructor Yiqiang Xiao Team project

这个项目位于广州附近的一个新区，那里已经形成了一种成熟的城市框架、住宅、政府、基本结构。这个地区似乎开始步入另一个时代，建立一个多元文化氛围的图书馆来填补文化沙漠。浮·芯，Floating chips对图书馆有一个愿景–未来的图书馆应该是一个激发灵感、学习、交流和创造的空间。在整个设计过程中，我们一直遵循着相同的目标和信念，我们觉得图书馆应该是这样的，我们想创造一个以人为本的建筑，创造出最没有界限的空间。我们的目标是创造一个让番禺市民感觉像第二个家的建筑。对这些变化和挑战的回答就是我们所说的 “从收集到连接 “的转变。

This project is located in a new district near Guangzhou where has grown up kind of mature urban framework,residence,government,basic constructure.It seems like that this district began to step into another generation building a multicultural atmsphere libary to fullfill the cultural desert. Floating chips had a vision for the library- the future of the library should be a space for inspiration, learning, exchange and creation. Throughout the design process we have followed the same goals and beliefs in what we felt the library should be, that we wanted to create a building that focussed on people and create spaces that has the least boundry to reach. The aim is to create a building that feels like a second home for the citizens of Panyu.The answer to these changes and challenges are what we refer to as a shift from “collection to connection”.

位于社区中心的公共空间决定了社区的质量。传统的建筑表皮与城市和街道之间的关系是疏离的，过于明确。打破封闭的社会关系的关键是建立灵活的建筑表皮。它更像是一个浮动的芯片，一个人工云。但可以肯定的是，它为社区带来了巨大的吸引力。一个成为城市名片的机会。简单但可变化的水平地板和透明的玻璃窗帘也是密斯风格的解构。

The public space at the center of the community determines the quality of the community. The relationship between the traditional building surface and cities and streets is alienated and overly clear. The key to breaking closed social relationships is building flexible building skins. It is more like a floating chip, an artificial cloud. But what is certain is that it brings great appeal to the community. An opportunity to become a city business card. Simple but changeable horizontal floors and transparent glass curtains are also a Mies style deconstruction.

图书馆建筑的西侧立面比其他立面更重要，不仅仅是因为阳光的富足，而且那一侧正对着河昂树林和公园。我们将图书馆 “插入 “城市的网络中。通过在公园附近建造房屋，我们也倾向于将公园带入房屋，以这种方式，绿色植物和图书馆可以一起 “工作”，就像南方的植物在冬季生活在北方的植物园一样。

作为未来新社区的社交场合，它更像是一个平台，为市民提供最友好而不是封闭的城市客厅。不规则的表皮、绝对开放的底层和屋顶花园是图书馆的印象。紧凑的核心盒子将储存一系列的书籍和新媒体信息。通过连接楼层和建筑环境，这些开放区域成为城市的天井、客厅、工作室和书房。

The western facade of the Library building is more important than the others, not just because of sun light’s affluence , but that side is facing the river ang grove and park. We “plug in” Library into the urban network of the city.By building a house near the park, we also tend to bring the park into the house and in such a way the greenery and the Library can “work” together, just like plants from the south live in northern botanical gardens during the winter.

As a social occasion for the new community in the future, it is more like a platform, providing the most friendly rather than closed urban living room for citizens. The irregular skin, the absolutely open ground-floor and the roof garden are the impression of the library. The compact core box will store a series of books and new media information. By connecting floors and building environments, these open areas become the patio, living room, studio and study of the city.

图书馆的地板是自由和水平的。为了达到这种效果，结构的隐蔽性是至关重要的。图书馆使用钢桁架屋顶来悬挂地板，因此力的传递是自上而下的。进入空间的人可以感受到结构和空间的美丽表达。人与空间的互动实现了高度灵活的跨文化氛围的目标。

The floor of the Library is free and horizontal. To achieve this effect, the concealment of the structure is critical. The library uses a steel truss roof to suspend the floor, so that the transmission of force is from top to bottom. Those who enter the space can feel a beautiful expression of structure and space. The interaction between people and space achieves the goal of the highly flexible cross-cultural atmosphere.

