Sculpture ∞ by Tony Brown + Yimu Art&Design

Infinite possibilities from ∞

Project Specs

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感谢 上海奕木艺术设计顾问有限公司 予gooood分享以下内容。更多关于他们,请至:Yimu Art Design on gooood
Appreciations towards Yimu Art Design Consultant Limited  for providing the following description:

“如果你从无限中移走或添加一部分,剩下的还是无限。” – 夜柔吠陀·印度,公元前1200-900

https://www.gooood.cn/preview/post/1088108“If you remove or add a part from the infinite, the rest is infinite.” – Yejuveda·India, 1200-900 B.C.

▼视频,Tony Brown与《∞》,Video

“∞”虽然是一个数学符号,却在神学、哲学、数学和日常生活中有着多元而丰富的概念。当英国人John Wallis将8水平置放成”∞”,并阐述了数学中“无穷大”这一概念时,大约2500年前的印度已经对这一概念有了记载。

Although “∞” is a mathematical symbol, it has diverse and rich concepts in theology, philosophy, mathematics and daily life. When the British John Wallis placed the 8 levels as “∞” and explained the concept of “infinity” in mathematics, this concept was already recorded in India about 2500 years ago.

▼展览上的∞画作,Painting of ∞ during the exhibition ©王楠

2019年7月的第二届平遥国际雕塑节上,来自世界范围内的数十位艺术家以雕塑为引领,呈现了一场极具张力的艺术盛宴,这是Tony Brown的雕塑作品《∞》首次出现在公众视野中。2020年夏末,尺寸数倍于平遥国际雕塑节的《∞》落地西安欧亚学院校园,一场关于东方与西方,传统与现代,人文与自然的探讨在更大众的范围展开。

At the 2nd Pingyao International Sculpture Festival in July 2019, dozens of artists from all over the world led by sculpture, presenting a powerful artistic feast. This is the first time for Tony Brown’s sculpture “∞” Appeared in public view. At the end of the summer of 2020, “∞”, which is several times the size of the Pingyao International Sculpture Festival, landed on the campus of Xi’an Eurasia University. A discussion about the East and the West, tradition and modernity, and humanities and nature was launched in a wider range.

▼2019年平遥国际雕塑节参展作品《∞》,∞ in the 2019 Pingyao International Sculpture Festival ©王楠
Tony Brown
L1900xW1500xH1700mm
Corten Steel,Wood Base

 

融合
FUSION

在谈及这座耗时一年多,经过Tony Brown、欧亚学院及奕木艺术多方努力完成的雕塑作品《∞》时,Tony Brown给出的关键词是“融合”。《∞》是建筑学、园林艺术、雕塑艺术的融合,也是坚硬材料与流畅曲线、平整板面的融合。它试图表达作品与环境的关联,利用每一个空洞关系去诠释无限符号的无限概念。Tony Brown认为作品能够与人产生互动性非常重要,当人们可以坐在上面聊天,可以站在上面拍照时,人与作品、作品与树木、人与环境之间的互动会构成一种全新而和谐的融合。

When talking about this sculpture “∞”, which took more than a year and was completed by Tony Brown, Xi’an Eurasia University and Yimu Art, the key word given by Tony Brown is “fusion”. “∞” is a fusion of architecture, garden art, and sculpture art. It is also a fusion of hard materials, smooth curves and flat surfaces. It attempts to express the connection between the work and the environment, using every empty relationship to interpret the infinite concept of infinite symbols. Tony Brown believes that it is very important for works to interact with people. When people can sit on it and chat, stand on it and take pictures, the interaction between people and works, works and trees, and people and the environment will constitute a new and harmonious interaction.

▼《∞》于西安欧亚学院的实景呈现效果,∞ in Xian Eurasia University ©王楠

▼雕塑与环境的融合,Integration of the sculpture and the nature ©王楠

 

超越
BEYOND

从平遥国际雕塑节的展览小稿,到欧亚学院的大型雕塑,奕木艺术配合Tony Brown完成《∞》全部作品的二次深化、制作及安装工作。面对不同空间的展示效果和需求,奕木艺术思考了不同呈现形式及差别化的工艺细节,从而确保作品在不同空间最佳的呈现形态。

From the exhibition drafts of the Pingyao International Sculpture Festival to the large-scale sculptures of Xi’an Eurasia University,Yimu Art cooperated with Tony Brown to complete the secondary deepening, production and installation of all works of “∞”. Faced with the display effects and needs of different spaces, Yimu Art considered different presentation forms and differentiated craft details to ensure the best presentation form of the works in different spaces.

▼《∞》部分深化稿,Developed drawing of the sculpture ©Tony Brown+Yimu Art&Design

《∞》在工艺层面的难点主要有两方面,一是极高的准确性要求,由于整体雕塑形体超出成品耐候钢板既有规格,为保证造型曲线的流畅度,实现无缝拼接后板面的平整,对公差精度的考究显得尤为重要;二是作品的表面涂装,作品需要在安装完成后于户外进行涂装作业,选择有利天气非常关键,而哑光涂料无法打磨必须一次成型,这无一不加大了施工难度。

The difficulty of “∞” at the technical level is mainly in two aspects. One is the extremely high accuracy requirement. Because the overall sculpture shape exceeds the existing specifications of the finished weathering steel plate, in order to ensure the smoothness of the modeling curve, the seamless splicing of the surface Smoothness is particularly important for tolerance accuracy; the second is the surface painting of the work. The work needs to be painted outdoors after the installation is completed. It is very important to choose favorable weather, and the matte paint cannot be polished and must be molded in one time. One does not increase the difficulty of construction.

▼《∞》材料及施工过程,Material and construction process ©Tony Brown+Yimu Art&Design

 

无限
UNLIMITED

此次奕木艺术与Tony Brown、欧亚学院的合作,传达了以超越常规的思维模式突破传统形态多样化演变的理念,通过“尺度”与“场域”的概念,构建了一个充满哲思且富有价值的人文作品。藉由艺术桥梁,奕木艺术链接中西方艺术家与商业市场,不断进行城市公共艺术文化的探索和践行,创造了艺术与城市的无限可能。

The cooperation between Yimu Art and Tony Brown and Xi’an Eurasia University conveyed the concept of breaking through the diversified evolution of traditional forms with a thinking mode that goes beyond the conventional. Through the concept of “scale” and “field”, it has constructed a philosophy full of philosophical thinking. And valuable humanities works. Through the bridge of art, Yimu Art connects Chinese and Western artists with the commercial market, and continuously explores and practices urban public art culture, creating unlimited possibilities for art and the city.

▼《∞》局部细节,Details ©王楠

▼平面图,plan ©Tony Brown+Yimu Art&Design

▼雕塑+基础示意图,Drawing of the sculpture and the foundation ©Tony Brown+Yimu Art&Design

▼雕塑A拆分图,Split drawing of the sculpture A ©Tony Brown+Yimu Art&Design

项目名称:《∞》
设计方:Tony Brown (法国)
公司网站:http://www.yimuartdesign.com/
联系邮箱:jason@yimuartdesign.com
项目设计&完成年份:2019/2020
主创及设计团队:Tony Brown (法国)
项目地址:陕西省西安市东仪路 西安欧亚学院
建筑面积:L7200*W6800*H5000mm
摄影版权:王楠
合作方:奕木艺术设计顾问(上海)有限公司
客户:西安欧亚学院

More:  Yimu Art Design Consultant Limited,:Yimu Art Design on gooood

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