来自 深圳墨泰建筑设计与咨询有限公司 对gooood的分享。
Appreciation towards Shenzhen Multiarch Architectural Design and Consulting for providing the following description.
位于上海浦东唐镇的国庆寺为一座明代寺庙，原址为纪念明代抗倭名将俞大猷的“俞公祠”，六年前启动了新的设计工作，目前首期建筑部分基本完工！
The Guoqing Temple in Dontang Town, Pudong district of Shanghai is a Ming dynasty temple. The original site was the Yu Gong Temple commemorating Yu Dayou, a famous anti-invasion warrior in the Ming Dynasty. New design work was started six years ago, and the first phase of construction is basically completed!
▼视频，video ©深圳墨泰建筑设计与咨询有限公司；视频编辑：许良润
▼主殿区正面鸟瞰实景 （未竣工），Facade of the main hall (under construction) ©曾天培
2014年底，我接到朋友电话，邀请为此设计方案！寺庙不大，有个年轻的主持，法号演因，我在电话里跟他说：“如果你要个传统仿古寺庙，我不适合做，如果你想做个现代寺庙，我很有兴趣！”演因师傅说：“我很期待”！我隐约觉得，他是个好业主。
At the end of 2014, I received a call from a friend and invited me to design a proposal for this project! The temple is not big, there is a young Master, his Buddhist name is Yan Yin. Later, I told Master Yan Yin on the phone: “If you wish for a traditional temple, I am not suitable for it. If you want it to be a modern one, I am very interested!”. The Master responded: “I am looking forward to it!”. At that moment, I had a vague feeling that he is a good Master.
▼总平面图，Site plan ©深圳墨泰建筑设计与咨询有限公司
我跟他说的“现代”，包含两个层面的含义，一个是形态、空间、材料等物质层面，另一个则是在公共性等理念层面！在今天的中国，寺庙几乎是个“烧香磕头”的地方，原本“讲经说法”和“禅修”的核心功能在下降；佛教建筑原本也并不讲究中轴对称，汉传佛教把宫廷建筑的格局移植到寺庙中（“寺”在过去指官衙），所以我们有了与藏传、南传、日式等不同的官衙式寺庙。在这块场地，我们能否设计一个与城市更友好的寺庙？能否让宗教建筑找到其精神所在？能否把人们进入寺庙的过程塑造为一次理解佛法的旅程？
I said to Master Yan Yin that the concept of “modern” has two levels of meaning, one is about the physical level such as its form, space, material, and the other is the conceptual level such as the ideal of publicity! In today’s China, temples are almost a place of burn incense and pray. The core functions of “Preach the View” and “Meditation” have declined; Buddhist architecture originally did not particularly care of axis symmetry, but Chinese Buddhism transplanted the pattern of this palace architecture into temples (“temple” used to refer to Yamun, government palace of feudal China), so now we have Yamun-style temples that are different from Tibetan, southern, and Japanese Buddhism. As for this project, can we design a temple that is more friendly and more interactive to the city? Can religious buildings find their spirituality? Can the process of people’s entry to this temple be shaped as a journey to understand Buddhism?
▼北侧鸟瞰实景（未竣工），Aerial view from the north side (under construction) ©曾天培
寺庙位于城市内，用地紧邻着一块小城市绿地。我们通过与政府协商，把寺庙的朝向转至与小绿地连通的方向，两者一并设计，形成一体化的空间，绿地公园全天候开放，寺庙也成为其中的一部分。我给寺庙和公园取了个共同的名字——众生禅院。
The temple is in the city and adjacent to a small urban green space. We communicated with the government and changed the direction of the temple to connect with the small green space, so the two sites were designed together to form an integrated public space which open for public all day. In this way, the temple has melted into the park. Collectively they were named Zen Garden of All Living Beings.
▼主殿区中庭实景（未竣工），The courtyard of the main hall (under construction) ©曾天培
设计能体现“自然与传统”的当代建筑是我和团队的理想，上海国庆寺项目提供了一个契机！设计通过建筑的开合处理、庭院尺度的控制，去除了装腔作势的形态，建筑平和朴素，空间松弛自然，让周边都市环抱之下的寺院呈现 “幽、隐、静、藏”！建筑用杉木模板的清水混凝土、竹钢、钛锌板等材料建造，用现代的语言塑造传统韵味和空间精神。演因师傅告诉我，因为这个设计，寺庙未建成已有了很多的居士，而且一半左右是八零九零后，不同于其他寺庙中老年居士的构成！
▼大雄宝殿室内实景（未竣工），Interior view of the Great Buddha’s Hall (under construction) ©曾天培
▼大雄宝殿室内回望实景（未竣工），View from the Great Buddha’s Hall (under construction) ©曾天培
Designing contemporary buildings that can embody “nature and tradition” has always been an ideal to our team. The Shanghai Guoqing Temple project provides an opportunity! With careful arrangement of the architectural fragmentation and combination, and strict control of the courtyard dimensions, our design removes the pretentious form, makes the building peaceful and simple, the space relaxed and natural. It successfully preserved the spirit of the temple: tranquility, peace, retreat, and isolation, expressed the spatial appeal of the Buddhism religion surrounded by the hustle and bustle of a modern city. Using fair-faced concrete, bamboo steel, titanium zinc plate and some other modern materials, we infused the language of the modern world into the building and space of traditional charm and spirit. Master Yan Yin told me while the temple is being built, it has already attracted many laymen, and about half of them were born after 1980s, which is much younger than the middle-aged and elderly laymen in other temples!