结构主义的秩序被用来形成梯田和亲密的空间，它们彼此之间流动。该建筑是垂直分区的，功能单元分布在 “屋顶花园”、开放的露台或封闭的 “客厅 “上，取决于在 “房间 “或在 “街道 “的需要。花园由水平走廊/桥梁、楼梯、自动扶梯和电梯连接。在设计公园里的图书馆时，我们得出结论，将公园带入图书馆也同样重要。

外部世界上的无方向性和同质化的大空间显示了现代知识的激增和自我发展。为了实现这一目标，组件的负荷从地板转移到拉杆上，从屋顶桁架转移到四个核心管上。底层空间得到了解放。公共和开放空间均匀地分布在这一层，市民可以按照自己的意愿使用它。

The structuralist order is used to form the terraces and intimate spaces that flow one into another. The building is vertically zoned with functional units distributed over the “roof top gardens”, over open terraces or closed “living rooms” depending on the need to be in the “room” or in the “street”. The gardens are connected by horizontal corridors / bridges, stairways, escalators and elevators. While designing a library in the park we concluded that bringing the park into the library is just as important.

The directionless and homogeneous large space on the external world shows the surge and self-development of modern knowledge.To achieve this goal, the load of the component is transferred from the floor to the pull rod,from the roof truss to the four core tubes. The ground floor space was liberated. Public and open space is evenly distributed on this floor, and citizens can use it as wish.

东向入口：该广场看起来像一个城市洞穴，没有任何明显的柱子，可以公开进入，允许游客和番禺区的市民抄近路通过该建筑。
西向入口：靠近河边和小树林，城市的喧嚣正在消失。景观设计和阶梯上的休息设施形成了对西向场地的舒适的呼应。

The plaza looks like an urban cave without any visible pillars and is openly accessible, allowing visitors and citizens of the Panyu district to take a shortcut through the building.
The hustle and bustle of the city is disappearing as it approaches the river and the grove. Landscaping and resting facilities on the steps form a comfortable echo of the west-facing site.

一束光，四个中庭，四条楼梯
A beam of light , FOUR ATRIUMAS , FOUR STAIRS

“自然光 “是图书馆的灵魂，充斥着光的冠冕，满天的中庭，洒落的平台的影子，安静的光束，折射、漫射、遮挡、导入，将能量最大限度地捕捉、导入和循环。自然光透过树木，营造出 “光明的殿堂”。为了加强中庭的感觉，每个中庭都放置了不同形式的步行楼梯。

此外，楼梯成为连接室内、中庭和室外的桥梁。无边无际的图书馆提供了一个包容性的城市界面和内部空间，无论对路人还是读者，一束光、四个中庭和四个楼梯将形成一个奇妙的阅读、放松和享受的氛围。

“Natural light” is the soul of the library, filled the light of the crown, sky-filled atrium, spilled the platform of the shadow, quiet beam, refraction, diffuse, shelter, import, energy to maximize capture, import and circulation. The natural light through the trees, creating a “Light of the Temple.”In order to strengthen the feeling of the atrium, each atrium placed different forms of walking staircase.

The turning staircases have different modulus and forms,making the walking process more interesting.Besides, staircase became a bridge between interior, atrium and outside.The boundless library provides an inclusive city interface and internal space, no matter for a passer-by or a reader.A beam of light ,four atriumas and four stairs will form a wonderfall atmosphere to read ,relax and ecperience.

02.

对·偶
波尔图学生公寓与表演厅
Antithesis
Student residence with the audience in Porto
2019 秋 交换生 设计课程 波尔图·葡萄牙 指导：uno Brandão Costa 个人项目
Autumn 2019 – Spring 2020 Porto·Portugal Instructor·Nuno Brandão Costa Personal project

这个学生公寓项目位于葡萄牙第二大现代化城市波尔图，城市地形复杂，住宅建筑简单。如何应对现场的文化、建筑风格和场地，成为设计的关键。场地的道路、建筑、景观、结构和设备都是完全设计的。强调建筑不应该是场地的主要角色，相反，它是一个舞台的组织者。地形的变化已经成为一个特殊的机会。红色双曲体量的建筑在场地中似乎是分离的，但却在地下相连，在形式和垂直界面上有很大的呼应。这种矛盾和相关的逻辑在设计中被反复强调。

This student apartment project is located in Porto, Portugal’s second largest modern city, with complex urban topography and simple residential buildings. How to respond to the site’s culture, construction style and site has become the key to the design. The roads, buildings, landscape, structure and equipment of the site were completely designed. It is emphasized that architecture should not be the main role of the venue, on the contrary, it is the organizer of a stage. The change of terrain has become a special opportunity. The red hyperbolic volume building appears to be separated in the site, but is connected underground, and has a great echo in the form and vertical interface. This contradictory and related logic is repeatedly emphasized in the design.

