Serpentine Pavilion / BIG

A structure that embodies multiple aspects that are often perceived as opposites.

项目标签

设计公司
BIG
类型
Architecture
材料
Wood
分类
Culture Architecture

非常感谢 BIG 予gooood分享以下内容。更多关于他们: BIG on gooood.
Appreciation towards BIG for providing the following description:

2016年,BIG为我们带来了一个兼顾多种 “对立”元素的蛇型长廊: 经过严谨计算的自由曲线,量产模块营造的独特雕塑感,在透明与不透明间变换的立面,以及由方形盒子组成的曲面空间。

For the Serpentine Pavilion 2016, we have attempted to design a structure that embodies multiple aspects that are often perceived as opposites: a structure that is free-form yet rigorous, modular yet sculptural, both transparent and opaque, both box and blob.

SERP_01_Image by Iwan Baan_original

建筑师从一个最为基本的建筑学元素——砖墙(Brick Wall)来出发,开展这次的设计。玻璃纤维制作的方型框架将其一个个堆叠起来,组成墙体。被拉开的墙体内部形成了蛇型展馆的展示和活动空间。拉开的墙面将线条转化为表面,再把扁平的墙体转化为空间。这个复杂的三维空间可以在内部和外部被探索和体验。建筑的顶部为一条直线,但在底部,却又成为了一个展馆空间,一条通往公园的蜿蜒曲折的道路。

We decided to work with one of the most basic elements of architecture: the brick wall. Rather than clay bricks or stone blocks – the wall is erected from extruded fiberglass frames stacked on top of each other. The wall is pulled apart to form a cavity within it, to house the events of the Pavilion’s programme. The unzipping of the wall turns the line into a surface, transforming the wall into a space. A complex three-dimensional environment is created that can be explored and experienced in a variety of ways: inside and outside. At the top, the wall appears like a straight line, while the bottom of it forms a sheltered valley at the entrance of the Pavilion and an undulating hillside towards the park.

▽ 建筑生成过程,concept diagram

006-Serpentine Pavilion by BIG      007-Serpentine Pavilion by BIG   008-Serpentine Pavilion by BIG

009-Serpentine Pavilion by BIG   010-Serpentine Pavilion by BIG

011-Serpentine Pavilion by BIG   012-Serpentine Pavilion by BIG

013-Serpentine Pavilion by BIG

▽ 立面结构示意图,façade structure

014-Serpentine Pavilion by BIG   015-Serpentine Pavilion by BIG   016-Serpentine Pavilion by BIG

通过玻璃纤维框架和移动方块的间隙,这个“被拉开的墙体”创造了一个溶洞般的峡谷空间。同时在行走过程中,方块间隙的移动重叠、廊外人们的驻足和走动,都会给墙内参观者带来一种关于光影的鲜活体验。木地板和立面的玻璃纤维材料让建筑带上了线性的肌理,泛着微微的暖光。

The unzipped wall creates a cave-like canyon lit through the fiberglass frames and the gaps between the shifted boxes as well as through the translucent resin of the fiberglass. As a result, the shifting overlaps as well as the movement and presence of people outside create a lively play of light and shadow on the cave walls within.

The materials include wooden floors and extruded Fiberline profiles, providing every surface with a warm glow and linear texture – from the mesh of woven glass fibers to the undulating lines of the grain of the wood.

▽ 溶洞般的峡谷空间,cave-like canyon

SERP_04_Image by Iwan Baan_original

SERP 03 Image by Iwan Baan original

SERP_05_Image by Iwan Baan_original

这个由单一元素堆叠而成的建筑在公园里有着强烈的存在感,随着游人的移动和穿梭变幻着它的模样。就立面而言,南北向是完美矩形,东西向则是起伏颇具雕塑感的轮廓。同时从南北向看去,建筑是完全透明,几近消失的。这也正如开始所说,建筑在可见和不可见间变换,直线组成了曲面,结构转化为流畅造型,小方盒堆叠形成了圆滑的空间。

This simple manipulation of the archetypical space-defining garden wall creates a presence in the Park that changes as you move around it and through it. The North-South elevation of the Pavilion is a perfect rectangle. The East-West elevation is an undulating sculptural silhouette. Towards the East-West, the Pavilion is completely opaque and material. Towards the North-South, it is entirely transparent and practically immaterial. As a result, presence becomes absence, orthogonal becomes curvilinear, structure becomes gesture and box becomes blob.

