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法国巴黎摄影师Guillaume Am at从2013年开始创作“旷野”系列,他在景观中放置80x120cm见方的玻璃,拍下景观以及镜子中反射的景观。这种双重阅读般,拥有全新视角的图像让Guillaume Amat感到着迷:在这些图像中,现实与虚构被镜头前叠加的空间信息所模糊。
Start in 2013 the central idea of the serie “Open Fields” is the questions the representation of the French landscape and the notion of his capture with a mirror measuring 80x120cm placed in situ. The mirror comes reconstructing the landscape with the off- field facing him and creating a double reading.
In the construction of my pictures, I’m interested in creating a new perspective within the context of the image, by blurring the boundaries between the real and fiction, reality and invented. There is a question of the superposing of shots and the fragmentation of spaces to create new perceptions, by playing with the perspectives and the picture frame of the host site.
GUILLAUME AMAT – BIO
Guillaume Amat is a French photographer who is based in Paris. In 2005, he graduated from Art School, with top honors. In 2007 he joined Millennium Images Ltd., Signatures-photographies agency in 2008 and participate to collective project on the French Landscapes called “France(s) Territoire Liquide”
Guillaume Amat is dedicated to long-term projects which produce photographic narratives. His field of action is not limited to a single area, never ceasing to question photographic representation and the way to transfigure reality. Aiming to adapt the camera to the subject and the way in which to narrate a story by using different types of cameras, formats and sensible surfaces. With his images he build stories which navigate between documentary and poetry.
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视觉上的空间错乱是个有趣的手法
为啥镜子里没有摄影师?没有相机?
那是放的画,迷惑人误以为是镜子
WTF
高大上
好棒,现实中的不现实
怎么隐藏拍摄设备的呢?
大画幅相机可以移轴隐藏掉
有意思!
脑洞。。。城里人能别这么玩么
看到过类似的一两次,感觉有模仿嫌疑。
其实就是放了一张照片,再拍一张,让人误以为是镜子,才有意思
乱入 极端的违和美 心醉~~~~
然并卵
做景观的时候很喜欢用镜子 有异曲同工的感觉