Yvonne Fehling & Jennie Peiz 对gooood的分享。更多请至: Yvonne Fehling & Jennie Peiz on gooood
多款有趣的连体短凳或者说长凳。相坐，相对，相互交流。
基于设计师文本：
“…是的！！！它们的设计确实巧妙。我有期待过长椅的质量，但不会想到这种效果，摆放在此地如此美丽，引起人共鸣…我们应该注意到设计长椅的艺术家们，他们专心致力于增进博物馆的互动，吸引参观者在长椅上坐下，放松下来，在新旧共振中沉思着。艺术家们跨越了几乎800年时间，彼此进行着对话和交流。
祝贺设计的成功。”马萨诸塞州，美国圣十字学院（伍斯特）的Virginia Raguin说。
form the designer:
“…YES!!! They are absolutely wonderful. I imagined quality – but not quite this impact of such beauty and empathy with the site… Note that the artists, and their dedication to enhancing museum interaction, extend the invitation to sit, enjoy, and contemplate the resonance of the new and the old. Artists are speaking to each other across almost 800 years.
Congratulations.” Virginia Raguin, College of the Holy Cross Worcester, MA.
牧师会礼堂长椅本来是为伍斯特美术博物馆中一座12世纪的牧师会礼堂设计的。
这座牧师会礼堂是1927年从法国中西部的圣约翰教堂一块石头、一块石头地拆迁，然后搬运到伍斯特美术博物馆来的。牧师会礼堂过去是一个僧侣的集合之地，在此，僧侣们可以打破保持沉默的誓言，互相交谈非世俗的话题。
进入21世纪，我们的这个椅子系列再一次鼓励人们互相之间对话以及做出沉思。
牧师会礼堂的椅子设计简单生动，在欢迎世俗与诗意维度的任何公共或私人空间，均可采用。
The Chapter House Benches were originally designed for the Worcester Art Museum’s 12th-century Chapter House.
Deconstructed stone by stone and transported to the Worcester Art Museum in 1927 from the Benedictine Priory of Saint John in west-central France, the Chapter House once was a gathering space where the monks broke their vow of silence and were allowed to converse and talk about non-secular topics.
Moving forward to the 21st century, our constellation of chairs once again encourages dialogue and contemplation.
Due to its simple yet inviting design, the Chapter House Benches would also fit to any public or private space where a sensual and poetic dimension is welcome.
喜欢
在国内会为抢座打起来
有种想摆整齐的冲动，处女座看到会疯的
应该拍摄人坐上去的画面。
真的感觉不喜欢坐啊
处女座看了真的疯了
阿普·达达艺术 嫁接…