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比利时舞蹈家Sidi Labi曾介绍，生长以结构的初始和创作的初始为主题，表现了基因聚合、分裂、再聚合形成的结构，并以树为喻，呈现过去与现在、现在与未来、过去与未来的关系，和这种生长过程与周围环境的相互作用，表现了时空交错下事物发展的过程和其中的动力。

西迪·拉比对树“情有独钟” 。一直以来，他都对根、树枝和不规则碎片以及细胞分裂后产生新物质的运动过程很感兴趣。在西迪·拉比看来，每一根树枝都对应一条深埋在土壤中的树根，我们越想伸手抓住未来，就越需要了解它的过去。生长是一个循环反复的过程，是内部积蓄向外部拓展的结果。舞者和树木、植物有着共同点：需要向前，需要空间，但是还要与栖息的环境互相作用，也受到自然界和外部力量的影响，但往前生长是不变的原动力。

Belgian dancer Sidi Labi once introduced that growth takes the initial structure and the initial creation as the theme, expressing the structure formed by gene aggregation, splitting, and re-aggregation, and using trees as a metaphor, presenting the past and present, present and future, past and present The relationship of the future, and the interaction of this growth process with the surrounding environment, show the process of the development of things under the interlacing of time and space and the motivation therein.

Sidi Rabbi has a soft spot for trees. He has always been interested in the movement of roots, branches and irregular debris, as well as the production of new substances after cell division. According to Sidi Rabbi, each branch corresponds to a root deeply buried in the soil. The more we want to reach out and grasp the future, the more we need to understand its past. Growth is a cyclic and iterative process, which is the result of the expansion of internal savings to the outside. Dancers have something in common with trees and plants: they need to move forward, they need space, but they also have to interact with the environment they inhabit, and they are also affected by the natural world and external forces.

▼项目概览，overview © Aogvision奥观建筑视觉

人们可以进入这样一个空间，它是他周围的领域，当一些精心考虑的物体和线条被引入的时候，就具有了尺度和意义。这就是雕塑创造空间的原因，每一个要素的大小和形态是与整个空间和其他所有要素相关联的。正如野口勇曾说：“我喜欢想象把园林当作空间的雕塑。”

People can enter such a space, which is the field around him. When some carefully considered objects and lines are introduced, they have scale and meaning. This is why sculpture creates space. The size and shape of each element are related to the entire space and all other elements. As Noguchi once said, “I like to imagine sculptures that use gardens as spaces.”

▼展示空间，display space © Aogvision奥观建筑视觉

▼每一个要素的大小和形态都与整个空间相关联，the size and shape of each element are related to the whole space © Aogvision奥观建筑视觉

空间通过人的行为参与而被激活，材质通过表演艺术的肢体关系也同样被唤醒，各种材质本身是有一定的生命特性，无形的表演艺术轨迹将空间的各个部分串联起来，观赏者的体验方式更像是参加一场舞台剧，聚光灯在材质与表演者身上被点亮，顿时间空间是凝固的，空间中的雕塑和装置与表演者的肢体形成了互动关系。

观赏者可以游走在空间中，也可以在入口的台阶上感受改变常规视角后的空间体验感，这是平行视角无法感受的。对于身体力量关系是空间戏剧化的无穷无尽的来源，同时一直在寻找放大物理现象的装置。这是一个寻找生命的过程，一个永久的创造过程，并且尝试接近一个悬浮点。所有这些都是从不同领域提供灵感：歌剧、电影、音乐、音乐会、戏剧、马戏团等。这些不同形式的积累探索也表达对拥抱和体验生活的渴望。

▼空间横切面，section © 泛域设计

The space is activated through the participation of human behavior, the material is also awakened through the physical relationship of the performing arts, various materials themselves have certain life characteristics, and the invisible performing art trajectory connects the various parts of the space, the experience of the viewer is more like participating in a stage play. The spotlight is lit on the material and the performer. The space and time are solidified. The sculptures and installations in the space form an interactive relationship with the performer’s limbs.

The viewer can walk in the space, and can also feel the space experience after changing the conventional perspective on the entrance steps, which cannot be felt by the parallel perspective. The relationship between body power is an inexhaustible source of spatial dramatization, and at the same time, we are always looking for devices to amplify physical phenomena. This is a process of finding life, a permanent process of creation, and trying to approach a floating point. All of these provide inspiration from different fields: opera, movie, music, concert, drama, circus, etc. These different forms of accumulation and exploration also express the desire to embrace and experience life.

