感谢 无意义建筑 予gooood分享以下内容。更多关于他们请至：Meaningless Arch on gooood
Appreciation towards Meaningless Arch for providing the following description:
我们想用做建筑的方式来做家具，既轻盈又庄重，既优美又精确。
于是，我们用集成竹材做了4米长的桌子和三条腿的椅子。大跨度将桌子的稳定性提升为主要问题，三条腿将椅子的平衡性提升为主要问题。我们是否曾忘了，稳定与平衡是桌子和椅子的关键所在，由此推陈出新也是困难所在。
最终，桌子像纸张一样飘浮在麦田之上，风吹麦浪，桌面无漪。椅子看似无意却稳稳伫立在石堆之间，像是雕塑。因此得名无漪桌和无意椅。
We wanted to create furniture using an architectural approach, combining lightness and grave, beauty and accurate.
As a result, we made a 4-meter-long table and a three-legged chair by industrial bamboo. The main challenge for the table was ensuring stability over a large span, while for the chair, it was maintaining balance with three legs. Perhaps we had forgotten that stability and balance are the essence of both tables and chairs, making innovation in their design a difficult task.
In the end, the table floats above the wheat field like a piece of paper, undisturbed by the wind blowing through the waves of wheat. The chair, seemingly casual, stands firmly among the piles of rocks, resembling a sculpture. Therefore, they are named the “Rippleless Table” and the “Meaningless Chair.”
▼⻨⽥中的⽆漪桌，The Rippleless Table in a Wheat Field ©无意义建筑
▼海边的⽆意椅，The Meaningless Chair by the seaside ©无意义建筑
无漪桌
Rippleless Table
无漪桌用钢和竹两种材料，倾斜的钢如杠杆般对抗着重力，将桌面轻轻顶起。亦如中国古建筑中倾斜的昂之于屋顶，用料很少，却是结构形式的重要组成部分。
The Rippleless Table is made of steel and bamboo, with inclined steel elements acting as levers to counteract gravity and gently lift the tabletop. This design is reminiscent of the inclined supports seen in traditional Chinese architecture, where minimal materials are used yet play a crucial role in the overall structural form.
▼⻨⽥中的⽆漪桌，The Rippleless Table in a Wheat Field ©无意义建筑
▼⻨⽥中的⽆漪桌，The Rippleless Table in a Wheat Field ©无意义建筑
现代技术将原竹变成工业竹，大大提高其物理性能，因此桌子构件断面很小也足以支撑。无漪桌也是一个便于自行拆卸和组装的家具。主要用螺栓连接，局部开榫，所有构件相互搭接咬合，形成一个稳定的整体。
▼分解轴侧图，Disassembled axial side view©无意义建筑
Modern technology has transformed the original bamboo into industrial bamboo, greatly improving its physical properties. Therefore, the cross-sections of the table components are small but sufficient to provide support. The Rippleless Table is also a furniture piece that is easy to disassemble and assemble. It is primarily connected using bolts, with some parts having mortise and tenon joints. All components interlock and fit together, forming a stable whole.
▼⽆漪桌，The Rippleless Table©无意义建筑
▼抬桌⼦，Lift the table ©无意义建筑
▼⽆漪桌细部，The Rippleless Table detail©无意义建筑
无意椅
Meaningless Chair
因为只有三条腿，无意椅可以适应不平坦的地形。同样用竹和钢两种材料，倾斜的钢如杠杆般对抗着重力，将椅子架起。亦如中国古建筑中倾斜的昂之于斗拱，是结构形式的重要组成部分。
Due to its three legs, the Meaningless Chair can adapt to uneven terrain. It is also made of bamboo and steel, with the inclined steel acting like a lever to resist gravity and support the chair. This design is similar to the inclined brackets in ancient Chinese architecture, which are an important structural element.
▼⻨⽥中的⽆意椅，The Meaningless Chair in a Wheat Field©无意义建筑
▼礁⽯上的⽆意椅，The Meaningless Chair on the stones©无意义建筑
▼消波块上的⽆意椅，The Meaningless Chair on the wave breakers©无意义建筑
▼消波块上的⽆意椅，The Meaningless Chair on the wave breakers©无意义建筑
▼踏浪的⽆意椅，The Meaningless Chair in the wave©无意义建筑
现代技术将原竹变成工业竹，大大提高其物理性能，因此椅子构件断面很小也足以支撑。同时重量轻方便手提，节省材料也降低造价。
Modern technology has transformed bamboo into industrial bamboo, greatly improving its physical properties. Therefore, the cross-sections of the chair components are small but sufficient to provide support. Additionally, the chair is lightweight and easy to transport, which saves materials and reduces costs.