这是一个商业-住宅综合体，包括观众宿舍和公寓。首先，需要在场地上规划一条新的道路，建立建筑与主干道之间的关系。体量和功能在新规划道路的左右两侧相互映衬，产生有趣的反应，对立。西边的公寓在规模和高度上与周围的住宅楼相似，东边的公寓形式和功能更加多样。

墙的外面被涂上了粗糙的红漆，并且用混凝土造型板进行了装饰。造型板强调了根据窗户开口的大小在垂直方向上的延伸，同时也形成了立面的水平。

This is a commercial-residential complex that includes audience dormitories and apartments. First, a new road needs to be planned on the site, and the relationship between the building and the main road is established. The volume and function are mirrored on the left and right sides of the new planned road, which produces an interesting response, antithesis. The apartments on the west are sim-ilar in scale and height to the surrounding residential buildings, and on the east are more varied forms and functions.

The outside of the wall has been painted with rough red paint and has been decorated with concrete molding panels. The molding board emphasizes the extension in the vertical direction according to the size of the opening of the window, and at the same time forms the level of the facade.

03. 

链·琐
都灵健康公园，医疗，教育与居住城市设计
Link Complex
The hospital, campus, residence and innovation city park of Turin

2021 春 都灵·意大利 指导：Roberto Ravegnani Morosini 团队项目
Spring 2021 Turin, Italy Instructor· Roberto Ravegnani Morosini Team project

这个项目的目的是分析现代大型医院与城市环境的联系和发都灵健康公园竞赛是我们的项目背景。它是一个供游客、病人、研究人员和学生使用的公共场所，所以我们决定不孤立地处理这个场地，我们尊重该场地的历史价值。创造一个符合当代的活跃的城市健康空间。新的综合体将遵循周围历史建筑Lingotto的条形体量，并增加丰富的功能与平台来激活场地。我们将整个公园-服务区-桥梁-医院-广场交织在一起建造，这使得这个总体规划四通八达并且独特。

The aim of this project is to analyze the linkage and growth of modern large hospitals with their urban context. The Turin Health Park competition was adopted as the mothership. The park is also the central element of the design. It is a public place for visitors, patients, researchers and students, so we decided not to address the site in isolation, we respected the historical value of the site. Creating an active urban health space in line with contemporary times. The new complex will follow the strip volume of the surrounding historic buildings and add rich features to activate the site. We built the entire park-services-bridge-hospital-plaza intertwined, which makes this master plan particularly unique.

虽然保留了典型欧洲房屋的区块，但也观察到了它们的成长。当代住宅的形式已经变得很普遍。都灵的城市形式是沿河而建的，所以很多条形建筑都被延长了。 在城市模块的发展之后，在现代主义的影响下，住宅建筑的形式开始不再符合完整和连续的边界。由于建筑技术的进步，城市公共建筑的形式也产生了向大跨度和大规模的模数转变。

While the blocks of typical European houses were kept, their growth was observed. The form of contemporary residence has become common. The urban form of Turin is built along the river, so many strip buildings are extended. After the development of the urban module, the form of residential buildings began to no longer comply with the complete and continuous boundary under the influence of modernism.

场地周围有几个重要的界面或建筑，Oval Lingotto, Train Station火车站, Lingotto商场, Fuksus塔。我们试图提取和抽象化出周围的立面元素和立面技术，并将其用于整个项目的设计中，使整个链接综合体的立面与周围环境保持相对和谐与呼应。

There are several important interfaces or buildings around the site, Oval Lingotto, Train Station, Lingotto, Fuksus Tower. We try to extract and abstract the surrounding facade elements and facade techniques, and use them in the design of the entire project, so that the entire link-complex facade maintains relative harmony with the surrounding environment.

该策略延续了都灵传统城市结构的周边轴线。在这条从市中心到住宅区再到Lingotto的轴线上，新的健康公园合理地延续了这一周长。条形的体量是都灵工业建筑传统的特征。但它不仅仅是一个巨大的纪念碑计划，我们已经开发了链接综合体的概念。这个巨大的体量被分解成四个主要功能，如住房、教育、研究和保健。巨大体量的每一部分都被分解了，每个平台、节点和走廊都被细化和深化了。它在复杂中体现了简单，在简单中阐明了概念。

The strategy continues the perimeter axis of the traditional urban fabric of Turin. Within this axis, which runs from the city centre to the residential area to Lingotto, the new health park logically continues this perimeter. The bar-shaped volume is characteristic of Turin’s architectural tradition of industrial architecture. But it is not just a huge monument plan, we have developed the concept of the Link complex. This huge volume is broken down into four main functions, such as housing, education, research and healthcare. Each part of the huge volume has been broken down, and each platform, node and corridor has been refined and deepened. It embodies simplicity in complexity and clarifies the concept in simplicity.