▼整个空间就像一个艺术性的舞台，
the whole space is like an artistic stage © Aogvision奥观建筑视觉

▼空间细节，details © Aogvision奥观建筑视觉

剥离常态室内空间的思考方式，通过五组空间表演装置形成各个体块系统，每个体块都暗示着材质与材质之间的融合性，木与五大属性的交融后，从肢体行为转化到雕塑，再从雕塑转化为空间，再由空间转化成表演艺术的舞台，最后从表演艺术里凝结了肢体行为。这是整个空间的转化关系，也是空间思考的原点。

Stripping away the normal way of thinking about indoor space, each body system is formed through five sets of space performance installations, each body body hints at the fusion of materials and materials. After the fusion of wood and five attributes, the body behavior is transformed into sculpture, From sculpture to space, from space to stage of performing arts, and finally condensing physical behavior from performing arts. This is the transformation relationship of the entire space and the origin of space thinking.

▼设计概念轴测图，axonometric drawing © 泛域设计

平面布局的形成是通过对不同能量体块的组合，金木水火土是组成宇宙万物的元素，是一种强大的能量关系在空间中，不同的交融关系也是强调空间的戏剧性，包容性，趣味性。能量是质量运动中的时空分布可能变化程度的度量。能量在改变时保持不变，它的变换和守恒将运动的各个阶段的描述联系在一起。

The layout of the plane is formed by the combination of different energy blocks. The golden wood, water, fire and earth are the elements that make up the universe. It is a powerful energy relationship in space. Sex. Energy is a measure of how likely the spatiotemporal distribution in mass motion may be. The energy remains unchanged when it changes, and its transformation and conservation link the description of the various stages of movement.

▼金木水火土五种不同能量体块的组合，a combination of five different energy blocks © Aogvision奥观建筑视觉

木拱在穿透混凝土拱洞后，木皮却被剥落在地面传递人类对自然的无情剥夺。这是一种可探寻轨迹的反推方式，从现场的静态表现与细节内容从而推测之前所发生的一系列行动轨迹，这种反推理概念，也很好的增加了空间的神秘性，趣味性与参与感。

After the wooden arch penetrates the concrete arch hole, the wooden skin is peeled off on the ground to convey the human’s ruthless deprivation of nature. This is a backtracking method that can explore the trajectory. From the static performance and details of the scene to infer a series of action trajectories that occurred before, this anti-inference concept also increases the mystery and fun of the space. With a sense of participation.

▼极具神秘感与趣味性的空间，very mysterious and interesting space © Aogvision奥观建筑视觉

通过表演艺术与各元素关系重叠都引发对空间更深层的思考与可能性，对物质的本质，对生命的认知，对空间的实验，对艺术的探索，这些执念终将会指向新的道路。舞蹈艺术就是物理性运动组织的基础上在时间和空间格局完成的动态。

Through the overlapping of the relationship between performing arts and various elements, it leads to deeper thinking and possibility of space, the essence of material, the understanding of life, the experiment of space, and the exploration of art. These obsessions will eventually point to new the way. Dance art is the dynamics completed in time and space based on the physical movement organization.

▼多种元素构成的静态装置，a static device composed of multiple elements © Aogvision奥观建筑视觉

▼空间和装置细节，space and installation details © Aogvision奥观建筑视觉

无序中创造有序，有序随机被无序打破。表演艺术解构了时间，空间，材质及能量的关系。表演行为结构探索了空间与构建作品，形成了独特的身体语言，以及身体，意识，材质，能量，即兴的创作方式的融合。空间是舞台也是展厅，材质与表演者共舞，所有人都被邀请参与了这场演出。

Order is created in disorder, and order is randomly broken by disorder. Performing art deconstructs the relationship between time, space, material and energy. The performance structure explores space and constructing works, forming a unique body language, as well as a fusion of body, consciousness, materials, energy, and improvisation. The space is the stage and the exhibition hall. The material dances with the performers, and everyone is invited to participate in this performance.

▼材料细节，material details © Aogvision奥观建筑视觉

▼立面和视野分析，elevation and visual field analysiss © 泛域设计

▼立面和墙面节点，facade and wall nodes © 泛域设计

项目名称：Art Wood 术木品牌概念店
空间设计：Fun Unit Design 泛域设计
项目地点：浙江杭州
室内面积：120㎡
主持设计：朱啸尘
参与设计：薛丰、柴尔焕、蒋冠航
设计时间：11/2019-12/2019
建造时间：01/2020-04/2020
主要用材：地板、混凝土、艺术涂料、玻璃砖、不锈钢
摄影师：Aogvision奥观建筑视觉

Project Name: Art Wood Brand Concept Store
Interior design: Fun Unit Design
Project location: Hangzhou, Zhejiang
Project area: 120㎡
Host design:Eason Zhu
Participated designer:Evans, Erhuan Chai, Guanhang Jiang
Design time: 11 / 2019-12 / 2019
Construction time: 01 / 2020-04 / 2020
Main materials: floor, concrete, artistic paint, glass brick, stainless steel
Photographer: Aogvision Architectural Vision

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