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Appreciations towards Tania Rollond for providing the following description:
不同事物之间转变的可能性和介于具象与抽象之间的图形激发了Tania的灵感，让她创造了许多谜一般的视觉作品。她的画作将现实、记忆和想象中的元素拆散移接，如将部分提示本体的内容剔除，留下模糊不清的图像。这些画是关于感知的，她希望通过画作传达不确定性，甚至创造一个无解的情境。
Intrigued by the possibility of one (or several) things becoming another, and images or objects on the border of legibility and abstraction, Tania makes visual puzzles. Her drawings collapse elements from the physical, remembered, and imagined worlds into one another – hints of a roofline or a table can be partly teased out, but remain ambiguous. These are drawings about perception, in which her aim is to capture or even create a feeling of uncertainty, a situation that is irresolvable.
▼“黏土交集”群组，‘Clay Intersections’ group 2016
粗陶器和瓷器，stoneware and porcelain
高度 height 25 cm
“来去之间”系列陶瓷表现的是晚秋的黄昏，是Octavio Paz的诗中所说的“去留之间，万物皆可见，万物皆无形”之时。目光飘移，经过头脑的过滤，留下的记忆变成了物品。该系列被展览在悉尼澳大利亚设计中心的“黏土交集”展中，与其一同被展示的还有其他七位艺术家以创新手法制作的陶瓷作品。
In the series of “between coming and going”, it is the end of autumn, at dusk. It is the moment of Octavio Paz’s poem ‘Between Going and Staying’ where “all is visible and all elusive”. The eye drifts, the mind sifts, and memories become objects. The works is displayed in the Clay Intersections at the Australian Design Centre, Sydney. Curator Cath Fogarty presented the work of eight contemporary makers who take a range of innovative approaches to making and working with clay.
▼来去之间，between coming and going 2016
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▼“黏土交集”花瓶，‘Clay Intersections’ vases 2016
粗陶器和瓷器，stoneware and porcelain
高度 height 21 cm
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▼“黏土交集”群组，‘Clay Intersections’ group 2016
粗陶器和瓷器，stoneware and porcelain
高度 height 13 cm
“日暮”系列是为Home@735艺术画廊设计的作品，画廊位于悉尼Redfern的一座带露台的房屋中，其中每月的展览由画廊主管Anthony Bautovich和Madeleine Preston负责，通常会展示不同艺术家有趣的新作品。
“nightfall” series of works was made for Home@735, an art gallery located in a terrace house in Sydney’s Redfern. The monthly shows, curated by the gallery’s directors Anthony Bautovich and Madeleine Preston, always offer a new and interesting mix of artists – this show, 17.08.16, included works by Sue Beyer, Rosie Deacon, Zoe Kirkwood, Tania Rollond and Kirsten T. Smith.
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▼折射，石灰黑，refraction, limey black 2016
陶瓷色素瓷器，porcelain with ceramic stains
12 x 11 x 11 cm
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▼ 云光，cloud light 2016
嵌入氧化物粗陶器，stoneware with inlaid oxide
17 x 12 x 12 cm
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▼并肩，side by side 2016
嵌入氧化物粗陶器，stoneware with inlaid oxide
24 x 14 x 5 cm
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▼夜谱，night spectrum 2016
陶瓷色素瓷器，porcelain with ceramic stains
7.5 x 11 x 11 cm
“日暮”与“来去之间”有着共同的主题。两个系列作品在认知上给人一种不安的感觉，混合在一起的碎片让人觉得眼熟但无法确定，试图探索关于明确事物的模糊界限。作品的形态则介于功能和雕塑之间，有些一眼就能看出是花瓶；有些作为雕塑被展示，但颠倒后可以用作花瓶；还有一些作品完全没有任何功能。这些陶瓷作品的不确定性及表面丰富的手绘细节吸引游客放慢脚步，仔细品味。
Although the ‘nightfall’ works were made for a separate exhibition, they are really part of the same cycle of works, so the above artist statement still applies. In both series I was interested in unsettling habits of perception, and exploring the hazy border areas between defined states – so the images blend fragments in the hope of feeling familiar but uncertain (between representation and abstraction), and the forms of the objects sit on the border of functional and sculptural – some are obviously vases, some can operate as vases when inverted (but are displayed upside-down as sculptures), and some are completely non-functional. I hope this uncertainty encourages the viewer to take a longer, slower look. They are also rich in hand painted detail for the same reason.
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▼残留，what remains 2016
嵌入氧化物粗陶器，stoneware with inlaid oxide
12 x 11 x 11 cm
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▼歪曲的影，in a crooked patch of shadows 2016
陶瓷色素瓷器，porcelain with ceramic stains
22 x 9 x 9 cm
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▼反向，the opposite tack 2016
嵌入氧化物粗陶器，stoneware with inlaid oxide
12 x 11 x 11 cm
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▼裂片，sliver 2016
氧化物和陶瓷色素瓷器，porcelain, ceramic stains and oxides
13 x 15 x 4 cm
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▼微光，glimmer 2016
陶瓷色素瓷器，porcelain with ceramic stains
13 x 11 x 11 cm
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▼转角，turning the corner 2016
嵌入氧化物粗陶器，stoneware with inlaid oxide
20 x 12 x 12 cm
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▼成双，seeing double 2016
陶瓷色素瓷器，porcelain with ceramic stains
13 x 15 x 8 cm
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所有的作品均使用陶瓷和粗黏土手工制作，每一件作品上的绘画都独一无二。
All of the works are hand-formed from porcelain and stoneware clays, and the drawings and paintings are unique to each piece.
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