它是两个大型人口流动的源头。这是我们要加强这条轴线的第一个原因。此外，我们想增加从底层到第一层的人流，这不仅提高了交通效率，也保证了底层的安全和相对隐私。地下空间和火车站之间的连接使人们可以直接从地铁站进入医院，而不需要穿过城市。

It is the source of two large flows of people. This is the first reason why we want to strengthen this axis. In addition, we want to increase the flow of people from the ground floor to the first level, which not only improves the efficiency of traffic, but also ensures the safety and relative privacy of the groundfloor. The connection between the underground space and the train station allows people to enter the hospital directly from the metro station without going through the city.

这将是一个新的城市绿地中心。通过一些城市步行道和跑道，项目内部的大面积绿地与河滨公园和内部公园相连，大大丰富了城市绿化网络，使其更加完整。在建筑群主干道的绿化区域，在主干道的方向，我们试图加强这条路，就像一个山谷。在左边的第一层，是都灵健康公园的工作人员的户外绿色走廊。在医院的一侧，是医院的主街道。

This will be a new urban green area center. Through some urban walking trails and runways, the large green area inside the project is connected to the riverside park and the inner park, which greatly enriches the urban greening network and makes it More complete.

The central park of the complex is an extension of the side greenery of Lingotto. In terms of landscape, on the side of the city road, we try our best to use the same linear green block method to connect the two sites. In other words, we put It is designed as the same venue.

On one side of the park, we also gradually transitioned the square green shape to a relatively soft curved landscape. In addition, the runway inside this area strongly implies the integrity and unity of the entire site.

In the green area of the main street of the complex, in the direction of the main street, we try to strengthen this road like a valley. On the first level on the left, it is an outdoor green corridor for staff in the turin health park. On the side of the hospital, it is the main street of the hospital.

我们提供了可以打开的窗户，以面对景观床。其余的窗户都是落地窗，为病人提供更好的光线。病房里的空间是封闭的。我们需要考虑如何解决在这样一个封闭的空间里为病人提供更好的心理环境的问题。它应该作为一个调解人，调节外部和内部之间的关系。

We have provided windows that can be opened to face the landscape beds. The rest of the windows are floor-to-ceiling and provide better light to the patients. The space in the ward is enclosed. We needed to consider how to solve the problem of providing a better psychological environment for the patients in such an enclosed space. It should act as a mediator, regulating the relationship between the outside and the inside.

04.

点·家
香港高密度住宅竞赛
Pixel Home
Towering toothpick apartment

2017 春 国际建筑竞赛 红磡·香港 指导：朱亦民 个人项目
Spring 2017 Hongkong·Hung Hom Instructor · Yiming Zhu Personal project

香港是地球上最昂贵和人口最稠密的城市之一。700多万人生活在一个面积仅1102平方公里的岛屿上，人口一直在为空间而挣扎。与世界上其他主要城市一样，香港正处于可负担住房危机之中。对空间的严格限制意味着岛上的住房供应是有上限的。有限的供应，加上不断增长的需求，导致香港的住房价格飞涨。为帮助缓解这一问题，香港像素家园建筑竞赛的参赛者的任务是利用香港仅存的像素大小的土地，设计出可负担得起的住宅建筑，以帮助缓解城市的住房危机，支持中低阶层社区的住房斗争。

Hong Kong is one of the most expensive and densely populated cities on Earth. With over 7 million people living on an island just 1,102 square km is size, the population is constantly struggling for space. Like other major cities around the world, Hong Kong is in the midst of an affordable housing crisis. The strict limitations on space mean that there is a capped supply of housing on the island. A limited supply, paired with an ever-growing demand, has caused Hong Kong housing prices to skyrocket. Helping to ease this problem The Hong Kong Pixel Home architecture competition participants are tasked to utilize the Hong Kong’s last remaining pixel-sized spots of the land to design affordable residential buildings that will help alleviate the city’s housing crisis and support its low and middle class community struggle for accommodation.

