A Wall Apart: Tang and Song in Hangzhou by Gardening Architects

感谢 造园建筑工作室 予gooood分享以下内容。更多关于他们：Gardening Architects on gooood
Appreciation towards Gardening Architects for providing the following description:

我一直有个想法，一墙之隔，三两步，实现两个时代的穿越，两种平行极致美学的出入。将我最爱的唐与宋并置的一起，背靠背，游走之间。

I have always harboured an idea: across a single wall, a step or two away, to realise a passage between two eras—an entry and exit between two parallel, extreme aesthetics. To place my most beloved Tang and Song side by side, back to back, within a single stroll.

▼一墙之隔，出唐入宋，A wall apart: exiting Tang and entering Song © 造园建筑

唐与宋的并置，是两种境遇，两种想象，两种情绪。
唐是：酒马剑，宋是：茶琴梅；
唐是：筵灯歌，宋是：炉香帖；
唐是：塞雪旗，宋是：巷雨帘……
在梦里，唐的雨下的都与宋不一样。
要做一场“隔壁唐宋”，只能做个选择，一生要实验很多次的“隔壁唐宋”，这是一个永恒的命题。

▼轴测图，Axonometric © 造园建筑

The juxtaposition of Tang and Song represents two circumstances, two imaginations, two moods.
Tang is: wine, horse, sword; Song is: tea, qin, plum.
Tang is: banquet, lantern, song; Song is: censer, incense, calligraphy.
Tang is: frontier snow, banners; Song is: alley rain, blinds……
In dreams, even the rain of Tang falls differently from that of Song.
To create an “A Wall Apart: Tang and Song,” one must make a choice. It is an “A Wall Apart: Tang and Song” that must be experimented with many times in a lifetime—an eternal proposition.

▼想象中的教坊，The imagined imperial music academy © 造园建筑

▼琉璃屏山乐座，The glazed-screen mountain music seat © 造园建筑

唐是：教坊笙歌。
宋是：楼台孤眺。

Tang is: singing and music in the imperial music academy.
Song is: solitary gazing from a tower.

▼金屏山乐座，The golden-screen mountain music seat © 造园建筑

▼藏于花萼洞中的观众席，The audience seats hidden in the flower-calyx cave © 造园建筑

▼主演背景，月华屏，The moonlight screen, backdrop of the main performance © 造园建筑

在此，唐与宋做一个相反对仗，这个相反，其实也是人的一个转身，刚刚还在夜宴，金樽映烛，红裙旋雪，一殿浓色，满座风流中，骤然退席，推门出殿外高台，眼前风过楼台，酒意皆散，月白铺阶，栏杆浸冷，环睹皆凉。一转身，背后还是醉红，眼前已是清寒。

Here, Tang and Song are set in antithetical parallel. This opposition is, in fact, also a human turning-around: one moment still at a night banquet, golden goblets reflecting candlelight, red skirts swirling like snow, a hall of dense colour, a seat full of gallantry—then suddenly rising from the feast, pushing open the door onto the high terrace outside. Before one’s eyes, wind sweeps the tower; the fumes of wine disperse; moonlight paves the steps; the railings are steeped in cold; all around is chill.In one turn, behind one is still drunken red; before one is already clear coldness.

▼观演的交界：花萼门，The threshold of viewing: the flower-calyx gate © 造园建筑

▼花萼观众席，背靠天空，The flower-calyx audience seats, back against the sky © 造园建筑

唐是在场的，共乐的，人在繁华之中；
宋是出场的，独望的，人在繁华之外。

Tang is present, sharing joy—one is within the bustle.
Song is exiting, gazing alone—one is outside the bustle.

