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Appreciation towards KOTUstudio, Map/Mx, Sina Ozbudun for providing the following description:

PAU建筑与设计学院位于校园的西南角，同时也是建筑与自然景观交会的地带。“建”与“未建”之间清晰而充满张力的环境氛围，成为设计专业的学生不可多得的灵感源泉。

PAU School of Architecture and Design situates itself in a programmatically loaded social zone, southwest corner of the campus, it is also a transition space from the built environment and vast landscape. The project site can be rather inspiring for design students who will be cultivated in an environment that has clear tension between the built and unbuilt.

▽ 总平面图，site plan

当代建筑学关于建筑与基地环境二元论的思维模式总是在两种手法间摇摆不定，要么是以自然的元素来伪装建筑，创造一个虚假的自然；要么抱着对形体的迷恋对基地大加改造。这座建筑的设计体现了一种中庸的态度，人工与自然和谐共生于一体。建筑三面环山，不同造型的立面不仅塑造了多样的空间关系，还映射了Pamukkale特有的拟灰石梯田景观。Cengiz Bektas设计的人行长廊像一条脊骨，将人性的尺度同校园联系起来，它一起延伸到建筑的教工入口，构成建筑的主轴线，与交通空间和庭院杂糅在一起，成为建筑的一部分。平面上的曲线由人行长廊发展而来，转化为墙体、门窗、中庭以及其他要素；这些曲线的元素圈定了建筑中的地面和植被的形态，划定出周围景观软硬铺装的边界。它们以其流动的特质，通过收放自如的连续空间，塑造出动感的交通流线。

The dualist mode of thinking in contemporary architectural profession for the building and ground relationship fluctuates between either disguising the building with natural elements and creating a fake sense of nature, or undermining the ground by fetishizing the figure. The project sits in between, where the artificial and natural is in a symbiotic relationship. The building is lightly positioned on the hill on three different elevations. The difference in elevation not only brings diversity to the relationship between the spaces, but also makes reference to the tectonics of Pamukkale’s symbolic travertine terraces. The modernist pedestrian promenade design by Cengiz Bektas, creates a spine that relates human scale with the campus, is extended into the faculty’s entrance generating the main axis of the building. This pedestrian spine is then absorbed within the building by the courtyards and circulation system. The plan curves that originates from the promenade, turns into walls, windows, atriums and other elements; these curves also defines scores on the ground, flower patches, or borders between soft and hard ground of the landscape. Thus the curve is not only a representation of a building element but an overall aesthetic agent that alters and defines both the building and landscape. The linear and fluid nature of the plan lines forms a dynamic circulation diagram by expanding and constricting the spaces continuously.

▼ 入口层平面（带环境），ground floor plan with surroundings

▼ 主入口，main entrance

四种古来有之的屋顶类型：单双坡屋顶、平屋顶和拱顶，经过重新诠释，交织出现在建筑中，根据下方空间功能的不同沿着平面曲线交替变换。因此，平面上的曲线也影响到了建筑剖面。尽管剖面的线条会被各种开洞所打断，但屋顶的类型保证了其抽象轮廓的完整性。不同造型的剖面同紧缩的平面相呼应形成类型丰富的结构体，从发散的线性空间逐渐变为造型熟悉的屋面。形式上的复杂性和简单性借由具有节奏感的发散和聚合空间得到了平衡。

The four historic typologies of the roof; pitched, flat, arch and inclined, have been reinterpreted and run through the plan curves alternating on each wing according to the programmatic requirements of the spaces below. Thus the curves also affect the form of the building in section too. The section lines are sometimes segmented by elements like slits and windows, losing its silhouette, but keeping the abstract trace of the roof typologies intact. As different sections meet on the constricting moments on the plan they form tectonic complexity by a multiplicity of the typologies, they diverge to become linear and turn into the familiar roofs again. This formal complexity and simplicity has been balanced with a rhythmic movement of diverging and fusing elements into the space.

▼ 剖透视，sectional perspective

在远离入口的主轴线上，建筑形体划分为功能不同的三个体量，其交会处构成了建筑的公共空间。建筑的中翼位于主轴线上，在末端向两侧分开，同另外两翼形成连续的环形回路。回路围合成的院落，为学生们提供了室外展览、休闲和活动空间，两座院所的大小和私密程度各不相同。主轴线上的咖啡厅为两侧的院落提供服务，同时创造了二者视觉上的统一性。三翼交会的区域容纳着垂直的交通空间和消防楼梯。各体量中，线性的楼梯为使用者到达各个楼层提供了方便快捷的通道。具有强烈指向性的条形建筑中布置着各种内庭院和采光井，以此尽可能地削弱序列性线形空间单调的视觉效果。

Programmatic separation begins as the building diverges into three wings symmetrically on the main axis further away from the entrance. As the wings meet the circulation nodes communal spaces is formed. The middle wing which lies on the main axis is the circulation spine, and creates two coterminous loops as it meets with other two wings on different instances. The courtyards in the loops provide, exhibition, leisure and activities for the students. These two courtyards that differ in size are semi-privatized by the different departments of the faculty which they are surrounded by. The cafe on the main axis serves both of these open areas unifying them visually. The merging instances of the building homes the vertical circulation and fire escapes whereas the linear stairs on the rest of the wings provides fast circulation between floors. The directional stripes of the building are frequently interrupted with vertical internal courtyards and light wells to minimize the perception of a squeezed and linear space.

▼ 室内，interior

▼ -3.50m标高平面，-3.50m plan

▼ ±0.00m标高平面，±0.00m plan

▼ +3.50m标高平面，+3.50m plan

▼ +7.00m标高平面，+7.00m plan

▼ 剖面图，section

Designers :Sina Özbudun, Erdem Tüzün, Yelta Köm, Isaac Michan,(KOTUstudio, MAPmx, Sina Özbudun)
Team: Tarık Keskin, Arturo Lezama, Narciso Martinez, Omar Acevedo, Jorge Sanchez

Drawings: KOTUstudio, MAPmx, Sina Özbudun
English Text: KOTUstudio, MAPmx, Sina Özbudun
Chinese Text: gooood

MORE: KOTUstudio Map/Mx，更多请至：KOTUstudio on gooood，Map/Mx on gooood

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PAU School of Architecture And Design by KOTUstudio, Map/Mx, Sina Ozbudun