当代香港的情况是，由于通货膨胀的市场和经济差距的增加而导致的住房短缺。居民们面临着资本和舒适度之间日益膨胀的妥协。 香港像素之家 “寻求解决方案，通过类型学上的破坏来阻止这种趋势，重新想象微型单位的住宅。该提案的乐观主义依赖于这样的想法：如果我们在公共领域的奇观剧场中找到私人家庭领域活动的安慰，那么这种存在就有可能变得有趣。

The contemporary Hongkong condition is distressed by housing shortages distinguished by inflationary markets and increased economic disparity. Residents are confronted by an increasingly ballooning compromise between capital and comfort. The Hong Kong Pixel Home seeks solutions that would stem this trend through typological disruption, reimagining the micro-unit dwelling.The optimism of the proposal relies on the idea that this existence has the potential to be fun, if we find comfort in relaying the activity of the private domestic sphere in a theater of spectacle for the public realm.

在传统街道规模的背景下，高耸的牙签楼树立起来，人们的生活节奏开始改变。老人、家庭、夫妇、单身妇女都能适应这块宝地并开始相互接触。

Hung Hom has a high volume rate.In the traditional street scale background ,towering toothpick building set up , where people’s rhythm of life began to change. The old man, the family, the couple, the single woman can all be able to adapt to this treasure land and began to get in touch with each other.

·变化的屋顶影响着室内和室外的使用，并为不同的使用感受带来不同的类型和平台。
·由一个144平方米的预制住房单元组成，模块的聚集创造了一个垂直的村庄，在城市的规模上重新思考家庭空间。

· The changing roof affects the use of indoor and outdoor, and brings different types and platforms for different use feelings.
· Composed of a 144 square meter prefabricated housing units, the aggregation of modules creates a vertical village, rethinking domestic space on an urban scale.

矛盾的是，虽然这些单元看起来是住宅，但它们的内部形态从根本上改变了典型的家庭空间，从一系列的房间变成了一套可适应的灵活功能和区域。由于布局的宽松性，居民可以重新利用和改变每个空间的用途。每个预制单元之间的空间允许光线进入空间，并为植被占据这些空隙提供了机会。

Paradoxically, although the units appear to be homes, their internal morphology radically alters typical domestic space from a series of rooms into an adaptable set of flexible functions and zones. The inhabitants can reappropriate and change the use of each space, enabled by the generosity of the layouts. The spaces between each prefabricated unit allows for light into the spaces and offer an opportunity for vegetation to occupy these interstitial voids.

通过使用住宅的乡土形式–屋檐，每个住房模块的截面变化在单元之间产生了丰富的空间变化–创造了露台、袖珍花园和阁楼，每个单元都有独特的照明条件。该项目试图通过将这些垂直社区插入到香港的结构中来恢复城市的规模，通过外部通道、共享空间和公共花园来相互连接，以进行集体活动，如礼拜、市场和休闲。

Through the use of the vernacular form of the home – the gable – the sectional variation of each housing module produces a rich spatial variety amongst the units – creating terraces, pocket gardens, and lofts each with a unique lighting condition. The project seeks to reclaim the scale of the city by inserting these vertical neighborhoods into the fabric of Hong Kong, interconnected by exterior passageways, shared spaces, and common gardens for collective activities such as worship, markets, and leisure.

05.

生物洪流 
南山生物合成的未来/ 城市设计
BIO BLOOD
Biosynthetic urban design in Namsan

2016 秋 首尔·韩国 指导：肖毅强 个人项目
Fall 2016 Korean·Seoul·HBC Town Instructor·Yiqiang Xiao Team Project

作为韩国的心脏，首尔是一个既敢于开创未来又尊重历史的城市。南山和龙山，作为首尔的隐藏宝藏，不仅是生态的象征，也是韩国的历史象征。正是在这两个重要的生态资源之间，我们的场地，海防村，位于，这使我们意识到海防村有一个重要的任务，将这两个部分联系在一起，并最终创造一个南山的生物合成的未来。通过对南山海防村城市社区的广泛调查–包括现实和想象，并通过建筑在各种形式的隐藏公共空间的轮回，理想的建议将解决和挑战有关后人类社区、生物合成多样性、社会可持续性和城市再生的关键概念。

As the heart of South Korea, Seoul is a city which is bold in initiating the future as well as respecting the history. Namsan and Yongsan, as the hidden treasures of Seoul are not only the ecological emblems but also the historical symbolizations of South Korea. It is between these two significant ecological resources that our site , Haebangchon ,is located, which cause we realize that Haebangchon has the important task to link these tow part together and ultimately create a biosynthetic future of Namsan.Through a broader survey of the urban community of Haebangchon on Namsan-both real and imagined, and through architectural reincarnation in various forms of hidden public spaces, the ideal proposals shall address and challenge key concepts regarding post-human community, biosynthetic diversity, social sustainability, and urban regeneration.

