In progress : House in Zahara by Alberto Campo Baeza

非常感谢 Alberto Campo Baeza 予gooood分享以下内容。更多关于他们：Alberto Campo Baeza on gooood.
Appreciation towards Alberto Campo Baeza for providing the following description:

这个还没建成的项目，其模型和渲染图让我想起了路易斯康的索尔克研究所。当然它们是不同的，但是它们又有很多相同之处：面朝大海，宁静，无限。人工与自然进行着感人的对话。触动内心并超越时间。来自于Alberto Campo Baeza事务所。

他们曾经给gooood分享了许多经典作品，如下：
The MA: Andalucia’s Museum of Memory
Offices for Junta de Castilla y León in Zamora
Olnick Spanu House
点击蓝色链接看更多。

建筑师给这个面朝大海的住宅设计了一个强有力的屋顶平面，这里与大海尽头的地平线对话，并遥望日落。如此美丽，如此珍贵。建筑师为了实现这一切，将一个面宽20米，深12米的体量埋进岩石中。这个住宅共有8个带有独立卫浴的卧室，其中6个在最底层。卧室排在墙两侧，中心便是带有大阳台可以直接望向海面的生活空间。生活空间有楼梯直通屋顶平台。屋顶平台完全与街道在一个水平上，入口也设置在这里。屋顶平台为石制，20*40米。要进入平台线穿过一面干净的墙，上面开了一个小口。进入后，正对的是一个通口是下到住宅中的楼梯。左侧是一个类似战壕以避开海风的沉坑，右侧是一个泳池。接近顶端的地方开了4个圆形天窗，为下方空间带来光照。

建筑师十分喜爱伦勃朗在1655创作的作品“Christ Presented before the People” 。 这幅作品中的平台是一个场景发生界面。密斯也经常追寻这完美的平面。也许密斯和伦勃朗都会喜欢这个建筑的平台哦！建筑师Adalberto Libera在Capri 的Malaparte House 里也这样做。

HOUSE IN ZAHARA
Tarifa. 2011
WHOLE PODIUM, ONLY PODIUM
TOUTE PODIUM, SEULEMENT PODIUM

After working on the design for a new house facing the sea, the House in Zahara, Cadiz, for a long time, I now see clearly the solution of a PODIUM, ALL PODIUM, ONLY PODIUM. As if it were a jetty into the sea, so that, over there, on an emphatic horizontal plane, cleared and stripped down, it faces the distant horizon traced by the sea where the sun goes down.

If you had been with me at this truly beautiful site, with the Atlantic Ocean in front, you’d have had no doubt about what to do: establish a horizontal plane on high, made of sand, in order to go into raptures in front of the infinite sea. Nothing more and nothing less.

To do so, we built a large box, 20 meters in front and 12 meters deep with two floors below this plane. On those two floors dug out of the solid rock are the eight bedrooms that open on the sides, each one with its own bath. Six below and two above. And the corresponding living spaces: on the first floor, the main living room with the dining room and kitchen that open onto a large porch. Both floors are connected by a staircase and a large mobile platform that also reaches the rooftop.

On the upper part, and coinciding with street level, the large almost metaphysical platform that we wanted to be made of sand. To do so, the entire large prism, platform included, is materialized in stone. For this platform to have strength, we incorporate all of the land until the entrance wall. In that way, we achieve a stone platform measuring 20×40 meters. We are separated from the street also by a high stone wall.

The entrance into the house, crossing the wall, is made “in trenches” through some stairs dug into the platform’s plane. And to protect us from the strong winds of Tarifa, we have placed several vertical planes of opaque white glass in the manner of screens that resemble sails on our surrealist raft.

There is a lovely etching by Rembrandt from 1655, “Christ Presented before the People” that has always fascinated me. In it, Rembrandt sketches a straight horizontal line. Perfectly straight and perfectly horizontal. It is the border of the powerful dais, the platform on which the scene takes place. There, as Mies did so often, he has made the plane into a line. I am certain that Rembrandt and Mies would like our podium house, all podium, only podium. And Adalberto Libera, who did the same thing when he built the Malaparte House in Capri. And we like it too. And when we look at our house from the beach, we will be reminded of Rembrandt and Malaparte House and ships.

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