▼附殿室内实景（未竣工），The accessory hall (under construction) ©曾天培
▼观音殿局部实景（未竣工），Detailed view of the Guanyin Hall (under construction) ©曾天培
▼大雄宝殿室内效果图，The Great Buddha’s Hall (rendering) ©深圳墨泰建筑设计与咨询有限公司
项目从设计至今已经整整六年，种种原因土建完工的部分仅是其中一大半，园林景观和室内尚未进场，寺庙里已经临时摆设了不少物件，进入半使用状态。这样边用、边建的状态不知还会持续多久，做寺庙设计也如同修行，考验建筑师的耐力和韧性！
主殿旁边的两座辅助建筑，没能扛得住主持师傅要增加面积的执着，从设计时精心推敲的两层高变成了三层；竹钢的格栅因为供应商的撤场，其中一部分被换成铝合金；很多好心的居士关心寺庙建设，捐赠着各种物件，但一些与建筑不协调的东西一不小心就躲过建筑师的眼睛进了场。
It has been six years since the project was designed, and only half of the construction works have been completed for various reasons. The garden landscape and interior have not yet in construction, but many objects have been temporarily displayed in the temple and it has entered a half-use state. I do not know how long this half-use state will last, but temple design is like a practice, testing the endurance and resilience of architects!
The two auxiliary buildings next to the main hall failed to bear the master’s obsession to expand the area and added to three floors in the end where they were originally designed to be two floors. Part of the bamboo steel grille was secretly replaced by aluminum alloy due to the supplier’s withdrawal. Many well-intentioned laymen continued to donate a variety of objects that did not match the architectural temperament, and some objects accidentally escaped the eyes of the architect and was placed into the temple;
▼主殿区北侧外观实景（未竣工），North facade of the main hall (under construction) ©曾天培
▼主殿区屋顶实景（未竣工），Rooftop view of the main hall (under construction) ©曾天培
▼主殿区屋顶局部实景（未竣工），Rooftop detailed view of the main hall (under construction) ©曾天培
关于木模板清水混凝土墙面，尽管我们提供了详细工法和要求，但施工单位一开始很难掌握，按自己的想法边做边摸索，留下大量的瑕疵，一度让人绝望，但我还是咬着牙跟主持师傅说：“做坏了就认了吧，不要修补，留下这些瑕疵也比人为的涂脂抹粉更真实和自然”！浇筑工作从主殿开始，终于在最后实施的寺院围墙处达到了很高的质量，这组建筑最精美之处意外的变成了围墙！
As for the wooden template fair-faced concrete wall, although we provide the detailed construction method and requirements were discussed, but the construction unit ignored it at the beginning, and built it completely according to its own ideas, leaving a lot of flaws, which made people desperate for a while, but I still gritted my teeth and said to the Master: ” Come on, don’t fix it, leaving these flaws is more real and natural than artificial grease and powder”! The concrete work started from the main hall, and finally reached a high quality at the garden walls of the temple after repeated trial and error. The garden walls have unexpectedly become the most exquisite part of this temple!
▼主殿区窄庭实景（未竣工），The narrow courtyard of the main hall (under construction) ©曾天培
▼附楼外观实景（未竣工），The auxiliary building (under construction) ©曾天培
▼附楼外观实景（未竣工），The auxiliary building (under construction) ©曾天培
演因师傅每天住在工地，给工地拍照成了他的日常，从他发的朋友圈看出，他对这个设计从最初的略有怀疑到现在已成深爱。不久前的一天，他、我、景观设计师一起坐在工地上讨论后期的种种，我突然觉得，演因师傅对于空间的想法已经比我更现代和激进了！最近，他还给这些木模混凝土墙起了个富有禅意的名字——融素！
Master Yan Yin lives on the site and taking pictures of the construction site has become his daily routine. From photos he posted on WeChat moments, we could notice that he has been deeply in love with this design from the initial half-trust to the present’s satisfaction. One day not long ago, Master Yan Yin, the landscape architect, and I were sitting on the construction site to discuss the later stages. I suddenly felt that Master Yan Yin’s idea of space is more modern and radical than I! Recently, he gave these wooden-mold concrete walls a Zen-like name – Rongsu!
