Matters Of Habit by Nadine Goepfert

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这是一个研究人与服装间关系的项目合集，名为“习惯之事”。该项目调查了身体，人们的运动还有收藏衣服的习惯对服装的影响，并把这些影响应用到服装设计中。比如衣服长时间悬挂在衣架上，肩部的地方会变形印上衣架的形状；还有裤子膝盖的部分容易受到关节运动而引起变形，等等等。衣服可能会发生哪些变化，这些变化又如何影响我们的造型，有没有可取之处或预防的办法？节选作品的一部分。

A collection of garments investigating the close relation between person and clothing.
It continues the research on the interplay of body, movement and garment of the collection „The garments may vary.“ (2013)

Each of the pieces is devoted to a different aspect of our daily interaction and handling of garments:Traces of unconscious habits, storage and care, movements and gestures manifest in each shape and texture

 

WIRE SWEATER
线衫

MEMORIZES MOVEMENT记忆痕迹

MEMORIZES WAYS OF STORAGE痕迹来自存放方式

FLAP SKIRT
扑闪裙

FLAPS FOR KNEES (WALKING/SITTING)膝盖处在走路和坐下时裂开

 

TUCK IN PANTS
TUCK 裤

 

WEAR OUT SHOES

TUCKING IN TOP / HANDS IN POCKET

IMPRINT JACKET
印记夹克

SLASHES TO AVOID IMPRINT OF HANGER,HOOK,CHAIR
开口避免衣架，挂钩和椅子的痕迹

 

MATTERS OF HABIT further examines the border between sculptural form and the garment as everyday object by comparing it’s form when in use and it’s existence in absence of the wearer.

“Matters of habit” is a collection of clothing that emerged as a direct result of the research on the interaction with garments and is to be considered as a further development of the collection “the garments may vary.” (2013)

Each of the garments deals with different aspects of our daily interaction and handling of garments, comprising of unconscious habits in terms of movements (including dressing and undressing) and gestures, as well as the corresponding ways of storage and care.

“There are plenty of ways to hang up a coat, and depending on the garment, quite a few of them will do it no favours. Sling a nice new double-faced cashmere one onto a hook just below it’s collar and find a freshly minted hump in the fabric just a couple of hours later.”

Based on a detailed observation every single garment of the collection focuses on one of these aspects which originate from the daily and (apparently) natural use of the respective type of garment.

In terms of this interrelation between garment and person, the items of the collection are furthermore questioning the border between sculptural object and garment comparing it’s form when in use and it’s existence in absence of the wearer.

with
patterns (in collaboration with) — vivian ronge
photography — alina asmus
styling — stefanie klopf
hair & make up — susanna jonas
post-production — hellome, till wiedeck
model — lea platow (izaio)
model — lea-sophie beholz (model management)
typeface stretch dress — hellome, till wiedeck

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