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Appreciations towards Lina Ghotmeh for providing the following description:
巴林王国在2025年大阪世博会上正式揭幕其国家馆“连接之海”（Connecting Seas）。这是巴林第四次参加世博会。本届世博会在日本关西地区举行，将持续至2025年10月13日，主题为“构想未来社会的生活方式”。
The Kingdom of Bahrain inaugurated its national pavilion, “Connecting Seas,” at Expo 2025 Osaka. This marks the Kingdom’s fourth national participation in the World Expo, which is held in the Kansai region of Japan and runs until October 13, 2025, under the overarching theme “Designing Future Society for Our Lives.”
▼项目概览，Overall view © Iwan Baan
▼鸟瞰，Bird’s eye view © Iwan Baan
▼远景，Distant view © Ishaq Madan
本次参展由巴林文化与古迹事务局主导与组织。国家馆展现了巴林与海洋之间的历史纽带，灵感来源于巴林的航海传统和木帆船工艺，并融合了日本的榫卯结构技术。国家馆总代表谢赫·哈利法·本·艾哈迈德（Shaikh Khalifa bin Ahmed）表示：“巴林国家馆‘连接之海’探讨了巴林作为文化与商贸交汇之港的历史角色，见证其在不同时期如何联通全球贸易航线。”
Bahrain’s participation in Expo 2025 Osaka is commissioned and organized by the Bahrain Authority for Culture and Antiquities. The pavilion reflects Bahrain’s historical connection to the sea, drawing inspiration from the Kingdom’s seafaring heritage and traditional dhow construction, integrating Japanese joinery techniques. “The Kingdom of Bahrain’s national participation ‘Connecting Seas,’ explores Bahrain’s longstanding position as a port at the intersection of cultures and commerce, linking international trade routes across the chapters of history” noted Shaikh Khalifa bin Ahmed, Commissioner General of the Bahrain Pavilion.
▼场馆立面，Facade © Iwan Baan
国家馆位于“赋能生活”（Empowering Lives）展区，占地995平方米，建筑高13至17米，共四层，面向海岸。由黎巴嫩建筑师莉娜·戈特梅（Lina Ghotmeh）设计，整体采用木材建造，并借助海风进行自然降温，是本届世博会上最具可持续性的建筑之一。戈特梅表示：“巴林国家馆体现了可持续性、文化交流与工艺精神。馆体由约3,000块未经工程处理的木材拼接而成，采用精致的榫卯工艺，极大减少了建筑废料。基础设施尽量避免使用混凝土，材料几乎全部可再利用，依靠自然通风系统降温，展现出可持续创新的可能。”
Situated in the “Empowering Lives” zone, the pavilion spans 995 square meters and Rises from 13 to 17 meters in height across four levels, overlooking the seafront. Designed by Lebanese architect Lina Ghotmeh, the structure is made from wood and cooled by coastal winds, making it one of the most sustainable buildings in the Expo. “The Bahrain Pavilion embodies sustainability, cultural exchange, and craftsmanship. Built from around 3,000 pieces of unengineered wood using intricate joinery, it minimizes waste,” says Ghotmeh, “Minimal foundations avoid concrete, nearly all materials are reusable, and passive cooling reduces energy use—making it a testament to sustainable innovation.”
▼立面近景，Facade close view © Iwan Baan
▼立面结构细部，Facade structure details © Ishaq Madan
展馆内部以五感沉浸式体验为核心，由巴林文化与古迹事务局策展，邀请艺术家Shepherd Studio、Sissel Tolaas、Hassan Hujairi和La Méduse共同创作，通过多个展厅呈现以贸易、工艺、制造、采珠与生态为线索的“连接”主题。副总代表努拉·阿尔·赛义赫·霍尔特罗普（Noura Al Sayeh Holtrop）表示：“巴林国家馆讲述了海洋文化的适应性与坚韧性。海洋是巴林群岛文化的核心，这种意义也在日本文化中得以体现，并通过艺术、摄影、音乐与影像予以呈现。”
Visitors are invited to experience the pavilion through a sensory exhibition experience that engages the five senses. Curated by the Bahrain Authority for Culture and Antiquities, the exhibition features collaborations with artists Shepherd Studio, Sissel Tolaas, Hassan Hujairi, and La Méduse to narrate the theme of connectivity through trade, crafts, manufacture, pearling, and ecology in a series of galleries. “The Kingdom of Bahrain national participation explores the resilience and adaptability of sea cultures. The sea is a central component of the Islands of Bahrain, a significance that is shared in Japanese culture and expressed through art, photography, music, and film.” shares Noura Al Sayeh Holtrop, the Deputy Commissioner General of the Pavilion.
▼俯瞰室内空间，Overlooking interior space © Iwan Baan
▼楼梯空间，Stairs © Ishaq Madan
展馆咖啡厅提供独特的美食体验，推出融合巴林本地风味与日本食材的季节性菜单，由屡获殊荣的主厨塔拉·巴什米（Tala Bashmi）主理。馆内专设商务楼层，由巴林经济发展委员会打造，展示巴林作为开放的全球经济枢纽及其战略地位。
The pavilion’s café delivers a unique culinary experience with seasonal menus that blend local Bahraini flavors with Japanese ingredients and is crafted by award-winning chef Tala Bashmi. A dedicated business floor developed by Bahrain’s Economic Development Board showcases the Kingdom’s strategic location and position as an open, global economic hub for investment.
▼展品，Exhibits © Ishaq Madan
▼展品，Exhibits © Iwan Baan
展馆工作人员和志愿者身着由巴林设计师露露娃·阿尔·阿明（Lulwa Al Amin）专属设计的服装，该系列融合艺术印花与海岸刺绣图案，呼应展馆主题。
Pavilion staff and volunteers wear exclusive designs by Bahraini fashion designer Lulwa Al Amin. The collection features artistic prints and embroidered coastal motifs, referencing the pavilion’s theme.
▼夜览鸟瞰，Night view © Iwan Baan
展馆还设有纪念品商店，售卖面向成人与儿童的本土文化衍生设计产品。预计2025年大阪世博会将吸引来自全球的超过2,800万名参观者，参展国家达160个。
Complementing the experience is a gift store featuring design products inspired by local heritage for adults and children. Expo 2025 Osaka is expected to attract over 28 million visitors from around the world, with participation from 160 countries.
▼首层平面图，Ground Floor Plan © Lina Ghotmeh
▼二层平面图，First Floor Plan © Lina Ghotmeh
▼三层平面图，Second Floor Plan © Lina Ghotmeh
▼四层平面图，Third Floor Plan © Lina Ghotmeh
▼北立面图，North Elevation © Lina Ghotmeh
▼南立面图，South Elevation © Lina Ghotmeh
▼东西立面图，South Elevation © Lina Ghotmeh
▼剖面图，section © Lina Ghotmeh
The images of Bahrain Pavilion “Connecting Seas” are copyright protected and must be credited appropriately to: @IwanBaan
For media inquiries, please contact: media@bahrainpavilion2025.bh
More: Lina Ghotmeh。更多关于：Lina Ghotmeh on gooood
什么叫日本的榫卯结构技术？
有点隈味
不如某院士的国家馆，hh🐶
像那么回事