▼南侧鸟瞰实景（未竣工），Aerial view from the south side (under construction) ©曾天培
▼拱廊效果图，Arcade (rendering) ©深圳墨泰建筑设计与咨询有限公司
▼西门效果图：众生禅院，The West Gate: Zen Garden of All Living Beings (rendering) ©深圳墨泰建筑设计与咨询有限公司
▼模型，models ©深圳墨泰建筑设计与咨询有限公司
▼首期地下室平面图，basement floor plan (phase 1) ©深圳墨泰建筑设计与咨询有限公司
▼首期一层平面图，ground floor plan (phase 1) ©深圳墨泰建筑设计与咨询有限公司
▼剖面图1，section 1 ©深圳墨泰建筑设计与咨询有限公司
▼剖面图2，section 2 ©深圳墨泰建筑设计与咨询有限公司
项目名称：上海浦东国庆寺
Project Name: Shanghai Pudong Guoqing Temple
项目地点：上海浦东唐镇
Project Location: Dongtang Town, Pudong, Shanghai
设计时间：2014-2016
Time of Design: 2014-2016
建成时间：首期土建完工，全部竣工预计2022年
Time of Completion: First phase completed; All completion is expected in 2022
设计单位：深圳墨泰建筑设计与咨询有限公司
Design Unit: Shenzhen Multiarch Architectural Design and Consulting Co., Ltd.
设计范围：建筑方案、施工图全程设计（含室内设计）
Design Scope: whole-process design of architectural plan and construction drawing (including interior design)
主持建筑师：沈驰
Architect in Charge: Shen Chi
建筑：王淞、冯文清、刘为霞、朱维、刘余勇、伍玉聪、杨静、陈静儿、罗琼、王春燕、葛铁昶
Architects: Wang Song, Feng Wenqing, Liu Weixia, Zhu Wei, Liu Yuyong, Wu Yucong, Yang Jing, Chen Jinger, Luo Qiong, Wang Chunyan, Ge Tiechang
结构：岑慧园、黄明星、陈惠明、甘凯、朱安安
Structural Engineer: Cen Huiyuan, Huang Mingxing, Chen Huiming , Gan Kai, Zhu Anan
电气：孙健有、吕珍地、李峰、潘志坚、高阳
Electrical Engineer: Sun Jianyou, Lu Zhendi, Li Feng, Pan Zhijian, Gao Yang
给排水：李和、黄杰、温志军、李玲玲、张志华
Water Supply and Drainage: Li He, Huang Jie, Wen Zhijun, Li Lingling, Zhang Zhihua
暖通：彭天辉、代小山、张子星、唐丽华
Heating and Ventilation: Peng Tianhui, Dai Xiaoshan, Zhang Zixing, Tang Lihua
室内：阮斌、唐韵珊、胡俊波、程翔、黄利波
Interior Designer: Ruan Bin, Tang Yunshan, Hu Junbo, Cheng Xiang, Huang Libo
摄影：曾天培
Photographer: Zeng Tianpei
撰文：沈驰
Author: Shen Chi
视频编辑：许良润
Video Editing: Xu Liangrun
视频素材：墨泰建筑、曾天培、深圳卫视、凤凰卫视、我在短视频
Video Material Provided by: MULTI ARCH, Zheng Tianpei, Shenzhen TV , Phoenix TV, IAM Social Media
More：深圳墨泰建筑设计与咨询有限公司
端庄得体，克制飘逸
传统与现代的对话
虽然不很成熟，却是很用心的设计。屋面大形态用锐利的弧线交接，整体可能会更统一，弧线相接的卷棚顶形式，对解读有干扰
挺有寺庙建筑的份氛围的。内部够高够空，还有阳光跟窗的结合。
有些细节不精致 设计者应该不是宗教信仰者，没有一种宗教那种意境
所以“明代”的国庆寺就继承了一个名字吗？这是个自由的时代，寺庙的新形式真好，过几天就去看看
屋顶和正面效果呈现还不错 感觉两侧还差点点
这是中国社会建筑的一小步，却是中国寺庙建筑的一大步！
就是被王树那套带偏了，普通人一般不会觉得混凝土曲线顶好看，只是设计感堵嘴不好说而已。。。现代工业附会传统形式岂不呵呵？不如干脆直接搞个直线的舒服。。。
另外寺庙这种可能还真未必就是新的好，就算教堂一般游客也是去圣母院多过朗香啊。。。看拍照的啊
跟我想的一样
用的是法锌?意大利锌?德锌?西班牙锌?荷兰锌?
