BIG PRESENTS ANCIENT FUTURE: BRIDGING BHUTAN’S TRADITION & INNOVATION AT LA BIENNALE ARCHITETTURA 2025

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BIG建筑事务所（Bjarke Ingels Group）携全新展览《古老的未来：架起不丹传统与创新的桥梁》亮相第十九届威尼斯国际建筑双年展，本届双年展由Carlo Ratti担任总策展人。展览位于威尼斯军械库（Arsenale di Venezia），以不丹盖勒普国际机场（Gelephu International Airport）的设计为切入点，呈现该项目如何在现代科技的语境中规模化推进木工雕刻这一传统文化技艺。不丹工匠在现代机械的辅助下，以手工雕刻出繁复而精致的图案，并将其应用于机场斜交网格结构的木梁之上。与此同时，展览现场还同步放映由Laurian Ghinitoiu与Arata Mori联合拍摄的纪录片，全程追踪了项目从设计构思到建造实施的全过程。

At the 19th International Architecture Exhibition of La Biennale di Venezia curated by Carlo Ratti, BIG-Bjarke Ingels Group presents Ancient Future: Bridging Bhutan’s Tradition and Innovation. On view at the Arsenale di Venezia, Ancient Future brings to life the design of Bhutan’s new Gelephu International Airport, celebrating how the rich cultural tradition of Bhutanese woodcarving can be scaled by modern technology. The exhibition showcases Bhutanese artisans, assisted by machines, hand-carving intricate designs into wooden beams that will be used in the airport’s diagrid architecture. Accompanying the live demonstration, a documentary by Laurian Ghinitoiu and Arata Mori provides an intimate portrait of the creative process behind the exhibition.

▼Ancient Future 展览现场，Ancient Future Biennale View © BIG

2025年威尼斯建筑双年展以“智能.自然.人工.集体.”（Intelligens. Natural. Artificial. Collective.）为主题，BIG所推出的展览《古老的未来》，正是对此主题的有力回应。展览邀请观众重新思考手工艺的演进：它不止步于对传统的保护，更从不丹历史中汲取灵感，创造未来。这场关于“人机共创”的探索，围绕四根长达3.5米的胶合层压木梁展开。这些柱子在丹麦预制，以不丹盖勒普国际机场钻石结构为蓝本，搭建出一组等比例的原尺寸模型。其中，两根木梁由不丹工匠Sangay Thsering与Yeshi Gyeltshen以传统技艺手工雕刻，而另外两根，则由机械铣削臂依据工匠绘制的图案自动完成雕刻。人工与算法在同一材质上展开对话，共同呈现出深植于历史，并通向未来的全新语境。

Ancient Future responds to Biennale Architettura 2025’s theme, Intelligens. Natural. Artificial. Collective., inviting viewers to imagine a new evolution of craft – one that moves beyond preservation and ensures Bhutan’s history inspires future generations. This co-creation between man and machine begins with four 3.5-m-long glulam timber beams produced in Denmark, which together form a 1:1 prototype of the diamond pattern found within the Gelephu International Airport. While two beams are hand-carved by Bhutanese artisans, Sangay Thsering and Yeshi Gyeltshen, using traditional techniques, the remaining two are carved by a robotic milling arm mirroring the craftsmen’s designs – proving that man and machine can co-exist to inspire a future built on the past.

▼Ancient Future 展览现场，Ancient Future Biennale View © BIG

“我们如何确保，传统工艺在快速变革中依然保持本真？展览《古老的未来》，正是围绕这个命题展开的深入思考。其中最震撼人心的一幕，莫过于两组木梁的并排呈现，分别由手工和机器雕刻。它们之间的差异，一目了然。但真正值得探讨的，并非谁将取代谁，而是它们之间如何协作共生。机器的智能化，让传统手工艺实现了标准化量产，但真正的艺术性与创造力，依然紧握在人类的双手之中。展出的作品由不丹本地艺术家创作，凝聚着这个国家的过去、现在与未来。他们以建筑为载体，呈现出其中所蕴含的精神内核，进而探究这一精神如何在当代城市的变迁中传承历史记忆、延续文化遗产。这正是我们所关注的协同关系：人类与机器如何彼此成就，让建筑更加贴近人性，更具温度。在《古老的未来中》，我们并不试图割裂传统与现代，而是在思考，它们如何在彼此的映照中，一同成长。” —— Giulia Frittoli，BIG建筑事务所合伙人

“The Ancient Future exhibition is about how tradition can evolve without being lost. One of the most striking moments in the process has been seeing a piece of wood carved by hand placed next to one carved by machine. You can tell the difference – but it’s not about one replacing the other. It’s about how they can support each other. Machine intelligence allows craft to be scaled, but the artistry and the ideas remain rooted in human hands. The artworks created by local Bhutanese artists reflect the past, present, and future of Bhutan. They show how spirituality, embedded in architecture, carries stories forward and keeps heritage alive within contemporary urban development. This is the synergy we are exploring: by working with machines, we can make architecture more human. Rather than separating heritage and modernity, Ancient Future looks at how the two can grow side by side.” – Giulia Frittoli, Partner, BIG