▽ 起伏颇具雕塑感的侧立面,undulating sculptural silhouette of the East-West elevation

SERP 02 Image by Iwan Baan original

SERP_06_Image by Iwan Baan_original

▽效果图,illustration

004-Serpentine Pavilion by BIG

003-Serpentine Pavilion by BIG

002-Serpentine Pavilion by BIG

001-Serpentine Pavilion by BIG

Name: SERPENTINE PAVILION
Code: SERP
Date: 22/02/2016
Program: Culture
Status: Under Construction
Size in m2: 300
Project type: Commission
Client: Serpentine Galleries
Collaborators: AKT II, BIG IDEAS, Dinesen Gulve, Fiberline Composites A/S, SAPA Extrusions Denmark A/S
Location: London, United Kingdom

Partners-in-Charge: Bjarke Ingels, Thomas Christoffersen
Project Leader: Maria Sole Bravo
Team: Aaron Powers, Alice Cladet, Claire Thomas, Daniel Sundlin, Jakob Lange, Kai-Uwe Bergmann, Kristian Hindsberg, Kristoffer Negendahl, Lorenz Krisai, Maria Holst, Maxwell Moriyama, Rune Hansen, Tianze Li, Tore Banke, Wells Barber

Drawings: BIG
English Text: BIG
Chinese Text: gooood

More: BIG  , 更多关于他们: BIG on gooood.

点击联系该项目/文章的创作/分享者

Latest jobs+ Post a jobAll jobs »

发表评论

21 评论

  1. 山林野人

    这里翻译的长廊感觉有点误导人,作为放置临时展品的艺术画廊倒是能说得过去。类似于公园小品,供以休憩啥的。

  2. 王晓豆

    我有密集恐惧症。。。

  3. 梁小宁

    可惜不是砖

  4. Jiwa

    我知道国外经常会有这种景观装置,但是我更加想知道这些装置是以什么名义出现的?是响应政府发起的活动?还是公司申请的公共展示?还是其它?好想有一场关于自己的一次主题装置的公共展示啊

    1. Baberyl Gao

      蛇形画廊啊。

  5. lifeo2

    BIG果然没让人失望 哈哈

  6. 旅途路上见霓虹

    B哥老了

    1. Victor

      BIG只是更严谨了,在原来的基础上,他们考虑到了周围的文化,才会采用砖的结构模型,只能说他们的能力更加强悍,处理方式更加得心应手

  7. Beca

    不同的方向,不同的视角,不同的视觉体验。比起埃菲尔铁塔,东南西北,远近高低,同一个模样,我更喜欢这个建筑。立于公园,这个休闲场所,不就是让人放松,体会不同的吗?

  8. 达达主义

    有没有觉得这个维护结构很有想法啊, 既可以保持通透性又不用全部围合, 很有启发~

  9. 盧鏞汀

    立面都非常的有意思呢!只是个人觉得似乎和周围的建筑不是很协调?

    1. zhengpan

      要协调做什么

  10. 你有饼吗

    它的意义是什么

    1. 木易

      您还是先了解一下蛇形画廊吧……

    2. 马马

      如果你要问这个问题,那么你得要问所有设计过蛇形画廊的大师这个问题呢

    3. 你有饼吗

      我看了好久,用我自己的理解就是建筑的行为艺术。

    4. Baberyl Gao

      装置艺术这类型的东西本来就是不需要什么太多的意义的

  11. Yiran Wang

    敢不敢更丑。

    1. 用户名749618

      笑死,看看你自己做的是啥,还好意思说别人?

    2. Victor

      为什么觉得丑呢?美学上哪里不和谐吗?

  12. 在岛之东

    这是…吃老本系列么OJZ…

Featured jobs Post a jobAll jobs »