▼使⽤中的⽆意椅，The Meaningless Chair in use©无意义建筑
▼可以轻轻提起的⽆意椅，The Meaningless Chair that can be lifted easily ©无意义建筑
▼可以轻轻举起的⽆意椅，The Meaningless Chair that can be lifted easily ©无意义建筑
无意椅同样便于自行拆卸和组装。无漪桌和无意椅是无意义建筑的家具系列作品之一，我更愿意称它们为建筑。
The Meaningless Chair is also easy to disassemble and assemble on one’s own. The Rippleless Table and Meaningless Chair are part of the Furniture Series of Meaningless Arch. I prefer to refer to them as architectural pieces.
▼打样中的⽆漪桌，The Rippleless Table in the prototype stage ©无意义建筑
▼打样中的⽆意椅，The Meaningless Chair in the prototype stage ©无意义建筑
▼无漪桌组装加⼯，assembly processing©无意义建筑
▼预制金属件，precast metal peices©无意义建筑
▼无意椅组装加⼯，assembly processing©无意义建筑
项目名称：轻竹建造:无漪桌&无意椅
项目类型：家具设计
设计方：无意义建筑
公司网站：https://miaojiaojiao.art/
联系邮箱：jiaojiaomiao@outlook.com
项目设计：2024.03–2024.05
设计团队：缪姣姣，罗辉
结构咨询：张准
摄影版权：无意义建筑
材料：工业竹，钢
Project Name: Light bamboo construction：Rippleless Table & Meaningless Chair
Project Type: Furniture Design
Design Firm: Meaningless Arch
Company Website: https://miaojiaojiao.art/
Contact Email: jiaojiaomiao@outlook.com
Project Design: 2024.03–2024.05
Design Team: Jiaojiao Miao, Hui Luo Structural
Consulting: Zhun Zhang
Photography Copyright: Meaningless Arch
Materials: Industrial Bamboo, Steel
More：Meaningless Arch 更多关于：Meaningless Arch on gooood。
滤镜有点重
DK
就………
设计非常巧妙，举重若轻，精确又轻松。
很有趣的创意~
确实没有感受到任何意义，也是某种程度的成功吧
删除文章以及评论的行为确实小丑。不准批评只准小团体夸，无论是作品还是人都生活在pussy泡泡中，从来没有接触这个世界。
“删除文章以及评论的行为确实小丑”——你哪来信心下此妄言。不瞒你说，上一篇椅子的文章被删除我还真舍不得，那篇里面我对你骂咧行为的回应，我还挺留念的。可惜谷德要求桌子和椅子两篇合一，单独椅子的那篇就被谷德抹去。
“不准批评只准小团体夸”——我倒是欢迎批评也欢迎夸，但你不是在批评，你是在骂骂咧咧。我也客客气气的回应你所有问题了，你不在那篇回应，却来这篇喷。
“无论是作品还是人都生活在pussy泡泡中，从来没有接触这个世界”——说作品就说作品，扯到人做什么，这么喜欢人身攻击？
我生气的原因不是因为你做的差，而是因为这样一个完全可以因个人想法而完全掌控的小“项目”。竟会有完全的一套小团体学阀体系。矫情的文案，不明所以的图片。明明接触面过小，压强过大还强硬的放在农田里，石头上，标榜适应所有地形，也完全不尊重材料，为什么用连接件这么丑？因为要钉子固定！”结构没有发挥材料特色噢，木材他想成为钢铁的替代品吗？“因为我觉得好看！为什么我说出这些问题，上一个文章评论有一堆新创建的小号说我是知名评论家。毫无修养可言，
我生气的原因不是因为你评论，而是因为你以一种骂大街的方式评论。你口口声声说“学阀”，你没意识到你像“谷德学阀”吗？以“知名评论家”自居，在谷德看到不合你喜好的，出口成脏大放厥词，不究背因肆意诋毁。学阀大佬还挺像你这样的。
你提修养？会在评论中飙国骂的人，你是不应该来谈修养的。评论就是评论，说事情，像大佬一样傲慢无礼的踩踏他人，骂骂咧咧的输出自己观点，时不时人身攻击。就算你是真的学界大佬，这么评论也就是耍流氓。你耍流氓了，还不让别人扇你耳光？
你这个评论中的问题有点在重复你在上一篇中的问题，我依据记忆大致把回答给你回放一遍：
1、为什么用木材——不是木材，是工业竹材。这是一个工业竹材的命题作文。
2、为什么用小断面——为了节约用料（竹材太贵），也为了充分利用工业竹的材料特性。工业竹材强度高，介于木和钢之间，相同荷载用竹断面可以比木小。
3、为什么也用了钢——应力过于集中的地方，用钢取代竹。用料和受力对应。
4、为什么用螺栓——栓接还是榫接，不同连接方式而已，怎么能说竹木就不适合栓接只能榫接呢？谁规定螺栓只用于钢铁的？竹木用螺栓就没有尊重材料特性？这太武断了。上一篇的评论中你说“之所以用木材，只是因为木材好看”，我看这才是不尊重材料特性，真把木材当花瓶了。
设计师的自嗨
桌子不错