这个在2015年拥有12000人口的城市村庄，曾经被视为 “绿色走廊 “项目，最终在面临严厉的批评时被取消。我们需要保护现有的城市结构，保持现有社区的完整，同时促进城市设计和生态系统的振兴。

为了创造安山的生物合成的未来，我们试图在沿着山脊的Sowolro 20-gil（街道）创造一条生态走廊。这条生态走廊就像从南山涌出的血液，流经并更新了海防村，最后连接到龙山公园。原来的硬质铺装被当地的树木和生物取代。交通被转移到地下。它以一种渐进的方式改变了村庄在城市中的地位。

This village in the city with a population of 12000 in 2015，once was considered as a project“Green Corridor” and finally cancelled when facing harsh criticism. We need preserve the existing urban fabric and retain the current community intact,while fostering urban design and eco sysytem revitalization.

For creating a biosynthetic future of amsan we attempt to create a ecological corridor in Sowolro 20-gil(street) which runs along the ridge of the hill. This ecological corridor is just like a BLOOD pours out from Namsan, flows through and renews the Haebangchon and finally links the Yongsan Park. The original hard paving is replaced by soilLocal trees and creature. Transportation are transferred to the underground. It changes the status of the village in the city in a gradual mode.

当对河流的美好愿景进行成像时，我们仍然意识到这条绿色的河流将不可避免地撕裂曾经居住在街道旁的居民的生活，然后我们最终决定用我们设计的特定桥梁来治疗这种切割。正是从河流和桥梁的关系中，我们看到了自然和人工身份之间的关系，从而对后人类社区进行了重新粉饰。 在我们的干预现场有三座桥来构成中断。

When imaging the wonderful vision of the river we still realize that this green river will inevitably tear the life of the residents once lived beside the street, then we finally decide to use the specific bridges we designed to cure this cut. It is from the relationship between the river and bridges that we see the relationship between the nature and manmade identities and thus the post-human community is repainted. There are three bridges in our intervention site to make up the interruption.

河流和三座桥的插入柔和地改变了市民原有的生活方式，新的活动类型和生活体验在桥梁周围出现。由于封闭空间和开放空间的连续性，人们可以在私人空间和公共空间之间自由移动。

The insertion of the river and the three bridges softly change the original life styles of the citizens, New activities types and life experiences emerge around the bridges. Since the continuity of the closed space and open space, people can freely move between the private space and public space.

06.

鲸·教堂
冰岛海岸教堂
Coast Whale
Icelandic Coastal Church

A’Design金奖 Golden Award of A’Design ward and Competition
2020年秋 冰岛-雷尼斯德朗格 个人作品
Fall 2020 Iceland·Reynisdrangar Personal work

海洋和人类的命运从很早以前就联系在一起了。作为陆地和海洋的高级生命形式，人类对鲸鱼的渴望一直存在于心中。鲸鱼的仿生形态成为这个礼拜堂的语言。一只搁浅在冰岛海岸的鲸鱼。人可以通过一个低矮的鱼尾进入它的身体，体验鲸鱼看海的视角。海浪和内心的声音在这里相遇。在这样一个空间里，人类更容易反思对环境退化的忽视。

作为一个临时的、尚未完成的项目，支撑结构落在海滩上，以确保对自然环境的最小破坏。黑色的木材呼应了冰岛的传统方式。自然和环保的材料使这个项目成为呼吁环境保护和拯救鲸鱼的旅游胜地。教堂尽可能地使用黑暗的自然光，将视线引向海洋。在这里你可以欣赏到冰岛最有名的黑沙滩。

景观建筑最重要的东西是什么？可能的答案是尊重并与环境融合。在仿生鲸鱼中表达小教堂的概念对这个话题做出了回应。旅游业已经对冰岛的自然环境造成了不可逆转的破坏。游客在观看风景的同时，也能感受到其他生命在如此狭窄空间中的高贵地位。它不会受到项目规模的限制，具有深远的意义。

The ocean and the fate of humanity have been linked from a very early age. As a higher life form on land and sea, human’s longing for whale has always existed in the heart. The bionic form of the whale became the language of this chapel. A whale stranded on the coast of Iceland. A person can enter its body through a low fishtail and experience the perspective of a whale looking at the ocean. The waves and the inner voice meet here. In such a space, it is easier for humans to reflect on the neglect of envi-ronmental degradation.

