Museum of Humanity by Studio Apaaar

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Appreciation towards Studio Apaaar for providing the following description:

博物馆呈现出一种本质而原始的建筑语言。建筑完全采用裸露混凝土建造，体现出一种将本属于自然之物归还自然的愿望。博物馆最核心的象征性元素，是一根从天花垂下的铅垂线，在观念上连接天地——这一细节凝聚了物质与精神、有限与无限之间的关联。

The museum showcases an architectural language that is both essential and primitive. Constructed entirely in raw concrete, the building embodies a desire to return to nature what inherently belongs to it. The museum’s central symbolic element is a plumb line suspended from the ceiling, ideally linking heaven and earth – a detail that encapsulates the connection between matter and spirit, the finite and the infinite.

▼建筑顶视，Building Top View © Onil Shah

▼建筑正立面，Front Elevation © Pranit Bora

▼正立面细部，Front Elevation Detail © Onil Shah

▼中央混凝土体块，Central Concrete Volume © Onil Shah

▼中央狭缝空间，Central Slit Space © Pranit Bora

▼室内空间与铅垂线，Interior and Plumb Line © Pranit Bora, Onil Shah

▼室内空间与圆形天窗，Interior and Circular Skylight © Pranit Bora

一段关于爱、爱所带来的自卑，以及我如何走出其中的旅程。一切始于社会残酷地宣称：表达爱是一种“罪”。就在这时，一个人忽然递给你一副干净的眼镜，改变了你的视角，只为告诉你：“爱不是罪，它是一种自然的情感”，也因此赋予了我重新欣赏艺术的视野。

A journey showcasing love, inferiority complex it brought and how I overcame it. It all started when society brutally declared that expressing love was a ‘sin’. An individual suddenly hands you a clean pair of glasses, changes your perspective just to say, “Love isn’t a sin, it’s a natural sentiment”, giving me a new vision to appreciate art.

▼木质开合界面，Timber Opening Facade © Pranit Bora

▼混凝土室内空间，Concrete Interior © Pranit Bora

我想到用建筑的语言表达自己，以此作为一种感恩。由此，一个巨大的构筑物应运而生，也带来了属于它自身的一系列建造挑战。随后，为了回应他的那句话，“情感一旦被压缩，也无法压抑其强度”，我们又计划并建造了这一构筑物的缩小版本。

Using the language of Architecture, I thought of expressing myself as a form of Gratitude. This gave birth to an enormous structure bringing its own set of challenges to construct. A miniature of the same was then planned and constructed for the sake of His words, “Emotions when Compressed, can’t Suppress their Intensity.”

▼水池与中央空间，Pool and Central Space © Onil Shah

▼室内空间看向水池，Interior Viewing towards Pool © Onil Shah

▼中央体块水景细部，Central Water Feature Detail © Pranit Bora

人类博物馆是一座对称而均衡的建筑，以建筑作为语言，传达这些强烈的情感，并以此作为对那位备受敬重之人的致意。这一空间深受印度传统火葬场Smashan Bhoomi的影响，其内涵远远超越了直观而强烈的感官印象。建筑仅以混凝土这一种材料建成，温和地提醒人类：从自然中获得的一切，最终都应以灰烬的形式归还自然。河流常因毗邻Smashan Bhoomi而具有精神意义。博物馆中的水体持续滴落，令人联想到这些神圣河流，并重新唤起印度古老的信仰：不朽的灵魂——Atma——不断经历轮回转世。

Museum of Humanity is a symmetrical, balanced structure, using Architecture as a language to convey those intense emotions, as a Token of Regard to that Honoured Person. Profoundly influenced by the traditional Indian Crematorium, Smashan Bhoomi, this space has much more to say than its visceral impression. Built with a single material Concrete, it is a gentle reminder to Humanity, of returning what they owe from nature in the form of ashes. Rivers often hold a spiritual significance with their presence near Smashan Bhoomi. Water bodies with continuous dripping water in this Museum reminds of those sacred rivers and rekindles the age-old Indian belief of repetitive reincarnation of immortal Soul, Atma.

▼建筑夜景正立面，Front Elevation at Night © Onil Shah

▼夜晚正立面细部，Front Elevation Detail at Night © Pranit Bora

▼屋顶与中央体块夜景，Roof and Central Volume Night View © Pranit Bora

▼屋顶夜景一角，Corner of Roof Night View © Onil Shah

▼夜间室内空间，Interior at Night © Pranit Bora

▼室内空间与圆形天窗夜景，Interior and Circular Skylight Night View © Onil Shah

▼夜晚天窗近景，Skylight Close View at Night © Pranit Bora

▼平面图，Plan © Studio Apaaar

▼立面图，Elevation © Studio Apaaar

▼剖面图，Sections © Studio Apaaar

Location: Museum of Humanity ,Tulapur,Pune,India.
Design Team:
Santosh Sadashiv Pisal
Kundan Namdeo Kshirsagar
Tejas Gavhane
Pratik Bhagwat
Siddhant Bhandare
Aaditi Gavhane
Aaditya Gavhane
Structure Team: Tejas Munot
Construction Team:
Vikas Sadashiv Pisal
Vinod Sadashiv Pisal
Pavan Solunke
Text description: Riya Abhijeet Patil
Photographs: Pranit Bora,onil shah
Instagram link: https://www.instagram.com/studio_apaaar/

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