连接与对话 – 银川韩美林艺术馆 / 三磊设计

人与艺术的共鸣,建筑与自然的共生。

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来自三磊设计 对gooood的分享。更多关于他们: Sunlay Design on gooood.
Appreciation towards Sunlay Design for providing the following description: 

 

缘起贺兰
Originated in Helan

自银川西行三十公里是层峦叠嶂的贺兰山脉,上溯石器时代,古人以古拙苍劲的笔触,在山口东麓沟谷两侧岩石间留下人、动物、狩猎、祭祀和神明的图像。穿越五千年,它与当代艺术家韩美林之间有着一条奇妙的连线。

如他所言:“21年前,我第一次来到贺兰山,面对那么多古岩画,突然感觉,我走了半辈子,直到50多岁才找到艺术的家。”

2010年,怀着对贺兰山的深厚情谊,韩美林先生将创作的千余件艺术精品捐赠给银川市人民政府。为了收藏、陈列这些珍贵的艺术作品,银川市政府决定在贺兰山岩画遗址景区内兴建一座艺术馆。由此,银川韩美林艺术馆于焉而生。

002-Yinchuan Han Meilin Art Museum by Sunlay

30 kilometers west from Yinchuan, there is the crowded vista of the Helan Mountain Range. Back in the Stone Age, carvings of human figures, animals, hunting scenes, rituals and gods were deeply etched in between the rocks on both sides of the eastern gully of the mountain pass. These ancient rock paintings have leapt through time and after five thousand years they have mysteriously connected to the contemporary artist Han Meilin.

“I firstly arrived at the Helan Mountain 21 years ago,”says the artist, “After I had witnessed these ancient paintings, I had a feeling that I had been traveling all my life searching for home of art, and now I have finally found it here at the age of over 50. This had been a search for over half of my entire lifetime.”

In 2010, with great respects to the Helan Mountain, Mr. Han Meilin had donated over one  thousand pieces of selected artworks to the Yinchuan Municipal Government. To properly collect and exhibit these precious artworks, Yinchuan Municipal Government had proposed an art museum project near the ancient rock painting site at Helan Mountain. Hence the Han Meilin Art Museum project was initiated.

004-Yinchuan Han Meilin Art Museum by Sunlay

 

原始启示
Inspiration from Nature

面对巍巍贺兰山,建筑应以何种姿态介入到这片雄壮而原始的自然环境之中,并最终塑造出一个专属于这片土地的空间场所,是三磊设计所面临的重要课题。

古老的岩画激发韩美林先生的艺术灵感,亦给予设计团队最大启示。我们希望这座艺术馆像岩画遗迹一般,既表达人类的智慧,又与大自然融为一体。以一座地景般的建筑在天、地、山、人之间达成精神的连接,比雄壮的山体相比,它以恰当的尺度、体量和线条表达出人的存在感。

藉此,形成人与艺术的共鸣,建筑与自然的共生。

The main subject Sunlay came across when designing this particular project was to custom-make a site-specific architecture that would correspond to the majestic Helan Mountain and the magnificent rural natural environment.

Likewise the artist Mr. Han Meilin, the ancient rock paintings also inspired the design team. We proposed a scheme similar to the ruins of the rock paintings, the design aimed to express intellectual aspirations of human-beings while merge back to the nature landscape. The result is an architecture of land art with appropriate scale, volume and composition in regard to the vast mountain, communicating a spiritual connection between the natural elements including land, sky, mountain and mankind.

Herein lies the resonance between art and man, a symbiosis status between architecture and nature.

▼ 雄壮而原始的自然环境,the majestic Helan Mountain

001-Yinchuan Han Meilin Art Museum by Sunlay

▼ 入口空间,建筑与自然的共生,entrance view, a symbiosis status between architecture and nature

003-Yinchuan Han Meilin Art Museum by Sunlay

009-Yinchuan Han Meilin Art Museum by Sunlay

 

当代诠释
A Contemporary Interpretation

贺兰山为石质山地,土地瘠薄,多岩石裸露。土法石墙构筑——是贺兰山下原住民在房屋建造中“就地取材”的智慧结晶。

为确保苍茫雄浑的场所特征,我们利用山势高差,将建筑整体嵌入山体。具有当地原始肌理的砌石墙体宛如自然天成,墙体间的“缝隙”承载建筑的主要功能。以清水混凝土构建的三个平台,仿佛搁置于原始地貌之上,营造出苍野大地间的安全领域感。

具有原始肌理的墙体和纯净的展厅相叠加构成建筑的雏形,经过功能、动线与美感等诸多因素间的反复协调推敲,建筑的造型最终确定。建筑的辅助功能如楼梯、卫生间等全部隐藏于浑厚的“墙体”中,在确保所有展厅空间高纯净度的同时,又使建筑造型的层次变得丰满。

The geological condition of Helan Mountain is mainly composed with rocky mountains, with exposed stones and severely deserted. The local Helan residents have developed a way of masonry wall construction method which utilizes existing material when building houses.

