Jixi Museum, China by Atelier Li Xinggang

A logical expression of “Jixi’s shape”

项目标签

设计公司
Atelier Li Xinggang
位置
China
类型
Architecture
材料
StoneConcrete
标签
AnhuiJixi
分类
MuseumCulture Architecture

感谢 胜景几何设计研究中心(原李兴钢建筑工作室) 予gooood分享以下内容。更多关于:Atelier Li Xinggang on gooood
Appreciation towards Atelier Li Xinggang for providing the following description:

绩溪博物馆位于安徽绩溪县旧城北部,基址曾为县衙,后建为县政府大院,现因古城整体纳入保护修整规划,改变原有功能,改建为博物馆。包括展示空间、4D 影院、观众服务、商铺、行政管理、库藏等功能,是一座中小型地方历史文化综合博物馆。

▼全景鸟瞰,aerial view ©李哲

Jixi Museum China by Atelier Li Xinggang

Jixi Museum is located in the north side of the old town area in Jixi County, Anhui Province. The site was the seat of the town hall throughout history and different regimes. Now because of the comprehensive preservation and restoration program for the entire old town, the site is reprogramed and a comprehensive museum on local culture and history that will have exhibition spaces, a 4D cinema, citizen services, shops, administration and storage functions will be located here.

▼西南方向全景,overview from southwest ©夏至

Jixi Museum China by Atelier Li Xinggang

▼屋顶夜景,roof scape in the evening ©夏至

Jixi Museum China by Atelier Li Xinggang

建筑设计基于对绩溪的地形环境、名称由来的考察和对徽派建筑与聚落的调查研究。整个建筑覆盖在一个连续的屋面之下,起伏的屋面轮廓和肌理仿佛绩溪周边山形水系,是“北有乳溪,与徽溪相去一里,并流离而复合,有如绩焉”的“绩溪之形”的充分演绎和展现。待周边区域修整“改徽”完成,古城风貌得以恢复后,建筑将与整个城市形态更加自然地融为一体。

The design is based on surveys on the landscape and origins of Jixi’s name, and investigations & studies on the Huizhou-style settlements. The entire building is covered under a continuous roof with undulating profile and texture that mimics the mountains and waters surrounding the county. It is the logical result and expression of “Jixi’s shape”. Once the other buildings in the old town are restored back to the Hui style, the museum will fit in even more naturally with the entire town.

▼南立面局部,south facade detailed view ©夏至

Jixi Museum China by Atelier Li Xinggang

为尽可能保留用地内的现状树木(特别是用地西北部一株700 年树龄的古槐),建筑的整体布局中设置了多个庭院、天井和街巷,既营造出舒适宜人的室内外空间环境,也是徽派建筑空间布局的重释。建筑群落内沿着街巷设置有东西两条水圳, 汇聚于主入口大庭院内的水面。

In order to preserve as many of the existing trees on the site as possible, multiple courtyards, patios and lanes are introduced into the overall layout of the building, and at the same time as a reinterpretation of the spatial layout of the vernacular Huizhou architecture, and creating comfortable outdoor spaces. Two streams run along the lanes, one on the east and the other on the west of the cluster of buildings, finally converging into the pool in the large courtyard at the main entrance.

▼庭院与古槐,courtyard with an ancient tree ©夏至

Jixi Museum China by Atelier Li Xinggang

▼“山院”保留树木,the existing trees are preserved in the Mountain Yard ©李兴钢

Jixi Museum China by Atelier Li Xinggang

▼“水院”,Water Yard ©李兴钢

Jixi Museum China by Atelier Li Xinggang

▼池岸细部,pool and deck ©夏至

Jixi Museum China by Atelier Li Xinggang

▼主庭院一角,main courtyard ©李兴钢

Jixi Museum China by Atelier Li Xinggang

建筑南侧设内向型的前广场——“明堂”,符合徽派民居的典型布局特征,同时也符合中国传统的“聚拢风水之气”的理念;主入口正对方位设置一组被抽象化的“假山”。围绕“明堂”、大门、水面有对市民开放的、立体的“观赏流线”,将游客引至建筑东南角的“观景台”,俯瞰建筑的屋面、庭院和秀美的远山。

▼主庭院折桥,the folding bridge in the main courtyard ©夏至

Jixi Museum China by Atelier Li Xinggang

▼主入口正对方位设置一组被抽象化的“假山”,directly opposite the main entrance is a group of abstract “rocks” ©夏至

Jixi Museum China by Atelier Li Xinggang

In the south part of the building is “Ming Tang”, an interior courtyard common in the typical layout of Huizhou-style houses and follow the traditional Chinese Fengshui principles. Directly opposite the main entrance is a group of abstract “rocks”. Surrounding “Ming Tang” is a “sightseeing route” that guides tourists to the “sightseeing platform” at the southeast corner of the building, where they can have a bird’s eye view of the roof-scape, courtyards and distant mountains.

▼庭院局部,courtyard detailed view ©夏至

Jixi Museum China by Atelier Li Xinggang

▼曲折路径穿越洞口消失在庭院深处,the pathway leads to the depths of the courtyard ©夏至

Jixi Museum China by Atelier Li Xinggang

▼展厅室内,interior view of the exhibition hall ©夏至

Jixi Museum China by Atelier Li Xinggang

▼序言厅室内,Preface Hall ©夏至

Jixi Museum China by Atelier Li Xinggang

规律性组合布置的三角屋架单元,其坡度源自当地建筑,并适应连续起伏的屋面形态;在适当采用当地传统建筑技术的同时, 灵活的使用砖、瓦等当地常见的建筑材料,并尝试使之呈现出当代感。

Triangular steel structural trusses (their slopes are derived from the local building) adapt well to the undulating roof. Local building materials such as bricks, clay roof tiles are used in modern and innovative ways to pay respect to history yet respond to our own times.