▼Ancient Future 展览现场，Ancient Future Biennale View © BIG

作为不丹雕刻艺术的核心意象，龙不仅承载着深厚的民族认同，更寓意守护与力量、神圣的权威，也代表精神与物质世界的连接。在本次展览中，三条由不丹知名艺术家创作的龙，以象征性的姿态跨越时间之流，分别代表着不丹的过去、现在与未来。过去之龙，握紧宝珠，以传统造型现身，展现出不丹丰富的自然景观与国王的领导力；现在之龙，手持佛教法轮，以盖勒普正念之城项目为背景，映衬出正值转型期的国家精神，也与不丹文化中的“四灵兽”深度呼应；未来之龙，托举着双金刚杵，象征稳定、韧性和全局视野，同时强调精神和谐、富于适应力，亦勾勒出不丹持续发展的未来图景。

The symbol of the dragon lies at the heart of the carvings, reflecting Bhutan’s strong national identity and embodying protection, power, divine authority, and a bridge between the spiritual and material realms. For the exhibition, three unique dragons were created by established Bhutanese artists to symbolize Bhutan’s past, present, and future. The past is represented by a traditional dragon clutching jewels, reflecting the nation’s abundant natural beauty and the leadership of its monarchs; the present features a dragon holding a Buddhist Dharma Wheel, capturing Bhutan’s current transformative moment through the Gelephu Mindfulness City project and its connection to the Four Dignities; and the future envisions a dragon bearing the Double Vajra – embodying stability, resilience, and holistic vision while emphasizing the importance of spiritual harmony, adaptability, and visionary growth for Bhutan’s continued evolution.

▼机械雕刻，Machine Carving © Laurian Ghinitoiu and Arata Mori

“在2025年威尼斯建筑双年展上，我们带来一件特别创作的装置作品，诠释了《古老的未来》这一矛盾修辞。作品由不丹木雕工匠与机械铣削臂现场协作完成，灵感源自我们为盖勒普正念之城机场所作的设计实践，借此探讨古老手工技艺与先进技术如何在建筑领域互相协作。在这里，机器智能并非取代传统工艺，而是成为它的合作伙伴——搭建起过去与未来、直觉与算法、仪式与精度之间的桥梁。这并非一场冲突，更是一次深度融合。机场的大型木结构上层建筑融入传统木雕，兼具文化厚度与先锋理念，传统与创新在此交汇。这件作品映射了我们所面临的双重探索路径：挖掘历史的深度，走向更远的未来。这两条看似背道而驰的道路，在某一时刻悖论般地汇聚——或许，唯有铭记过去，我们才能真正看清未来的方向。” —— Bjarke Ingels，BIG创始人兼创意总监

“Our installation for the Biennale Architettura 2025 embodies the oxymoron of ‘Ancient Future’ through a live collaboration between a Bhutanese woodcarver and a robotic milling arm. Rooted in our work for the Gelephu Mindfulness City Airport, the piece explores how ancestral craft and advanced technology can co-author architecture. Rather than replacing tradition, machine intelligence becomes its partner – bridging past and future, intuition and algorithm, and ritual and precision. This is not a clash but a convergence, where the traditional adornment of the airport’s mass timber superstructure is simultaneously old school and cutting-edge – heritage and aspiration. The installation reflects the bifurcated explorations that are drawing us in seemingly opposite directions at the same time – deeper into the past and further into the future – and how those two opposing paths may lead us to the same place. The future, paradoxically, may only be truly visionary when it remembers the past.” – Bjarke Ingels, Founder & Creative Director, BIG

▼手工工具，Tools © Laurian Ghinitoiu and Arata Mori

作为前瞻呈现，由 Laurian Ghinitoiu 与 Arata Mori联合执导的纪录片率先释出预告片，完整版将于今秋2025 年威尼斯建筑双年展闭幕之际正式发布。 影片采用交替的镜头语言，将人类与机器的动作并置呈现。色彩、节奏与声响在画面中微妙流转，相互呼应，在细节中凸显出本质的差异。动态与声音的交织之中，不丹的真实影像悄然浮现——传统音乐、建筑与舞蹈穿插其间，营造出一场视听体验，一场手工艺与代码的共舞，展现了人类与算法协同创造的潜力。

The documentary by Laurian Ghinitoiu and Arata Mori is a preview of a longer film to be released at the end of the Biennale Architettura 2025 this fall. Through alternating sequences, the film juxtaposes human and robotic gestures; their colors, movements, and sounds subtly echoing one another while highlighting the inherent differences between the two. The interplay of movements and sounds – interspersed with real-world footage from Bhutan, including the country’s traditional music, architecture, and dance – creates a visual choreography, a ballet of craft and code that speaks to the potential of human and algorithmic synergies.