To maintain the pale waste isolation and vigorous characteristic of the site, the design scheme utilizes the height difference and inserts the entire architecture into the main body of the mountain. The masonry surfaces of the walls preserves the primitive texture of the local rock, which form a coherent unity of man-made architecture and nature. The “vaults”between the walls contain the main functions of the building. Three platform of shimizu concrete are placed lightly on top of the original surface of landform to create a safe zone in between the deserted land.

The raw-surfaced wall and simple exhibition hall are layered to form the basic appearance of the architecture. With various elements such as functions, circulation and aesthetic in mind, the final form of the architecture is then determined. Other secondary functions such as stairs and restrooms are all hidden into the vaults of the thick walls to ensure the highly purified spacial experience of the exhibition hall and still maintain the rich layered architectural form.

▼ 概念演化,design process

016-Yinchuan Han Meilin Art Museum by Sunlay

▼ 出口空间,以石墙和清水混凝土构建而成的建筑,exit space, a building built by masonry wall and shimizu concrete

007-Yinchuan Han Meilin Art Museum by Sunlay

008-Yinchuan Han Meilin Art Museum by Sunlay

010-Yinchuan Han Meilin Art Museum by Sunlay

 

空间互动
Interactive Space

基于场地9.5米的高差,我们采用自上而下的参观流线,以自然的石砌路径将人流引向建筑入口。艺术馆内共分三层,主要包括展厅、互动区、创作区及游客服务区等,集参观、教学、展览、休闲等多功能于一体,分别展示韩美林先生以岩画为题材的绘画、书法、雕塑、陶瓷等艺术精品。

根据展品特点,我们采用多展厅布局方式,便于在不同展览空间中布置不同类别的艺术作品。平面格局以中心两层的核心展厅为主导,在形状规则的展厅之间,设置形状富于变化的互动空间。展厅与互动厅的交错布局增加参观的趣味性,仿佛恢弘巨著的不同篇章,让参观者细细品味。

The main exhibition circulation route is determined based on the 9.5 height difference of the site. The route is curated from the top to the lower level with natural masonry paths directing the circulation toward the entry of the main architecture. The 3-story Art Museum contains an exhibition hall, a interactive zone, a creative zone and tourist service areas; with multiple functions such as exhibition, tutorials and leisure activities. The exhibits include rock-painting-theme paintings, calligraphies, sculptures and ceramics by Mr. Han Meilin.

The exhibition hall, based on the features of the contents of the exhibits, are divided into multiple zones, artworks of various types are organized in featured exhibition spaces. The organization of the building plan is guided by the 2 stories core exhibition hall at the center, it is then surrounded by dynamic interactive spaces which interlaced zones weaving back into the main hall. The visiting experience is like reading through a masterpiece with various chapters, filled with interesting stories for visitors to mingle with.

▼ 入口大堂内景,lobby

011-Yinchuan Han Meilin Art Museum by Sunlay

▼ 展览空间,gallery

015-Yinchuan Han Meilin Art Museum by Sunlay

▼ 出口处平静的水面,water surface at the exit space

013-Yinchuan Han Meilin Art Museum by Sunlay

014-Yinchuan Han Meilin Art Museum by Sunlay

012-Yinchuan Han Meilin Art Museum by Sunlay

 

起点终点
An End, and a Start

艺术馆位于岩画遗址景区的出口处,它的出现,不仅充实整体景区游览的体验节奏,更像是给略微疲惫的参观者准备的落脚驿站。这里是景区参观流线的终点,更是回味传统与当代艺术互动交流的起点。游客可以尽情欣赏感受五千年前的历史、艺术、自然同现代精神的交融与对话。

苍穹之间,银川韩美林艺术馆宛如一环至美璎珞,与古老的岩画,共同隐伏于巍峨的贺兰山下。

The Art Museum locates at the exit of the prehistoric rock painting site. Like a sheltered station for tiring tourists, the Art Museum has provided an ending spot of the ruin scenery experience, while at the same time performed as a starting point of interactive contemporary art exhibition. The sight-seeing rhythm is enriched with the Art Museum providing a conversation between tourists, spirit of modernity, contemporary art and history, art and nature from five thousand years ago.

Below the vast firmament, like the ancient rock paintings hidden in the Helan Mountain, Yinchuan Han Meilin Art Museum is like a pearl of perfection, lying quietly at the foot of the peak.

▼ 游览路线,route design

017-Yinchuan Han Meilin Art Museum by Sunlay

▼ 夜景,evening view

005-Yinchuan Han Meilin Art Museum by Sunlay

006-Yinchuan Han Meilin Art Museum by Sunlay

▼ 入口层平面,entrance level

018-Yinchuan Han Meilin Art Museum by Sunlay

▼ 中间层平面,mid level / 出口层平面,exit level

019-Yinchuan Han Meilin Art Museum by Sunlay     020-Yinchuan Han Meilin Art Museum by Sunlay

项目地点:宁夏 银川
项目客户:银川市贺兰山岩画管理处
项目规模:5,980平方米
设计单位:三磊设计
设计时间:2013年
竣工时间:2015年底
项目摄影:存在建筑

MORE: 三磊设计  Sunlay Design ,更多关于他们: Sunlay Design on gooood.

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