▼内街与水圳,inner path and canal ©夏至

Jixi Museum China by Atelier Li Xinggang

▼登上观景台的楼梯,staircase leading to the rooftop ©夏至

Jixi Museum China by Atelier Li Xinggang

▼屋顶观景台,viewing platform on the rooftop ©夏至

Jixi Museum China by Atelier Li Xinggang

▼建筑、树木和远山,a dialogue among the architecture, woods and mountain ©李兴钢

Jixi Museum China by Atelier Li Xinggang

▼场地平面图,site plan

Jixi Museum China by Atelier Li Xinggang

▼一层平面图,ground floor plan

Jixi Museum China by Atelier Li Xinggang 1

▼北立面图,north elevation

Jixi Museum China by Atelier Li Xinggang

▼南立面图,south elevation

Jixi Museum China by Atelier Li Xinggang

▼剖面图1-1,section1-1

Jixi Museum China by Atelier Li Xinggang

▼剖面图2-2,section2-2

Jixi Museum China by Atelier Li Xinggang

项目名称: 绩溪博物馆
建筑事务所: 李兴钢建筑工作室
主创建筑师: 李兴钢、张音玄、张哲、邢迪、张一婷、易灵洁、钟曼琳
项目详细地址: 安徽绩溪
项目完成年份:2013年
建筑面积(平方米): 10003平方米
摄影师: 夏至、李兴钢、李哲
结构设计:王立波、杨威、梁伟
景观设计:李力、于超
机电设计:何猛、李京沙、张千、李俊民、丁志强
Project name: Jixi Museum
Architect’ Firm: Atelier Li Xinggang
Lead Architects:
Li Xinggang, Zhang Yinxuan, Zhang Zhe, Xing Di, Zhang Yiting, Yi Lingjie, Zhong Manlin
Project location: Jixi, AnHui
Completion Year: 2013
Gross Built Area (square meters): 10003㎡
Photo credits: Xia Zhi, Li Xinggang, Li Zhe
Structure: Wang Libo, Yang Wei, Liang Wei
Landscape: Li Li, Yu Chao
Engineering: He Meng, Li Jingsha, Zhang Qian, Li Junmin, Ding Zhiqiang

More: 胜景几何设计研究中心(原李兴钢建筑工作室)。更多关于:Atelier Li Xinggang on gooood

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发表评论

27 评论

  1. 用户名036957

    和上海文化信息产业园十院书屋 有些像啊,哪个先哪个后啊

  2. 用户名036957

    和绩溪博物馆有些像啊,哪个先哪个后啊

  3. 用户名391842

    感觉形态上过于强调对山水地理环境的模拟,使得建筑的肌理同周边环境不是很协调。当然,设计师对于空间的营造,细节的把控还是非常的用心。值得学习。

  4. HANGIE-ZHU

    。。。突然感觉,国内的设计越来越繁琐,各种小手法。。反观国际先锋事务所的设计都是大手法设计,愈发简洁化,感觉走向了岔路。。

    1. 回村里种地

      我们想怎么做就咱们做,不需要以国外设计为标准,先进技术可以引进,但设计手法风格还不需要由外国来影响。文化自信,打破以外国为标准规则的错误想法,中国需要自信自强引领世界,而不是在走以外国规则为标准的路。

    2. 用户名401768

      国际的又不一定适合我们的审美

  5. ariel

    继苏博以后组好的新中式

  6. HAN

    去过就知道了,其实还蛮一般的。。。浏览一圈还要上楼梯俯瞰整个屋顶。。。有一种自己欣赏自己的感觉。。。过分炒作了

  7. 汪汪的小花

    好美啊,这种曲径通幽,但又柳暗花明的感觉

  8. 一伊宜以易

    堆砌之感。多种小手法,多种材料, 多种扭折……
    复杂是时间的积累、语言的碰撞、寓意的多义、自然的衍生……不应该仅仅是为了复杂而复杂。

    1. 完全赞同 这个设计只有屋顶平面比较成熟 立面形式和造型都做的太差 强行扭折 一点没推敲过 更别说人性化小场景的营造了 完全是么有的

    2. bamboo

      说的好,被屋顶吸引而来,想看看怎么处理的空间,失望而归。

  9. 唐吉强 DT studio

    一身的设计技巧

  10. 唐吉强 DT studio

    一身的设计技巧

  11. Gentleman

    西南角的小房间干嘛用的

    1. 闰猫

      沿街的商店。

  12. Gentleman

    想知道西南角的小房间是干嘛用的

  13. ……

    没人觉得跟苏州博物馆有点神似嘛

    1. 李嘉诚

      我也是这样想的

  14. ADI

    设计是一流的,不过施工质量,后期维护和管理都是三流的,虽然国人几年来素质已经有所提高,不过对于设计的尊重,还是有待提高的。国内用地越来越紧张,如果每一寸土地都得到合理的设计,和维护,我们才会有一个美丽的国家。

    1. 18120963023

      嗯 很赞同你的观点!国人的素质Like you ?外国人评论都是正面而你太负面!谈对设计的尊重?设计好坏就好比每个人的贫富,你天天嘲笑贫困人民穷,说明你真穷。还有最后一句每寸土地合理设计?那不是废话吗,好像天天忧国忧民大家都要很富有,国家才会很发达!😂

    2. yuxin

      是的,看到大片白花花的立面就很担心一年之后会变成什么样子。

    3. 用户名045219

      没必要

    4. 朱立聪

      太杠了,兄弟

    5. 用户名401768

      这种粗糙的腻子应该还好

    6. Beiv的地球

      苏州博物馆的墙就是一个例子,下雨天真的没办法

  15. 嘟哔

    墙面是什么材料呀

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