▼展览影片剧照，Film Still © Laurian Ghinitoiu and Arata Mori

《古老的未来》并没有将传统与创新视为彼此对立的力量，而是邀请观众去想象一个两者深度交织的未来。在这个蓝图中，传统与创新不再是取舍的两端，而是彼此赋能，无需任何妥协。展览借助机器人技术以规模化人类设计中的精细工艺，开辟出一条前所未有的路径——一条既坚守工艺精神，又勇于塑造未来的创新之路。

Rather than viewing tradition and innovation as opposing forces, Ancient Future invites viewers to imagine a future where the two are interwoven, each strengthening the other without compromise. By harnessing robotic technology to scale intricate human designs, the exhibition unlocks a new path forward – one that preserves the soul of the craftsmanship yet boldly shapes what lies ahead.

▼格勒富机场概念图：停机坪抵达视角，GLU Gelephu Airport – Concept: Apron Arrival © BIG

展览将持续至2025年11月23日。展览结束后，展出的木梁将被运回不丹，用以庆祝盖勒普国际机场建设工程的启动，该项目预计将在今冬正式动工。这座新机场将坐落于雄伟的喜马拉雅山脚下，成为未来不丹通向全球的重要门户。项目由BIG与Arup联手打造，是双方共同设计的“盖勒普正念之城”总体规划中的关键组成部分。

Ancient Future: Bridging Bhutan’s Tradition and Innovation will be on view until November 23rd, 2025. The completed beams will then travel to Bhutan to celebrate the start of construction on the Gelephu International Airport this winter. Set against the dramatic backdrop of the Himalayas, the new airport is envisioned as a global gateway to Bhutan, forming an integral part of the Gelephu Mindfulness City masterplan designed by BIG in collaboration with Arup.

▼格勒富机场概念图：白色天花板抵达廊道，
GLU Gelephu Airport – Concept: Arrival Corridor 2 (White Ceiling) © BIG

本次展览与纪录片的呈现，离不开众多合作伙伴的倾力支持：不丹基金会（The Bhutan Foundation）、Pro Bhutan e.V.、Roca、Schindler、Rockwool、Artemide、Tvitec | Cricursa、Vitra、Squint/Opera、NACO、StructureCraft 和 Turner Construction。我们特别感谢不丹王国政府以及 2025 年威尼斯建筑双年展的大力支持。

The exhibition and film would not have been made possible without project supporters The Bhutan Foundation, Pro Bhutan e.V., Roca, Schindler, Rockwool, Artemide, Tvitec | Cricursa, Vitra, Squint/Opera, NACO, StructureCraft, and Turner Construction, with special thanks to the Royal Government of Bhutan and the Biennale Architettura 2025.

照片和渲染图由BIG提供。
项目详情
项目名称: 古老的未来：架起不丹传统与创新的桥梁
合作方: Integrated Wood Processing Plant Thimphu, FlexWood, ABB Robotics, CNC Fabrikken, Bang & Olufsen, Arteria, Brick Visual
BIG团队
主创合伙人: Bjarke Ingels, Giulia Frittoli
团队: Luca Nicoletti, Filippo Dozzi, Filippo Cartapani, Kai-Uwe Bergmann, Anna Küfner, Anders Holden Deleuran, Alexandra Marie Gezelle, Camilla Trolle Lind, Michael Hagelund Hjorth, Lewis Edwards 
综合木材加工团队
Sangay Thsering, Yeshi Gyeltshen, Tashi Penjor, Ngawang Tshomo, Ugyen Doya, Tshewang Tezin
演职人员表
导演: Laurian Ghinițoiu, Arata Mori
作曲: Yu Miyashita
声音设计: Rob Walker
项目支持
The Bhutan Foundation, Pro Bhutan e.V., Roca, Schindler, Rockwool, Artemide, Tvitec | Cricursa, Vitra, Squint/Opera, NACO, StructureCraft, and Turner Construction

Photographs and renderings by BIG.
PROJECT FACTS
Name: Ancient Future: Bridging Bhutan’s Tradition and Innovation
Collaborators: Integrated Wood Processing Plant Thimphu, FlexWood, ABB Robotics, CNC Fabrikken, Bang & Olufsen, Arteria, Brick Visual
BIG TEAM
Partner-in-Charge: Bjarke Ingels, Giulia Frittoli
Team: Luca Nicoletti, Filippo Dozzi, Filippo Cartapani, Kai-Uwe Bergmann, Anna Küfner, Anders Holden Deleuran, Alexandra Marie Gezelle, Camilla Trolle Lind, Michael Hagelund Hjorth, Lewis Edwards 
INTEGRATED WOOD PROCESSING PLANT THIMPHU TEAM
Sangay Thsering, Yeshi Gyeltshen, Tashi Penjor, Ngawang Tshomo, Ugyen Doya, Tshewang Tezin
FILM CREDITS
Directors: Laurian Ghinițoiu, Arata Mori
Music Composer: Yu Miyashita
Sound Design: Rob Walker
SUPPORTERS
The Bhutan Foundation, Pro Bhutan e.V., Roca, Schindler, Rockwool, Artemide, Tvitec | Cricursa, Vitra, Squint/Opera, NACO, StructureCraft, and Turner Construction

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