Twosome Inn by Atelier d’More

Reconstructing and Abstracting Traditional Architectural Forms

项目标签

设计公司
Atelier d’More
位置
China
类型
Architecture
材料
WoodMetalWindows
标签
BeijingInterior DesignRenovationRed
分类
Rural reconstruction of ChinaResidential interior designSingle family houseResidential ArchitectureGuest house

感谢 多么工作室 予gooood分享以下内容。更多关于他们,请至Atelier d’More on gooood
Appreciation towards Atelier d’More for providing the following description:

 

项目概况
Project overview

项目位于北京市通州区唐大庄村,一个保存着北方传统平房建筑形态的村庄。这里的房子由红砖砌成,具有中国古建筑的元素,彩绘图案,木结构的坡屋顶等传统特征。对这些传统建筑特色的提取与重构,是一项富有挑战性的设计任务。多么工作室受委托将原本总面积只有80平米的平房和小院改造成了一个精品民宿酒店,意在原始建筑和场地的特色条件下,以现代几何元素注入全新的内核,重塑建筑脉络,实践对传统建筑的重新想象。

The project is located in Tangdazhuang Village in Tongzhou District, Beijing is a village that preserves the traditional northern flat house architectural style. The houses here are made of red bricks and have elements of ancient Chinese architecture such as painted patterns, wooden structure sloping roofs, and other traditional features. Extracting and reconstructing these traditional architectural features is a challenging design task. Atelier d’More was commissioned to transform a small flat house and courtyard, with a total area of only 80 square meters, into a boutique hotel, injecting new modern geometric elements into the original architectural and site characteristics, reshaping the architectural context, and practicing a new imagination of traditional architecture.

▼院落外观,courtyard appearance © Atelier d’More

客房入口秩序,Order at the entrance of the guest rooms

 

重构
Reconstruction

在这次改造中,我们希望保留传统建筑的痕迹,并在现代语境下赋予新的意义。保留屋檐的经典元素,同时简化彩绘,使传统元素在整个建筑中成为抽象的表现形式。

In this transformation, we hope to preserve the traces of traditional architecture and give them new meaning in a modern context. We retain the classic elements of the eaves while simplifying the painted patterns, making traditional elements an abstract expression throughout the entire building.

▼改造前,before renovation © Atelier d’More

改造前的建筑,The building before renovation 拷贝

▼西厢房立面,Facade of the west wing © Atelier d’More

西厢房立面,Facade of the west wing

▼东厢房立面,Facade of the east wing © Atelier d’More

屋檐下的视角,Perspective under the eaves

▼东厢房入口,Entrance of the east wing © Atelier d’More

东厢房入口立面,Entrance of the east wing

阳光下的红色入口,Red entrance in the sunlight

为了给空间注入灵魂,我们提取了原始建筑中的红色,并进行了色度的调整,将其定义为此项目的主调,颜色从此不再是视觉体验,而是精神性的表达。在建筑的外立面和室内家具中,以适当的比例贯穿其中,就像一个微妙的音符,为整个项目带来了一种诗意的氛围。

In order to infuse the space with soul, we extracted the red color from the original architecture and made adjustments to its hue. We defined it as the main tone of this project, transforming the color from a mere visual experience into a spiritual expression. It is tastefully integrated in appropriate proportions throughout the facade of the building and the interior furniture, acting as a subtle note that brings a poetic atmosphere to the entire project.

▼彩绘屋檐下建筑的延续,Continuation of the architectural design under the painted eaves © Atelier d’More

彩绘屋檐下建筑的延续,Continuation of the architectural design under the painted eaves

▼保留的原始红砖墙和为项目设计的躺椅,Preserved original red brick wall and custom-designed lounge chairs © Atelier d’More

保留的原始红砖墙和为项目设计的躺椅,Preserved original red brick wall and custom designed lounge chairs

我们在庭院中引入一条主轴,以曲线的形式勾勒出几条岔路,分割出四个不同尺度的内部庭院。在视觉上营造出空间层次感,也在功能上实现了灵活性和可变性。红色火山石铺就的景观区为建筑增添了一抹别致的色彩,而水泥路面则流向各个客房空间,引导着客人行走的方向和空间范围。此外,我们用具有张力的几何形状构建了客房入口,使其具有一种新京味儿的入场仪式。室内原本面向院子的墙体被拆除后,大面积的落地玻璃代替了相对封闭的窗墙体系,室外庭院与室内空间就此成为交替的风景。

▼分解轴测图,exploded axonometric © Atelier d’More

分解轴测图exploded axonometric©atelier dmore 拷贝

We introduced a main axis in the courtyard, delineating several branching paths in curved forms, creating four distinct internal courtyards. This arrangement not only creates a sense of spatial hierarchy visually but also achieves flexibility and adaptability in terms of functionality. The landscape area paved with red volcanic stones adds a touch of elegance to the architecture, while the cement pathways flow towards the different guest room spaces, guiding guests in their direction and spatial range. Furthermore, we designed the entrance of the guest rooms with tension-filled geometric shapes, creating a unique entrance ritual with a touch of local charm. After removing the walls that originally faced the courtyard, large floor-to-ceiling glass windows replaced the relatively enclosed window-wall system, blurring the boundaries between the outdoor courtyard and the indoor space. This way, the outdoor courtyard and the indoor space become alternating landscapes, seamlessly connected and offering captivating views.