As a temporary and yet to be completed project, the supporting structure falls on the beach to ensure minimal damage to the natural environment. The black wood echoes the traditional way of Iceland. Natural and environmentally friendly materials make this project a tourist destination that calls for environmental protection and saves whales. The church used dark natural light as much as possible to direct the sight to the ocean. Here you can admire Iceland’s most famous black beach.

What is the most important thing about landscape architecture? The possible answer is respect and integration with the environment. The concept of expressing chapel in a bionic whale response to this topic. Tourism has caused irreversible damage to Iceland’s natural environment. While watching the scenery, tourists can also feel the noble place of other life in such a narrow space. It will not be limited by the scale of the project and has profound and long-term significance.

07.

具·剧
家具对固有感知的推测性研究
FURNITURE THEATER
Speculative research of furniture on inherent perception

2018秋 个人作品 Fall 2020 Personal work

INTRO

在剧院里，演员和观众可以相互联系。演员们在他们的舞台空间里活动，有他们自己的领域。这些领域可以是具体的，也可以是抽象的，有明确的或模糊的边界，可以是巨大的或小的。

在一个家里，家具是家里的演员，通常扮演着自己的角色，门、椅子、床、通道、楼梯，它们都有着永恒不变的本质，有趣的是，每一件经典的家具都有着定义空间的强烈属性，一个房间可以因为不同的人觉得不同的家具使用这个房间，一个门的入口可以定义，一把椅子可以确定是客厅，一张卧室的床可以定义。

In a theater, actors and spectators can relate to each other. Actors are active in their stage space and have their own fields. The fields can be concrete and abstract, with clear or vague boundaries, which can be huge or small.

In a home, furniture is home of the actor, usually play their own role, door, chair, bed, channel, stairs, they have the same essence of eternal, interesting is that every piece of classic furniture has a defining attribute of space strong, a room can be because different people feel different furniture use this room, a door entrance can be defined, a chair can be determined the living room, a bedroom bed can be defined.

Catalog

The audience in the theater could only feel is critical thinking, new furniture for me, a lot of questions, this question let me try to redefine, gives a new answer to my question, all is to re feel a bit of furniture.
scene 1 ——————————————— A soft road
scene 2 ————————— A variation of the staircase
scene 3 —————————————— A folded door
scene 4 ——————————- A multi-storey w chair
scene 5 —————————————– A Floating Bed
scene 6 ——————————- A disappearing corner
scene 7 ———————— A Complementary boundary
scene 8 ————————————- A glowing column

08.

欢乐宫
米兰文化综合体
FUN PALACE
Cultural complex in Milan

2019 秋 米兰·意大利 指导：Rocca Alessandro 团队项目
Autumn 2019 Milan· Italy Instructor·Rocca Alessandro Team project

一个国家或城市的一个区域，那里的人与居住在其周围的国家或城市的人有着不同的宗教、文化或国籍。我心中的想法是一群绝对自由、绝对集中的人。飞地提供了一个娱乐和功能的场所，同时尊重场地原有的工业氛围和遗产元素。它是现代自由文化之歌，是建筑中情感的定义，是结构和形式的有力结合。

An area of a country or city where the people have a different religion, culture or nationality from those who live in the country or city that surrounds it. The idea in my mind is a crowd of people who are absolutely free and absolutely concentrated. The enclave provides a place for entertainment and function while respecting the original industrial atmosphere and heritage elements of the venue. It is a song of modern freedom culture, a definition of emotion in architecture, and a powerful combination of structure and form.

似乎大屋顶是最现代和最有效的人的集合方式。屋顶的多样性决定了空间的特点。
或者说，一个类似于剧院的混凝土功能建筑，作为吸引人们到场的媒介，加上一个公共广场，幸福宫的形象就慢慢出现了。

It seems that a large roof is the most contemporary and most effective way to assemble people. The diversity of the roof determines the characteristics of the space.
Or, a concrete function building, similar to a theater, as a medium to attract people to the venue, with a public square, the image of the Happy Palace has slowly emerged.