▼金屏山座，人、音乐与器物共座，The golden-screen mountain seat, where people, music and objects sit together © 造园建筑

▼镜门间，唐窥见宋，Between the mirror doors, Tang glimpses Song © 造园建筑

▼镜门窥宋，Peeking at Song through the mirror door © 造园建筑

我将红色给唐，红色是青春烈火，琉璃琥珀，胡姬彩袖；红色是纵情，是外放，是酣宴，是豪兴。
我将深蓝给宋，深蓝是孤灯残月，青瓷旧卷，庭院疏梅；深蓝是沉思，是内心，是寒夜，是忧思。

I give red to Tang. Red is the fire of youth, glazed amber, the colourful sleeves of Hu dancing girls; red is abandon, is outward release, is the revelry of feasting, is heroic fervour. I give deep blue to Song. Deep blue is the solitary lamp and waning moon, celadon and old scrolls, sparse plum in the courtyard; deep blue is contemplation, is inwardness, is the cold night, is melancholy.

▼自宋步入唐，Stepping from Song into Tang © 造园建筑

▼自山下茶席仰望山台，Looking up at the mountain terrace from the tea seat at its foot © 造园建筑

▼高幢兀立，月明星稀，The tall pagoda standing alone under a bright moon and sparse stars © 造园建筑

▼月台望山下席，Looking down from the moon terrace to the tea seat below © 造园建筑

▼廊座清辉，Clear moonlight over the corridor seat © 造园建筑

▼月朗星稀，Bright moon and sparse stars © 造园建筑

▼夜幕下一镜可通唐，Under the night curtain, a mirror leads through to Tang © 造园建筑

▼宋的开启，The opening of Song © 造园建筑

▼水月窗夹半月庵，
The water-moon window framing the half-moon hermitage © 造园建筑

隔壁，看似并置，却是转身，“隔壁唐宋”不仅是将两个时代的特质与情绪之并置物化，更是想物化一个人的出与入，前与后、外与内，境遇走马，心念转圜。

A wall apart appears to be juxtaposition, yet it is a turning-around. “A Wall Apart: Tang and Song” not only materialises the juxtaposition of the qualities and moods of two eras, but seeks to materialise a person’s exit and entry, front and back, outside and inside—circumstances passing like a galloping horse, the mind turning and circling.

▼柱劈两看：隐身的半月庵与山下茶席，A column splits two views: the hidden half-moon hermitage and the tea seat below © 造园建筑

▼阑勾三镜，The balustrade linking three mirrors © 造园建筑

▼水月窗启四季茶阁，The water-moon window opening onto the four-season tea pavilion © 造园建筑

▼登月台，Ascending the moon terrace © 造园建筑

▼月升高幢，The moon rises over the tall pagoda © 造园建筑

▼作为夜空的蓝，Blue as the night sky © 造园建筑

▼平面图，Plan © 造园建筑

项目名称：隔壁唐宋——杭州卢艺工艺美术展厅
项目类型：室内
项目地点：浙江省杭州市
建成状态：建成
设计时间：2020年7月
建设时间：2022年9月
建筑面积：120平方米
设计单位：造园建筑工作室 中国美术学院建筑艺术学院
设计单位联系方式：info@gardeningarchitects.com
主创建筑师：王欣 孙昱
业主：浙江卢艺文化创意有限公司
施工：杭州方奕建筑有限公司
照明：杭州荣熙照明工程有限公司
道具：日兴圆艺术家居（杭州）有限公司
摄影师：造园建筑

Project Name: A Wall Apart: Tang and Song — Hangzhou Luyi Arts and Crafts Exhibition Hall
Project Type: Interior
Project Location: Hangzhou, Zhejiang Province
Completion Status: Built
Design Period: July 2020
Construction Period: September 2022
Floor Area: 120 sqm
Design Firm: Gardening Architects, School of Architecture, China Academy of Art
Design Firm Contact: info@gardeningarchitects.com
Principal Architects: Wang Xin, Sun Yu
Client: Zhejiang Luyi Cultural and Creative Co., Ltd.
Construction: Hangzhou Fangyi Construction Co., Ltd.
Lighting: Hangzhou Rongxi Lighting Engineering Co., Ltd.
Props: Rixingyuan Artist Home (Hangzhou) Co., Ltd.
Photography: Gardening Architects

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