▼弧形走道流向入口,Curved pathway leading to the entrance of the guest rooms © Atelier d’More

弧形走道流向入口,Curved pathway leading to the entrance of the guest rooms

▼院子入口区域,Entrance area © Atelier d’More

院子入口区域,Entrance area

▼屋檐下看向大门,View from under the eaves towards the entrance gate © Atelier d’More

屋檐下看向大门,View from under the eaves towards the entrance gate

我们试图在现代的脉络里展现古老的韵律,用空间让时间的记忆共生。在旧有建筑的坡屋顶下,将屋脊部分打开,展露出原有的木梁,又在屋顶剖面关系上做出变化,用曲面勾勒出传统的坡屋顶形象,将古老的建筑语言融入现代的空间里,让历史在现代里得以传承。在这个4.1米挑高的空间下,我们设计了柔和的间接照明,每一条光线都在勾勒空间的轮廓,给人以具有精神性的空间体验。

We strive to showcase ancient rhythms within a modern context and allow the coexistence of time’s memories through spatial design. Under the sloping roofs of the existing buildings, we opened up the ridge section to reveal the original wooden beams. We also made changes to the roof profile relationship, using curved surfaces to outline the traditional sloping roof image. This integration of ancient architectural language into modern space ensures the inheritance of history within the contemporary setting. In this 4.1-meter high space, we have designed soft indirect lighting. Each beam of light outlines the contours of the space, providing a spiritual experience within the environment.

▼西厢房的人字坡顶,Herringbone sloping roof in the west wing © Atelier d’More

西厢房的人字坡顶,Herringbone sloping roof in the west wing

▼由西厢房看向院子,View from the west wing towards the courtyard © Atelier d’More

由西厢房看向院子,View from the west wing towards the courtyard

▼室内外的和谐统一,Harmonious unity between indoors and outdoors © Atelier d’More

室内外的和谐统一,Harmonious unity between indoors and outdoors

 

设计手段化解施工困局
Design strategies to resolve construction challenges

这个项目是我们迄今为止最具挑战性的小项目之一。一个令人困扰的问题是业主没有请专业的施工单位,而是雇佣了散工来进行施工。这导致工人的水平和责任心难以掌控,对于项目的完成度造成了很大的困扰。在经历了一系列施工错误之后,我们做出了一个决定:通过设计的手段深入介入施工,尽可能地减少施工方的犯错机会。

This project has been one of the most challenging small-scale projects we have undertaken so far. One major issue that has posed a challenge is that the client did not hire a professional construction company but instead employed laborers for the construction work. This has made it difficult to control the skill level and commitment of the workers, causing significant challenges in terms of the project’s completion. After experiencing a series of construction errors, we made a decision to intervene more deeply in the construction process through design means in order to minimize the chances of mistakes by the construction team.

▼传统建筑下的新内核,New core within the traditional architecture © Atelier d’More

传统建筑下的新内核,New core within the traditional architecture

▼人字吊顶与自然光,Herringbone ceiling and natural light © Atelier d’More

人字吊顶与自然光,Herringbone ceiling and natural light

▼东厢房客房概览,Overview of the guest room in the east wing © Atelier d’More

东厢房客房概览,Overview of the guest room in the east wing

▼山墙上的条形窗,Striped windows on the gable wall © Atelier d’More

山墙上的条形窗,Striped windows on the gable wall

我们将室内所有的家具、柜体等都设计成了预制拼装形式,无论是明显可见的构件还是隐藏在内部的龙骨,每一块木板都被精确地定位在特定的位置上。通过这种方式来解放施工师傅的大脑,只要师傅按照我们提供的拼装图纸进行操作,最终的效果就能与设计图纸契合。这种设计策略不仅减少了施工过程中的错误和不确定性,还提高了施工效率。这也源自于工作室多年来的实践经验和设计手法,将传统榫卯节点简化并应用于家具组装中,不仅仅是为了实现功能性,也是美观和艺术性的表达,以符合项目自身的风格和理念。

▼家具拼装轴测动图,furniture assembly isometric animation © Atelier d’More

家具拼装轴测动图,furniture assembly isometric animation©atelier dmore

We designed all the interior furniture and cabinets to be prefabricated and assembled. Whether they are visible components or hidden framework, every piece of wood is precisely positioned in its designated location. This approach liberates the construction workers’ minds, as they simply need to follow the assembly drawings provided by us, ensuring that the final result aligns with the design drawings. This design strategy not only reduces errors and uncertainties during the construction process but also improves construction efficiency. It stems from years of practical experience and design techniques in our studio. We have simplified traditional joinery techniques and applied them to furniture assembly, not only for functional purposes but also as an expression of aesthetics and artistry, aligning with the style and concept of the project itself.