欢乐宫将挑战建筑的定义，因为它甚至根本不是一个传统的 “建筑”，而是一种脚手架或框架，包围着一个社会互动的机器–一个融合艺术和技术的虚拟建筑。从某种意义上说，它实现了勒-柯布西耶关于技术化建筑和 “生活机器 “的主张中长期未实现的承诺。

The Fun Palace would challenge the very definition of architecture, for it was not even a conventional ‘building’ at all, but rather a kind of scaffold or framework, enclosing a socially interactive machine – a virtual architecture merging art and technology. In a sense, it was the realization of the longunfulfilled promise of Le Corbusier’s claims of a technologically informed architecture and the ‘machine for living’.

09.

桥·亭
乡村廊桥重建
BRIDGE WITH PAVILION
Reconstruction of rural corridors

2017秋 贵州大力村 个人作品
Fall 2017 Guizhou·Dali Town Personal work

该项目位于贵州省大利镇。当地人的生活与一条河息息相关，这条河将村子分成两部分，一些横跨河道的小桥是人们通过的唯一途径。由于地处山区，每年的雨季，桥杆都会被涨水淹没。因此，建造一座坚固的桥梁是很紧迫的。我也希望它能成为重建人与人、村与村、自然之间关系的纽带。竹子被认为是最好的材料，易于获取和维护。如果这个项目能在将来建成，村民们就可以得到一座带亭子的桥，在晴天、雨天和节日的时候可以通过它休息一会儿。

The project locates in Dali town of Guizhou province. Local people’s life is closely related to a river which devides the village into two parts and some little bridges aross the river is the only way for people to go through. Because of the mountainous location, the poles get submerged by stream rising during the rain season every year. So building a firm bridge is urgent. I also hope it can act as a bond to restablish the relationship between people, village and nature.Bamboo is considered as the best material that is easy to get and maintain. If the project can be constructed in the future,villagers can obtain a bridge with pavilion to go through and rest for a while in sunny , rainy , and,festival day.

重建桥与亭子 | Reconstruction Bridge with Pavilion

一件建筑作品、一个建筑、一栋房子或一个杯子可以通过形式上的特征来定义，这些特征表达了从设计到使用、从生产到复制的问题。

为了使重建的桥梁不再受季节性洪水的影响，我采取了中国传统的桥梁结构–泰瑟尔结构，它可以有效地提升高原桥面的标高，延缓河流对桥梁的侵蚀。保留了桥梁原有的空间模块，桥梁节点的独特结构解决了复杂的地面高差问题。

A work of architecture, a construction, a house or a cup could be defined through features of formal, which express problems running from design to use, from production to reproduction.

In order to make the reconstruction of the bridge no longer infracted to seasonal flooding, I take a tradition Chinese bridge structure-Tessere Structure, which can effectively lift the plateau deck elevation, delaying the erosion of river on the bridge.Retaining the original space module of the bridge, the bridge node unique structure solves the complex difference height of the ground.It also bridges the accessibility and connotation of space biande,which connects with the original life on both sides of the village.
Plan with the surroundings.

项目的重点是竹子的结构。竹子的节点应尽可能采取低成本和温和的方式。简单的节点结构可以让村民尽可能快地建造桥梁。

The project focus on the structure of bamboo. Bamboo nodes should take as much low cost and soild as possible.The simple node structure allows villagers to build the bridge as quickly as possible.allows villagers to build the bridge as quickly as possible.

Bamboo Joint
许多接头来自于传统方式，这反映了周围地区丰富的竹子资源。
1 屋檐 2 椽子 3 脊檩 4 栏杆 5 台阶结构 6 支座

Many of joints come from traditional way,which reflects abundant bamboo resources in the surrounding areas :
1 eaves 2 rafter 3 ridge purlin 4 railing 5 tessere structure 6 abutment

在海外时间：2018年至今
在海外地点：米兰，波尔图，哥本哈根，纽约
姓名：张锦玉
学校：华南理工大学，米兰理工大学
工作单位：IAPA, JDSA, KPF至今
联系方式：cheetazhang@gmail.com

When: Since 2018
Where: Milan, Porto, Copenhagen, New York
Name: Jinyu Zhang
School: SCUT, Politecnico di Milano
Office: IAPA, JDSA, KPF NY
Contact: cheetazhang@gmail.com