Balance by Maria Rutkowska

非常感谢Maria Rutkowska将项目介绍和项目图片授权gooood发行。更多请至：Maria Rutkowska on gooood 
Appreciation towards Maria Rutkowska for providing the following description:

这里有矛盾，冲突，新鲜，静谧，建筑的呼吸，沉默… …
观众将用自己的想象和理解完成艺术家未表现更多。

这套是拍摄于柯布西耶马赛公寓屋顶上的“平衡”作品：有着直白，完美，动势，女人的肢体表达。及其美丽的身体展现和思想表达，让人回想起雷妮•瑞芬舒丹关于运动身体解放的诗。舞蹈要素与古典芭蕾不同，是加入了更多运动成分的当代舞蹈。

照片上赤炎的红，尖锐的蓝还有浓郁到极端的黑，以及钢筋混凝土的背景，让人感到诡异，感到幻象，感到一切仿佛在失重空间。人体在这里更接近于胡安.米罗抽象要素—那些有机的，椭圆的，同色质的，被切割的图案。

Balance

Marseille Housing Unit’s rooftop displays a series of mythologic scenes: immaculate, athletic woman’s body, resistant, such as armor, shamelessly exposed to the impact of nature. A beautiful symbol of physical power and strength of ideas. I can hear a distant echo of Leni Riefenstahl’s poems about the body liberated by the sport. Although appropriate for the contemporary dance regime of exploitation and control of the own flesh, so different from classical ballet training strategy is like a sport in many dimensions.

At the illuminated arena, as a metaphor written on tablets of raw gray reinforced concrete, with two black Venus of Wilendorf and blue ornament creates strangely ominous form. Illusions of space, the feeling of weightlessness, a wild red, sharp blue and flattened form. Not-human, no longer anonymous, almost immaterial: it is after all the essence of abstract compositions of Juan Miro, close to his organic, sexual, full of ovals, but flat color shapes and cutting diagram.

These photographs remind me 60’s Vogue and futuristic space look full of geometry, pure, primary colors, dress-boxes of Cardin’s vinyl, Puccini’s plexiglas helmets and feeling of Kubricks “Space Odyssey”. Risky, in the obvious manner harmonious compositions are monumental, peeled with detail, and, paradoxically, extremely fresh. Silent, filled with serenity of contemplating architecture itself. Separating their own divisions, levels and curves, reflecting the rhythms of Corbusier windows and long shadows. Would not disturb the tense silence either noise of water poured out from the two basins, nor the rustle of the cape stopped halfway mocking of the gravity rights. The effect: stopping in the middle of inner traffic and letting the viewer’s own brain nerve to draw a pathway to finish what artist and the gravity did not show.

Words: dr hab. Anna Królikiewicz

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