▼人字顶的光影效果,Light and shadow effects of the herringbone ceiling© Atelier d’More

人字顶的光影效果,Light and shadow effects of the herringbone ceiling

▼窗外的躺椅,Lounge chairs outside the window © Atelier d’More

窗外的躺椅,Lounge chairs outside the window

▼客房玄关,Entrance area of the guest room © Atelier d’More

客房玄关,Entrance area of the guest room

▼为项目设计的挂钩与衣架,Hooks and rack designed for the project © Atelier d’More

为项目设计的挂衣架,custom designed clothing rack 拷贝

▼区位图,location map © Atelier d’More

区位图,location map©atelier dmore 拷贝

▼平面图,floor plan © Atelier d’More

平面图, floor plan©atelier dmore

项目名称: 寸二民宿
建筑、室内及景观设计: 多么工作室
公司网站: www.d-more.cn
联系邮箱: dmore@foxmail.com
项目设计 & 完成年份: 设计时间2021年,建成时间2023年
主创建筑师: 盛乐、王维
设计团队: 周腾、豆会会、王春浩、赵丁一
家具设计: 多么工作室
项目地址: 北京,中国
建筑面积: 88㎡
用地面积: 150㎡
摄影版权: 多么工作室

Project name: Twosome Inn
Architecture, Interior and Landscape Design: Atelier d’More
Website: www.d-more.cn
Contact e-mail: dmore@foxmail.com
Design year & Completion Year: Designed in 2021, Completed in 2023
Chief architects: Le Sheng,Wei Wang
Design Team: Teng Zhou,Huihui Dou, Chunhao Wang, Dingyi Zhao
Furniture Design: Atelier d’More
Project location: Beijing, China
Gross Built Area (square meters): 88㎡
Site Area: 150㎡
Photo credits: Atelier d’More

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发表评论

20 评论

  1. 肆戒

    看完就是觉得有些口渴,其他没啥

  2. 用户名126738

    庭院那两个椅子我感觉坐上去像一个心里变态, 东西入口那个尖锐的金属板实在是接受不了,太红了造型还丑;除了室内其他槽点太多了

  3. 用户名968473

    多好的房子院子啊,就这么被糟蹋了!

  4. 搞七捻三

    改造得恰当有趣,色系引起良好的新旧结合。提出一个疑问,卧室强烈的对视是否会让人产生尴尬感?

  5. 染净识

    红色木质装饰板是直接喷漆的吗?看着很廉价

  6. it is, right?

    感觉离人的生活很远,可能比较符合民宿的属性吧

  7. 拉扎冷

    这种庭院道路不怎么适合停留 有点封闭

  8. 简体中文特邀评论员

    可能因为预算问题导致室外空间太糙,但地面的划分至少也应该收个边;个人蛮喜欢室内吊顶的处理

  9. 小桃子

    这红色也太吓人了吧,这是民宿啊,又不是博物馆

    1. 用户名180367

      点了

    2. muse architects

      这种红色确实有点难懂

  10. 建筑幻想小新人

    质朴

  11. sleepbear睡睡

    原始建筑的红得以运用和扩大化,使建筑有了自己的特色和色彩记忆,很合理小巧的现代国风民宿

  12. 不擅长

    。。。这么大的面积就全部水泥硬地+碎石?多少种点植被吧。。。

  13. ONLYBIT

    你与传统的结合就是把他全部罩起来,然后再自己再抽象一下?

    1. 用户名782364

      设计哪有对和错,一眼就看得出这项目没什么预算,能做成这样已经很不错了,作为业外人你还喜欢这么不过脑张嘴就来难怪楼下的 暴躁景师 追着你怼了你几十个作品的评论,哈哈~

    2. ONLYBIT

      但我还是觉得中庭处理一拖shit。做在哪个地方都行

    3. ONLYBIT

      你说的对.不这样做就只剩一种解题思路😅你这新旧结合比例合适吗

    4. 暴躁景师

      有新材质遮罩结构有露出旧结构部分,有现代版式家具和传统接板手法…色彩这些都不着重强调了,你TM是瞎B吗?非要同一种解决思路才叫结合?你双亲怎么结合生的你?

    5. ONLYBIT

      尬住了。我个业外人能接什么单 :(

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