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Scott Hazard毕业于加州理工大学景观设计专业，随后他前往佛罗里达大学研修当代艺术。如Scott Hazard一贯的表达形式，他运用一系列纸板，经过精心的裁剪和仔细的拼合，最终呈现出一件件动人的作品。

Scott Hazard received his landscape architecture education at California Polytechnic State University, and then continued his study in fine art at the University of Florida. Like his former works, he used layers of paper, with carefully torn or cut, spaced apart and aligned to define sculptural voids.

Right Behind You

Medium: Sculpture (wood, paper, acrylic, archival ink.)
Size: 31.5 X 45.5” X 4” deep (Framed)
2017

Cultivate

Medium: Sculpture (wood, paper, acrylic, archival ink.)
Size: 31.5 X 45.5” X 4” deep (Framed)
2017

在当代生活中，人们被各种各样的信息和刺激包围。即便你逃离了嘈杂的生活，也依然逃不过信息的轰炸。Scott Hazard的作品，似乎是对这一现象的回应。在经由纸片层层堆叠而成的作品中，形成了奇妙的虚空间。观察者视线在作品上徘徊，游走在虚实的空间里，仿佛视线都拥有了感知。这一独特的观感体验，让观察者仿佛在虚空间中获得了短暂的停留。只要你的视线不移开，你的精神便不会被打扰。

The world we are living is surrounded by endless informations and stimulus. Easily to escape from the noise, still it is hard to get rid of the network of informations. The works of Scott Hazard were created to response to this kind of phenomenon. The artwork created by layers of paper forms a intriguing void, where the viewers’ vision go through it and acts as if the vision has its own perception. This kind of unique experience enables viewers’ visions to remain a bit longer in the voids. And as long as your vision stays there, your mental remains to be inviolate.

This

Medium: Sculpture (wood, paper, acrylic, archival ink.)
Size: 31.5 X 45.5” X 4” deep (Framed)
2017

Surface Opened

Medium: Sculpture (printmaking paper, text, maple wood frame/box)
Size: 13” X 13” X 6” deep.
2016

Hold This Line

Medium: Sculpture (printmaking paper, text, maple wood frame/box)
Size: 13” X 13” X 6” deep.
2016

Sow Wild

Medium: Sculpture (printmaking paper, text, maple wood frame/box)
Size: 15” X 15” X 8”
2016

Scott Hazard在层叠的纸片上印刻了文字。远看，文字与纸板的搭配仿佛是水墨画般；近观，文字便在纸板间游走，捕捉着人的视线，由远到近，又从近到远，营造出更为动感的阅读体验。在这系列作品中，Scott Hazard所理解的空间与佛家的“虚空”如出一辙。它代表了思绪的停顿和精神的放空。

Scott Hazard also put language on the layers. Viewing from distance, the artworks are seemingly Chinese monochromes; when stepping forward, you may find the language moving from a layer to another, catching the viewers’ eyes and creating a dynamic reading experience. The void emerged in these works is rooted largely in Buddhist notions of emptiness, where by viewing them, one would receive a space for a sensory pause.

Stone, Drop, Trace

Medium: Sculpture (Maple, acrylic, paper, text.)
Size: 16” X 16” X 8”
2017

Wild World

Medium: Sculpture (Maple, acrylic, paper, text.)
Size: 16” X 16” X 8”
2017

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