Exhibition “Rêveries Urbaines”, Switzerland by Ronan & Erwan Bouroullec

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2016年十月，国际知名的设计师 Ronan & Erwan Bouroullec在Vitra Campus举办了名为 Rêveries Urbaines的展览。此次展览在扎哈哈迪得设计的消防站举办，展览以城市发展为概念，广泛的研究了城市发展的种种可能，并大胆以不同的城市背景去设想。整个展览像一本展开的手绘本，人们随着展出的模型和动画去探索种种可能。身临其境的展览方式让人们置身于不同的情景中，每一个展出的模型描绘了科幻城市的不同篇章。

Following their exhibition >Album< in 2012, internationally renowned designers Ronan and Erwan Bouroullec return to the Vitra Campus in October 2016. The exhibition >Reveries Urbaines< at the Zaha Hadid Fire Station presents concepts for urban development, and is a wide-ranging study of possible development solutions for cities that may be imagined in very different urban settings. Like a large open sketchbook, the proposed solutions are presented as a gentle walk through models and animations. The exhibition is designed to be immersive and to bear the visitor away into different scenarios, with each model showcased as a chapter in an urban fiction.

Rêveries Urbaines 是Ronan and Erwan Bouroullec’s第一个关注公共空间的项目。展出的影片和研究模型都围绕着14个特定城市空间的主题开展，其中包括：蔓生植物，手电筒，阳伞，喷泉，凉亭等。通过永远线条，透明的材质，给这些人们日常走路，集会，交谈的空间赋予一种新的魔力。在展出的一些装置是设计师两兄弟为世界上一些城市特意设计的。当人们在参观展览的时候，会拿到一本介绍各个情景信息的小册子方便理解。

> Reveries Urbaines < features Ronan and Erwan Bouroullec’s first projects that concentrate on public spaces. Films and research models are arranged around fourteen proposals that re-invent certain motifs for urban spaces: vines, torches, parasols, a fountain, a kiosk etc. The aim is to give a new sense of magic to the places where we walk, meet, and talk, by the use of lines, harmony and transparency. The installation points to some of the ongoing projects the brothers are developing for several cities around the world. A handout with detailed information on the scenarios presented will accompany the exhibition.

Ronan Bouroulle将这个展视为一次连续性的探索研究：

展览展出了一些正在进行的研究：例如“实际的幻想”研究了现存的公共空间，是一个思路开放且信息丰富的项目。有些人可能会觉得展览会令人不安与惊讶，因为到目前为止城市发展的现状和我们的主观臆想并不相同，但我喜欢处于这样的情形中。在过去的20年中，我认为我们最好的主张是我们那些并没有特别准备的项目。

Ronan Bouroullec describes the show as continuous research:

The exhibition presents ongoing research: open and abundant research, a >pragmatic reverie< that is designed to exist in public spaces, perhaps in Weil. Some people may find the exhibition perturbing or surprising because, up until now, urban development has never been our subject. I like being in that position. Over the past 20 years, I think our best propositions were linked to subject for which we were not particularly prepared.

谈及他们的合作方式， Erwan Bouroullec是这样说的：

项目的建造方式，与我们往常的工作方式有一定的区别。在我们的合作中，所有项目都不限于指定地区或设计师。本次展览汇集了关于公共空间发展的命题，这些命题同样适用于魏尔，巴塞尔和哥本哈根。实际上，所有这些原则有个共同的优点——含有抽象元素。他们适用于所有含糊不清的问题。正是在这种“真空”环境下，我们才有可能对on site的命题重新构思。

Erwan Bouroullec speaks about their collaborative approach:

The project was built from a certain distance, which is our normal way of working. In our work, no project is dedicated to a particular person or place. The exhibition brings together propositions for developing public spaces that could equally apply to Weil, Basel or Copenhagen. In fact, all of these principles have the advantage of containing an element of abstraction. They reply to a question that is not completely clear. It is in this vacuum that our propositions could be potentially re-imagined >on site<.

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