No Morning Café, China by ATMOSPHERE

Simple to this, self-containe

Project Specs


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Appreciation towards ATMOSPHERE (contact: for providing the following description:

多くの人が人生はそれほど単純ではないと言うが、人生は食事、食事であり。——《Our Little Sister》

▼咖啡厅室内一览,overview of the cafe ©形在建筑空间摄影 贺川

设计之初,面对一个沉淀5年,辨识度极高且自带“预设值”的品牌时,需要将無早的独特调性与创新做平衡。“与其做加法,不如溯源初心,让它重归‘简单’—— Life is simple。”


At the beginning of the design, in the face of a brand that has been precipitated for 5 years and has a high degree of recognition and comes with a “preset value”, it is necessary to balance the unique uniqueness and innovation without any early. “Instead of doing the addition, it is better to trace the original, let it return to ‘simple’ – Life is simple.”

The space uses a lot of white and wood elements, which is the same as the conventional Japanese style, but the wall is “exposed” to the ingenuity of the details. Different from the alienation feeling of the new wall, the “intentional” mottled, in silent, guides people to touch and interact with them, and instantly closes the distance between space and people.

▼咖啡厅室内,设有“有意为之”的斑驳墙面,interior view of the cafe with the “intentional” mottled walls ©形在建筑空间摄影 贺川

▼斑驳的墙面拉近空间与人的距离,the mottled walls close the distance between space and people ©形在建筑空间摄影 贺川


▼空间爆炸轴测图,墙面将空间的层次感打开,the exploded axon, walls open the layer of space ©氣象建築

A destructive wall with a cave feel opens the layer of space. The change from the light to the deep color is shaped by the multiple atmospheres in the table and the interior, and the wooden floor to the dark ground is also progressive.

▼室内空间,interior view of the cafe ©形在建筑空间摄影 贺川

▼室内空间局部,partial interior view of the cafe ©形在建筑空间摄影 贺川


The bar that retreats into the space is connected to the semi open kitchen. The movement and integration of the “Function Center” not only makes the communication and assistance between employees more efficient, but also guides the inbound route of the inbound customers and becomes the link between the two spaces in the linkage store. The seat setting on the side of the bar, while breaking the monotony of the space layout, creates a natural and friendly communication context between the customer and the employee.

▼退至空间内部的吧台与半开放式厨房相连,the bar that retreats into the space is connected to the semi open kitchen ©形在建筑空间摄影 贺川

▼吧台与厨房细节,details of bar and kitchen ©形在建筑空间摄影 贺川

▼吧台细节,bar details ©形在建筑空间摄影 贺川

▼用餐空间,the dining area ©形在建筑空间摄影 贺川


▼数根深褐色木料依次排开,重构空间顶部,several dark brown woods are arranged in order to reconstruct the top of the space ©形在建筑空间摄影 贺川

In order to further create a sense of family, the “shaped single shadow” beam at the top of the original B space has become a breakthrough. According to the design of the traditional sloping roof beam of Japan, several dark brown woods are arranged in order to reconstruct the top of the space, and the overlap between the lines has a unique geometric order.

▼室内空间细节,interior space details ©形在建筑空间摄影 贺川

▼室内空间细节(左),地面细节(右),interior space details (left), floor details (right) ©形在建筑空间摄影 贺川

▼灯具和墙面细节,lighting and wall surface details ©形在建筑空间摄影 贺川


“Less is More.”—— Ludwig Mies Van der Rohe
Simple things tend to give people more feelings in the details. This point is not only throughout the design, but also in the space façade has been more extreme. Abandon shop tricks, and use a large area of wood and white to fill the door face, minimalist color and material use, with its own recognition and also jump out of the mixed environment. Simple to this, self-containe.

▼外立面日景,采用大面积的木与白充盈门脸,the facade view during the day, using a large area of wood and white to fill the door face ©形在建筑空间摄影 贺川

▼外立面夜景,极简色彩与材质运用使店铺自带辨识度,the facade view at night, minimalist color and material use provide its own recognition ©形在建筑空间摄影 贺川

▼外立面局部,partial view of the facade ©形在建筑空间摄影 贺川

▼平面布置图,layout plan ©氣象建築

项目设计 & 完成年份 2018年8月 & 2019年1月
主创及设计团队:ATMOSPHERE 氣象建築
主创: Tommy Yu
设计团队: Deniel Hwang ,Norma Lee
Area: 101 sqm
摄影版权: 形在建筑空间摄影 贺川
品牌: Paramita度仓家具

Project name: No Morning Café
Project Complete: January.2019
Leader designer & Team: ATMOSPHERE ARCHITECTS
Design in charge: Tommy Yu
Space Design: Deniel Hwang ,Norma Lee
Project location: Chengdu, China
Area: 101 sqm
Photo credits: Here Space Photography Chuan He
Brands / Products used in the project: Paramita

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