细部施工不行
别具特色，建筑有自己的性格就够了。接不接受随键盘侠去吧~
别的不说 大雄宝殿下雨了不得漏雨么。。。
肯定是漏的，不过大开口下边是院子还好，这种门窗肯定是挡不了雨
看下剖面再评论
评论区太mean了吧，明明蛮不错的设计。
实景比效果图好。这种慢慢打磨的项目，其实是一个非常有意义的过程
别的不说，建完在拍照也不会怎么样，有那么急吗
没看文字吧，这个项目周期太久，甲方已经等不及开始用了，施主们也开始捐赠各种物品（估计是佛像之类的），再不拍估计就没法看了……心疼设计师一秒钟
说到新宗教建筑，不免要拿西方教堂来做对比。从最早巴西利卡发展到十字平面，教堂在很长一段时间都是以单一的十字为原型进行建造，不知何时起十字消失了，现在的教堂都集中精力去做核心的礼拜空间，所以其实是原型的转变，而不是表面上的形式转变。这个寺院虽然结构和材料不同以往，但实际上空间类型还是有所传承，依然是一个合院式的布局，有一个从正门到大雄宝殿的空间序列。当然这也和宗教具体教义有关，可能就是无法摆脱正门-四大天王殿-院子-大雄宝殿这种行进仪式。总之这肯定是一系列值得研究的问题，研究西方教堂是如何发生类型转变的，和宗教教义的关系是什么，内地佛教建筑的原型是什么，和教义的关系如何，有无可能转变。
少扯古书，没意义
人家是听演讲唱歌，我们是烧香拜佛，功能不同，听讲唱歌搞个多功能厅就行了，烧香拜佛装饰不到位没感觉好吧
很难得的项目。大殿透光特别像破败的荒村野生寺庙。禅意也非常生硬，体块关系也觉得难受。
感觉还可以 个人挺喜欢 怎么说呢 像国外新建的教堂也大都不采用以往的形式 但是国内的寺庙还依然沿用古代的形制 破除了旧的样式 给人眼前一亮的感觉期待最后建成的样子
大雄宝殿室内实景（未竣工）里面光头牵一个姑娘是最秀的。怀疑是建筑师本人。
中式售楼部.skp
报个uid一起提瓦特大陆
多元文化需要时间的打磨融合，很不错的现代寺庙设计。
整个屋顶的形体确实值得再推敲，但是空间和细节可圈可点。最重要的一点是，现代的寺庙本就不该像千百年前的寺庙那样去做，现在有太多的人对寺庙建筑抱有固执的观念，认为寺庙建筑必须是那种古建风格才行，但是实际上寺庙有固定范式吗？并没有，每个时代有每个时代的建筑特点，寺庙也是如此，从东汉的立塔为寺，到西晋的堂塔并立，北魏的石窟寺盛行，到隋唐的理想寺模式再到宋朝的伽蓝七堂制，空间演变越来越严谨有规制，建筑风格也依据各个朝代有所不同。所以你说在当下，寺庙建筑应该怎么做？我觉得这是最自由的时代。
多年前去灵隐寺游玩，看到新雕的佛像时有种眼前一亮的感觉。
对于宗教建筑，当代人有当代人的理解与表达，值得期待。
从建筑师的眼里留下这样的遗憾，其实跟众生禅院的初衷应该更是不谋而和，更是寺庙包容众生的初衷。从设计到建成的过程其实也就是建筑师和寺庙师傅一同修行的历程。很赞同建议师傅把那些看似瑕疵的过程留下来，不论建筑师最后在哪里，而它就在这里。
虽未竣工，但已成型，打破传统的束缚，难得的设计，棒~！
文字里满满的都是“！”，看来是真够期待的。
发一堆“未竣工”。。。。。这是有多期待
主殿区中庭实景（未竣工）的效果已经很棒了
传统与现代的结合，眼前一亮的作品，为建筑师点赞
国内清水混凝土的施工技术还是有限
一点喜欢的感觉也没有，和寺庙无关的直觉，我个人的感觉是冰冷的。
卖套图。。。卖的图够新也就差不多了呗
整个屋顶的形体确实值得再推敲，但是空间和细节可圈可点。最重要的一点是，现代的寺庙本就不该像千百年前的寺庙那样去做，现在有太多的人对寺庙建筑抱有固执的观念，认为寺庙建筑必须是那种古建风格才行，但是实际上寺庙有固定范式吗？并没有，每个时代有每个时代的建筑特点，寺庙也是如此，从东汉的立塔为寺，到西晋的堂塔并立，北魏的石窟寺盛行，到隋唐的理想寺模式再到宋朝的伽蓝七堂制，空间演变越来越严谨有规制，建筑风格也依据各个朝代有所不同。所以你说在当下，寺庙建筑应该怎么做？我觉得这是最自由的时代。
同感 低端